555 research outputs found
"Revolutionär und Ministerpräsident – Kurt Eisner (1867-1919)"
No full text"Revolutionary and State Premier – Kurt Eisner (1867-1919)" May 12 – October 8, 2017 Münchener Stadtmuseum Munich, St.-Jakobs-Platz 1 "Revolutionär und Ministerpräsident – Kurt Eisner (1867-1919)" 12. Mai – 8. Oktober 2017 Münchener Stadtmuseum München, St.-Jakobs-Platz 1
sj-docx-4-tva-10.1177_15248380231174504 – Supplemental material for Longitudinal Associations Between Adolescent Dating Violence Victimization and Adverse Outcomes: A Systematic Review
No full textSupplemental material, sj-docx-4-tva-10.1177_15248380231174504 for Longitudinal Associations Between Adolescent Dating Violence Victimization and Adverse Outcomes: A Systematic Review by Laura Campo-Tena, Simon R. Larmour, Noemí Pereda and Manuel P. Eisner in Trauma, Violence, & Abuse</p
sj-docx-1-tva-10.1177_15248380231174504 – Supplemental material for Longitudinal Associations Between Adolescent Dating Violence Victimization and Adverse Outcomes: A Systematic Review
No full textSupplemental material, sj-docx-1-tva-10.1177_15248380231174504 for Longitudinal Associations Between Adolescent Dating Violence Victimization and Adverse Outcomes: A Systematic Review by Laura Campo-Tena, Simon R. Larmour, Noemí Pereda and Manuel P. Eisner in Trauma, Violence, & Abuse</p
sj-docx-3-tva-10.1177_15248380231174504 – Supplemental material for Longitudinal Associations Between Adolescent Dating Violence Victimization and Adverse Outcomes: A Systematic Review
No full textSupplemental material, sj-docx-3-tva-10.1177_15248380231174504 for Longitudinal Associations Between Adolescent Dating Violence Victimization and Adverse Outcomes: A Systematic Review by Laura Campo-Tena, Simon R. Larmour, Noemí Pereda and Manuel P. Eisner in Trauma, Violence, & Abuse</p
sj-docx-2-tva-10.1177_15248380231174504 – Supplemental material for Longitudinal Associations Between Adolescent Dating Violence Victimization and Adverse Outcomes: A Systematic Review
No full textSupplemental material, sj-docx-2-tva-10.1177_15248380231174504 for Longitudinal Associations Between Adolescent Dating Violence Victimization and Adverse Outcomes: A Systematic Review by Laura Campo-Tena, Simon R. Larmour, Noemí Pereda and Manuel P. Eisner in Trauma, Violence, & Abuse</p
Rewriting Dante: The Creation of an Author from the Middle Ages to Modernity
No full textRewriting Dante explores Dante’s reception and the construction of his figure as an author in early lyric anthologies and modern editions. While Dante’s reception and his transformation into a cultural authority have traditionally been investigated from the point of view of the Commedia, I argue that these lyric anthologies provide a new perspective for understanding how the physical act of rewriting Dante’s poems in various combinations and with other texts has shaped what I call after Foucault the "Dante-function” and consecrated Dante as an author from the Middle Ages to Modernity. The study of these lyric anthologies widens our understanding of the process of Dante’s canonization as an author and, thus, as an authority (auctor & auctoritas), advancing our awareness of authors both as entities that generate power and that are generated by power. By addressing the creation of his authoritative figure from its inception, this study sheds light on cultural production, both as a collective, almost anonymous, process and as a result of the intervention of prominent (and less prominent) individuals. By concentrating on the part of Dante’s oeuvre that may be considered less authoritative, that is, his lyric poetry, my study emphasizes aspects of the “Dante-function” that go unobserved when focusing exclusively on the Commedia. This research interweaves the critical discourses related to the emergence of the author in the Late Middle Ages (Minnis, Ascoli, Auctor et Auctoritas) and the birth of the songbook as a literary genre (Barolini, Bertolucci Pizzorusso, Galvez, Holmes), also touching on the twentieth-century alleged ‘death of the author’ (Barthes, Foucault, Benedetti). I concentrate on the crucial function of editors and anthologists as mediators in the canonization of Dante through the material construction of manuscripts and books. This question has led me to explore canon making as a structure of power and the interplay of cultural hegemonies in its creation. I approach this problem through the lens of material philology because it is a productive interdisciplinary methodology, as is seen in the work of historians of the book McKenzie and Petrucci, and literary critics Eisner, Storey, and Nichols.</p
Arts-based instructional leadership: Crafting a supervisory practice that supports the art of teaching
Full text linkIf teaching at its best is an art (Davis, 2005; Sarason, 1999; Grumet, 1993; Eisner, 1985; Barone, 1983; Greene, 1971; Smith 1971), then instructional leadership of teaching, done best, must also be based in art (Behar-Horenstein, 2004; Klein, 1999; Eisner, 1983 & 1998a; Blumberg, 1989; Barone, 1998). The author examines possible applications of an arts-based approach to instructional leadership (Blumberg, 1989; Pajak, 2003; Barone, 1998). Building on the research base regarding instructional leadership as art form, the author combines the Feldman Method (Feldman, 1995) of critique, Eisner’s (1998) notion of connoisseurship, and Ragans’ (2005) articulation of the elements of art and the principles of design to construct a practice that captures both the technical craft of teaching and the aesthetic dimensions evident in artistic pedagogy (Eisner, 1983; Sarason, 1999). Preliminary results of an ongoing implementation study are presented
FootForm Decomposed: Using primitive constraints in OT
No full textHayes (1995) gives a typology of the world's metrical stress systems, which is marked by several striking asymmetries (parametric gaps). Most work on metrical stress within Optimality Theory (OT) has adopted this typology without explaining the gaps. Moreover, the OT versions use uncomfortably non-local constraints (Align, FootForm, FtBin).
This paper presents a rather different and in some ways more explanatory typology of stress, couched in the restrictive framework of primitive Optimality Theory (OTP), which allows only primitive, radically local constraints. For example, Generalized Alignment is not allowed. The paper presents a single, coherent system of rerankable constraints that yields the basic facts about iambic and trochaic foot form, iambic lengthening, quantity sensitivity, unbounded feet, simple word-initial and word-final stress, directionality of footing, syllable (and foot) extrametricality, degenerate feet, and word-level stress.
The metrical part of the account rests on the following intuitions:
(a) iambs are special because syllable structure allows them to lengthen their strong ends;
(b) directionality of footing is really the result of local lapse avoidance;
(c) any lapses are forced by a (localist) generalization of right extrametricality;
(d) degenerate feet are absolutely banned, but primary stress does not require a foot in all languages.
An interesting prediction of (b) and (c) is that left-to-right trochees should be incompatible with extrametricality. This prediction is robustly confirmed in Hayes.The definitive version of this paper was published in the Proceedings of the 8th Student Conference in Linguistics (1997) and is available at http://mitwpl.mit.edu/catalog/mwpl31/Eisner, J. (1997). FootForm decomposed: Using primitive constraints in OT. In B. Bruening (Ed.) Proceedings of the 8th Student Conference in Linguistics (pp. 115-143). Cambridge, MA: Department of Linguistics and Philosophy, Massachusetts Institute of Technology.This material is based upon work supported under a National Science Foundation Graduate Fellowship
Recuadros y ventanas: los ojos de la ciudad de WILL EISNER
No full textNa cidade vemos o mundo enquadrado e nosso horizonte, muitas vezes, assemelham-se a uma linha tracejada. Na Novela Gráfica de Will Eisner, os requadros não só são utilizados para representar as estruturas que recortam a vida urbana, mas também são um convite para que o próprio leitor conecte as cenas. Assim, o autor constrói aos poucos, com palavras e desenhos, um olhar crítico às formas que a cidade nos impõe e como nos afeta.En la ciudad vemos el mundo en recuadros y el horizonte a menudo se asemeja a una línea discontinua. En la novela gráfica de Will Eisner, los recuadros no solo son para representar las estructuras que dan forma a la vida urbana, sino que también son una invitación para que el lector conecte las escenas. Así, el autor construye, con palabras y dibujos, un visón crítico de las formas que nos impone la urbanidad y cómo ella nos afecta.In the city, life is seen as a square frame and we can often contemplate a dashed line as the horizon. In Will Eisner\u27s Graphic Novel, the frames are not just a reproduction of structures that are cutting the urban life, but also as an invitation to connect the scenes. Therefore, the author composes a critical view, through words and drawings, concerning the shapes that the city imposes on us and how it affects us
Rundum das Benfordsche Gesetz
Full text linkZiel der Arbeit ist es das von Simon Newcomb und Frank Bedford beobachtete Benfordsche Gesetz mathematisch zu formalisieren. Zunächst wird der Begriff der signifikanten Dezimalziffer präzisiert. Danach wird eine exakte mathematische Formulierung der beobachteten Benford-Eigenschaft für verschiedene Objekte erfolgen, um schließlich verschiedenste Kriterien für die Gültigkeit der Gesetzmäßigkeit aufzustellen. Hierbei werden vor allem Methoden der Wahrscheinlichkeitstheorie, der Gleichverteilung modulo 1, der Fourier-Analysis, der Spieltheorie und der Ergodentheorie benötigt. Schließlich werden noch asymptotische Betrachtungen für Folgen von Zufallsgrößen im Hinblick auf die Konvergenz in Verteilung gegen das Benfordsche Gesetz angestellt
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