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Восход - главный журнал русского еврейства
No full textSimon Markish, Voskhod, principal review of Russian Judaism.
This article retraces the history of Voskhod (Knizhki Voskhoda), a monthly literary, social and political Russian Jewish journal, the most important of its kind, as regards its long life (1881-1906) and the quantity of issues that had appeared (nearly 300). Special attention has been reserved to the participation of Russian writers (for instance Dmitrii Merezhkovskii, Fcdor Sologub, Konstantin Fofanov, Daniil Mordovtsev, etc.) as well as to the decisive influence of Russian literature on the formation of Jewish belles-lettres written in Russian (Saltykov-Shchcdrin and Jewish writers).Simon Markish, Voshod, principale revue du judaïsme russe.
Le présent article retrace l'histoire de Voshod (Knižki Voshoda), mensuel littéraire, social et politique russo-juif. Il fut le plus important par la durée (1881-1906) et par le nombre des fascicules parus (près de 300). On a accordé une attention particulière à la participation d'écrivains russes (tels Dmitrij Merežkovskij, Fedor Sologub, Konstantin Fofanov, Daniil Mordovccv, etc.), ainsi qu'à l'influence décisive exercée par la littérature russe sur la formation des belles-lettres juives d'expression russe (Ščaltykov-Scedrin et les hommes de lettres juifs).Markish Simon. Восход - главный журнал русского еврейства. In: Cahiers du monde russe et soviétique, vol. 28, n°2, Avril-Juin 1987. Autour de la presse russe et soviétique. pp. 173-181
Vjačeslav Ivanov et les juifs
No full textSimon Markish, Viacheslav Ivanov and the Jews.
The present article examines the attitude of Viacheslav Ivanov toward the Jewish people, and most particularly toward Russian Jews. (The opinion of Ivanov concerning the Judaism in its religious aspect and as a specific concept of the world is only slightly touched upon from a general point of view.) The author endeavors to appraise the position taken up by Ivanov on the nature of the problem itself within the context of philosemitism of the Silver Age in Russia.Simon Markish, Vjačeslav Ivanov et les juifs.
Le présent article examine l'attitude de Vjačeslav Ivanov envers le peuple juif, et tout particulièrement envers les juifs russes. (La question de l'attitude d'Ivanov envers le judaïsme en tant que religion et que conception du monde spécifique est seulement effleurée en général.) Il a été tenté d'évaluer la position d'Ivanov sur le fond et dans le contexte du philosémitisme du Siècle d'Argent en Russie.Markish Simon. Vjačeslav Ivanov et les juifs. In: Cahiers du monde russe et soviétique, vol. 25, n°1, Janvier-Mars 1984. Autour du symbolisme russe 3. (Vjačeslav Ivanov) pp. 35-47
À propos de l'histoire et de la méthodologie de l'étude de la littérature juive d'expression russe
No full textSimon Markish, On the subject of history and methodology of study of Jewish literature in Russian language.
This paper destined to introduce the round table examines some methodological questions, in particular the following ones: can there be Jewish literatures in "non— Jewish" languages? What is the influence of Jewish literature in Russian on literatures in Yiddish and in Hebrew and vice versa? What are the relations between Russian and Judeo-Russian literatures? Who is to be considered as a Russian Jewish writer (and more broadly as a Jewish writer)? The paper also expresses some personal remarks on the works of Jewish authors making use of the Russian language.Simon Markish, A propos de l'histoire et de la méthodologie de l'étude de la littérature juive d'expression russe.
Dans cet exposé destiné à introduire la Table ronde, quelques questions méthodologiques sont examinées, notamment les questions suivantes : peut-il exister des littératures juives en langues "non juives" ? Quelle influence la littérature juive d'expression russe exerce-t-elle sur les littératures en yiddish et en hébreu, et vice versa ? Quelles sont les relations entre les littératures russe et russo-juive ? Qui faut-il considérer comme un écrivain juif russe (et plus largement comme un écrivain juif) ? On y présente aussi des remarques personnelles sur les oeuvres des auteurs juifs d'expression russe.Markish Simon. À propos de l'histoire et de la méthodologie de l'étude de la littérature juive d'expression russe. In: Cahiers du monde russe et soviétique, vol. 26, n°2, Avril-Juin 1985. Autour de la littérature juive russe. pp. 139-152
Жаботинский - русский журналист
No full textSimon Markish, Zhabotinskii, a Russian journalist.
The purpose of this article is to examine a part of the journalistic legacy of one the most important representatives of twentieth-century Jewish literature, expressed in Russian : V. (Zeev) Zhabotinskii, much better known as a politician. The part of the legacy in question consists of publicist articles properly Russian, and not Russian-Jewish. The chronological framework covers the whole of the pre-revolutionary (in Russia) as well as the post-revolutionary (in emigration) period of Zhabotinskii's life.Simon Markish, Žabotinskij, journaliste russe.
Cet article se propose d'examiner une partie de héritage journalistique d'un des représentants les plus importants de la littérature juive d'expression russe du XXe siècle, V. (Zeev) Žabotinskij, beaucoup plus connu comme homme politique. Il s'agit de la partie de l'héritage consistant en articles publicistes proprement russes, et non russo-juifs. Les cadres chronologiques couvrent tant la période pré-révolutionnaire (russe) que post-révolutionnaire (dans l'émigration) de la vie de Žabotinskij.Markish Simon. Жаботинский - русский журналист. In: Cahiers du monde russe et soviétique, vol. 31, n°1, Janvier-Mars 1990. pp. 61-75
Osip Rabinovič (II)
No full textSimon Markish, Osip Rabinovich.
Osip Rabinovich is a mid-nineteenth century writer, almost completely forgotten in our time. Nevertheless he was the father of the Russian-Jewish literature that endowed the Russian Empire with names such as Iushkevich, Aizman, Babel'. The present article brings out the sources of Rabinovich's work and stresses its connection with the Russian and Jewish literary traditions (Hebrew, Yiddish, German-Jewish); it establishes its place in the mid-nineteenth century Russian literature and in Jewish cultures of various expressions of modern and contemporary period.Simon Markish, Osip Rabinovič.
Osip Rabinovič est un écrivain du milieu du siècle dernier, presque totalement tombé dans l'oubli de nos jours. Pourtant il fut le fondateur de la littérature russo-juive qui a donné aux lettres de l'Empire russe des noms comme ceux de Juškevič, Ajzman, Babel'. Le présent article dégage les sources de l'œuvre de Rabinovič et fait ressortir ses liens avec les traditions littéraires russe et juive (hébraïque, yiddish, juive d'expression allemande), sa place dans les lettres russes du milieu du XIXe siècle, ainsi que dans les cultures juives d'expression diverse de l'époque moderne et contemporaine.Markish Simon, Négrel Dominique. Osip Rabinovič (II). In: Cahiers du monde russe et soviétique, vol. 21, n°2, Avril-Juin 1980. pp. 135-158
Osip Rabinovič
No full textSimon Markish, Osip Rabinovich.
Osip Rabinovich is a mid-nineteenth century writer, almost completely forgotten in our time. Nevertheless he was the father of the Russian-Jewish literature that endowed the Russian Empire with names such as Iushkevich, Aizman, Babel'. The present article brings out the sources of Rabinovich's work and stresses its connection with the Russian and Jewish literary traditions (Hebrew, Yiddish, German-Jewish); it establishes its place in the mid-nineteenth century Russian literature and in Jewish cultures of various expressions of modern and contemporary period.Simon Markish, Osip Rabinovič.
Osip Rabinovič est un écrivain du milieu du siècle dernier, presque totalement tombé dans l'oubli de nos jours. Pourtant il fut le fondateur de la littérature russo-juive qui a donné aux lettres de l'Empire russe des noms comme ceux de Juškevič, Ajzman, Babel'. Le présent article dégage les sources de l'œuvre de Rabinovič et fait ressortir ses liens avec les traditions littéraires russe et juive (hébraïque, yiddish, juive d'expression allemande) , sa place dans les lettres russes du milieu du XIXe siècle, ainsi que dans les cultures juives d'expression diverse de l'époque moderne et contemporaine.Markish Simon, Négrel Dominique. Osip Rabinovič. In: Cahiers du monde russe et soviétique, vol. 21, n°1, Janvier-Mars 1980. pp. 5-30
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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