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    Sobre la narrativa modernista valenciana: Eduard López-Chavarri

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    After examining López-Chavarri's narrative, the author reaches the conclusion that it cannot be considered modernist in a literary sense, but recognises its important role in the modernization of Valencian prose at the beginning of the century

    Sobre la narrativa modernista valenciana: Eduard López-Chavarri

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    Abstract: After examining López-Chavarri's narrative, the author reaches the conclusion that it cannot be considered modernist in a literary sense, but recognises its important role in the modernization of Valencian prose at the beginning of the century

    La novel·la de la postguerra al País Valencià (1939-1972): entre la problemàtica llengua literària i el desfasament estètic

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    This paper is a study about the narrative production between the end of the war and the linguistic standardization in the sixties. It focuses, among other aspects, on the need of the narrative in a context dominated by the poetry, the authors and the novels of the period, the models which define them: realistic pamphlets, religious and social novels and the group of feminine novels

    Presentació

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    Introducció al monogràfic sobre «La ironia en la literatura catalana de preguerra» coordinat per Vicent Simbor

    La narrativa del realisme social

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    The present paper analyses the production of novéis, short stories and tales of the so-called social or historical realism. After surveying the latest analytical views of its twin Spanish movement, this paper comes to a definition of the so often debated objectivism, aware of the difficulties involved, and proposes a model of story-telling the neo-realistic and of the social realism. Then it studies the authors and works separately in each category. Finally it concludes with an assessment, defends the suitability of a distinction of two trends: neo-realism and the social realism; and points to peculiarities with regard the Spanish counterparts

    Carles Salvador i la modernització literària valenciana

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    Through a critical examination of the Valencian literary circles at the end of the nineteenth century (during the Renaixença), the author situates the decisive role Carles Salvador played in the renovation of literary form and content, especially in the temporal option of the Avant-garde, in poetry and theatre

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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