16,989 research outputs found
The Author: Kent Davis
No full textKent Davis is a Montana based author of “A Riddle in Ruby” and the soon to be released sequel, “The Changer’s Key”
Leonard O. Davis, Utah Uranium Oral History Project
No full textTranscript (68 pages) of an interview by Suzanne Simon with Leonard O. Daivs, on January 22, 1971. From tape number UR-212 in the Utah Uranium Oral History ProjectSuzanne Simon spoke with Davis and his wife in Casa Grande, Arizona. Subjects: White Canyon, uranium prospectors, roads, Charlie Abrams and the ferry, the mill process, accidents, housing for miners, Doc Williamsen, recreation, fuel and transportation, boating on the river, speculation, early days of uranium and vanadium mining, life at Naturita (68 pages)
Author inscription in The Chinese slave-girl: a story of woman's life in China
No full textThis edition includes a gift inscription by author Rev. J.A. Davis, "To Rev. A. G. Russell with the warmest regards of the author J.A. Davis."Davis, John Agnell, 1839-1897
H. P. Davis Correspondence
No full textEntries include a handwritten letter from Davis suggesting that the Maine Author Collection could include works by the Davis family and the author Patten and typed letters of correspondence from the Maine State Library
Receipt for payment from Mrs. H. Davis to Charles Simon and Sons, Baltimore, Maryland, May 30, 1871
No full textThis item is from the Hugh Davis papers. He was a successful attorney from Marion, Alabama who owned the Beaver Bend plantation along the Cahaba River
Translation and response between Maurice Blanchot and Lydia Davis
No full textWhen an author translates a text by another writer, this translation is one form of a response to that text. Other responses may appear in their own writings that are more inflected with their authorial persona. Lydia Davis translated six books by Maurice Blanchot, including fiction and theoretical writings. Blanchot’s concept of the récit privileges non-conventional forms of narrative and it can be considered to have influenced Davis, a view shared in critical writing about Davis. However, responses to his fiction can also be found in Davis’s work. This article reads Lydia Davis’s story “Story” as a response to Maurice Blanchot’s récit, La Folie du jour, translated by Davis as “The Madness of the Day”. Both texts develop a narrative that questions the possibility of arriving at a single story: Blanchot’s narrator cannot tell the story of how he came to have glass ground into his eyes, while Davis’s narrator must try to understand a contradictory story told to her by her lover. However, Davis responds to Blanchot by reversing the perspective in the story: where Blanchot’s narrator must and cannot create a story that explains his situation in a judicial/medical context, Davis’s narrator is struggling to understand her lover’s story which does not explain the situation that they find themselves in. Davis’s narrator is therefore motivated by an emotional need to find an acceptable story that is absent from Blanchot’s narrator. This difference in motivation is central to the difference between Davis’s and Blanchot’s approach, and complicates any reading of his influence on her because she responds to his text in her own
Simon J.M. Davis. 1987 — The Archaeology of Animals.
No full textDesse J. Simon J.M. Davis. 1987 — The Archaeology of Animals.. In: Paléorient, 1987, vol. 13, n°1. p. 141
Dwight Davis and the foundation of the Davis cup in tennis: Just another doubleday myth?
No full textDwight F. Davis is widely credited with having invented, or at least conceived, the original idea for the international tennis competition that bears his name, the Davis Cup. This paper aims to debunk this myth through comprehensive critical analysis of the period preceding Davis's apparent epiphany in 1899. Previous national-team-based competitions are investigated, alongside key figures in American and British/Irish tennis, to demonstrate that numerous others had proposed the idea for an international team-based competition long before Davis and that Davis may have appropriated his idea from others with whom he came into contact. Davis's wealthy background, political ambitions, and model-American image arguably helped smooth the process of his idea being officially accepted by the United States National Lawn Tennis Association, which likely saw in Davis a perfect "frontman" for American tennis at a time when the nation used sporting prowess to promote its identity, particularly in relation to the British, in international sporting competition.Peer reviewedPublished
Illustrator's flat signature in The novels and stories of Richard Harding Davis
No full textThis edition includes the flat signature of Illustrator Charles Dana Gibson on the frontispiece in "Gallegher, and other stories"; and a second signature in "Soldiers of Fortune". This is a limited-edition, 256-copy run of "The novels and stories of Richard Harding Davis" [v. 4]. Richard Harding Davis, author, 1864-1916.--v.1. The bar sinister and other stories.--v.2. The exiles and other stories.--v.3. Gallegher and other stories.--v.4. Soldiers of fortune.--v.5. Captain Macklin: his memoirs.--v.6. Ranson's Folly.--v.7. The White mice.-- v.8. The Scarlet car.--v.9. The bar sinister.--v.10. The man who could not lose.--v.11. The red cross girl.--v.12. The lost road.
Davis, Richard Harding, 1864-1916
- …
