1,332 research outputs found
Arthur Erickson on Learning Systems
Whether he was designing buildings and spaces for universities, museums, performing arts venues, or libraries, Arthur Erickson was preoccupied with intersections – of people, of cultures, and of ideas. Published by Concordia University Press and the Canadian Centre for Architecture, Arthur Erickson on Learning Systems collects writings by an architect advocating for interdisciplinary approaches to education and the methods for sharing knowledge. In essays on one of his mid-1960s masterpieces, the Simon Fraser University campus, Erickson explains how he intended to avoid compartmentalization between academic disciplines by thinking of a campus as akin to a “biological system” capable of adaptation. He outlines how his design placed a spine through the campus to circulate people – and communication between them – while making space for additional buildings as they became needed. These writings also show Erickson reflecting on whether his original vision was maintained by future development on the site and considering how university education changed in the decades that followed.
An introduction by Melanie O’Brian nuances Erickson’s big-picture thinking. She draws parallels between curatorial practices and his approach to learning spaces, and she discusses the experiences of campus users following university expansion and increased specialization among academic disciplines
A Conversation with Erickson and Massey, SFU Architects
This interview is spread over two separate videos. Part 1 - 19 minutesPart 2 - 10 minute
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Western Life series
“The American cowboy is a mythical character who refuses to die,” says author John R. Erickson. On the one hand he is a common man: a laborer, a hired hand who works for wages. Yet in his lonely struggle against nature and animal cunning, he becomes larger than life. Who is this cowboy? Where did he come from and where is he today? Erickson addresses these questions based on firsthand observation and experience in Texas and Oklahoma. And in the process of describing and defining the modern working cowboy—his work, his tools and equipment, his horse, his roping technique, his style of dress, his relationships with his wife and his employer—Erickson gives a thorough description of modern ranching, the economic milieu in which the cowboy operates. The first edition of this book was published in 1981. For this second edition Erickson has thoroughly revised and expanded the book to discuss recent developments in cowboy culture, making The Modern Cowboy the most up-to-date source on cowboy and ranch life today. “We meet the modern cowboy (his dress depends on weather, chores, and vanity) and follow him through the year: spring roundup, branding and ‘working’ the calves; spotting problem animals and cutting them from the herd; repairing windmills and mending fences; fall roundup, and feeding animals in winter. . . . This is a lively portrait, sure to appeal to all Western buffs.”— Publishers Weekl
Arthur Erickson on Learning Systems
"First volume of the Building Arguments series conceived and co-published with Concordia University Press, Arthur Erickson on Learning Systems curates a selection of writings, conserved in the CCA collection, by an architect advocating for interdisciplinarity in his approaches to education and methods for sharing knowledge.
The writings selected are put into dialogue as outlining the evolution of Erickson’s thinking, starting with his vision for the development of his mid-1960s masterpieces, the Simon Fraser University campus, his considerations of the evolution of the campus decades later, together with, in a broader scope, his vision on the evolution of education.
Nuances to Erickson’s thinking are brought to light in an introduction by Melanie O’Brian, who discusses his approach to learning spaces by drawing parallels with the experience of campus users following the university expansion and increased specializations among the disciplines." -- Publisher's website
(Re)Imagining Los Angeles: five psychotopographies in the fiction of Steve Erickson
The thesis investigates psychotopography: the dynamic interrelationship of emotions,
landscape, and the individual. Psychotopography suggests an all-encompassing connection
between landscape and emotion and attempts to outline the intricacies of this, subsequently
providing new ways of mapping the landscape, in particular, a re-mapping of emotional and
psychic responses to the urban space. The aim of psychotopography is to create new
understandings of ourselves, the ways in which we interact with the city, and the identities that
arise as a result, through an exploration of the psychotopographic states and tendencies of a
place, as identified in creative processes such as fiction, art and film.
This study is done with particular reference to the landscape of Los Angeles and
individuals relationship with it. Psychotopography is a term specifically used by Los-Angeles
based American novelist Steve Erickson, and therefore the thesis approaches psychotopography
principally through Erickson’s writings, using studies of five psychotopographic states identified in
his work: emotion, happiness, numbers, liquidity and apocalypse. These five main chapters deal
with themes that are significant not only in Erickson’s writings but as part of the experience of Los
Angeles and the surrounding area, and the interrelation between these themes, their motifs and
the notion of psychotopography.
The psychotopography of Erickson’s novels and characters is intricately woven through all
aspects of his writing and therefore the methodology used during the study of Erickson’s writing is
close thematic analysis. This allows a highly detailed and deliberate exploration of both the
mechanics and concepts within Erickson’s fiction.
The thesis will develop the notion of psychotopography both within the novels and the
wider context of the Los Angeles and Southern Californian landscape, going on to suggest how
this notion might be applied to other disciplines and mediums
Tipicamente Erickson
The author investigates the origins that gave place to the psychotherapeutic innovations achieved by Milton H. Erickson. Carrying out a parallelling between the classical psychotherapeutic views and the particular ericksonian prespective.El autor investiga los orígenes que dieron lugar a las innovaciones psicoterapéuticas realizadas por Milton H. Erickson, realizando un paralelismo entre las líneas de psicoterapia clásicas y el particular enfoque ericksoniano
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