4,475 research outputs found
FIGURE 2 in The marine and estuarine shrimps of the Palaemoninae (Crustacea: Decapoda: Caridea) from Brazil
No full textFIGURE 2. Schematic drawings of the parts of a Palaemonidae. A) Second left pereopod; B) Telson and uropods (A and B modified from Melo, 2003).Published as part of Ferreira, Rodrigo Simões, Vieira, Rony Roberto Ramos & D'Incao, Fernando, 2010, The marine and estuarine shrimps of the Palaemoninae (Crustacea: Decapoda: Caridea) from Brazil, pp. 1-24 in Zootaxa 2606 on page 3, DOI: 10.5281/zenodo.19769
Leander Desmarest 1849
No full textLeander Desmarest, 1849 Leander Desmarest, 1849: 92; Holthuis, 1952: 154; Chace & Bruce, 1993: 5; Cardoso, 2006: 27; Cardoso & Young, 2007: 286. Diagnosis. Rostrum well developed, with teeth on dorsal and ventral margins. Carapace with antennal and branchiostegal spines. Mandibular palp with 2 articles. Maxillipeds with exopods. Dactyli of pereopods 3 to 5 simple. Telson with 2 pairs of dorsal spines and 2 pairs of spines on posterior margin.Published as part of Ferreira, Rodrigo Simões, Vieira, Rony Roberto Ramos & D'Incao, Fernando, 2010, The marine and estuarine shrimps of the Palaemoninae (Crustacea: Decapoda: Caridea) from Brazil, pp. 1-24 in Zootaxa 2606 on pages 5-6, DOI: 10.5281/zenodo.19769
Palaemonetes Heller 1869
No full textPalaemonetes Heller, 1869 Palaemonetes Heller, 1869: 157; Holthuis, 1952: 199; Chace, 1972: 12; Williams, 1984: 71. Diagnosis. Rostrum with teeth on dorsal and ventral margins. Carapace with antennal and branchiostegal spines. Mandible without palp. Maxillipeds with exopods. Dactyli of pereopods 3 to 5 simple. Telson with two pairs of dorsal spines and two pairs of spines on the posterior margin.Published as part of Ferreira, Rodrigo Simões, Vieira, Rony Roberto Ramos & D'Incao, Fernando, 2010, The marine and estuarine shrimps of the Palaemoninae (Crustacea: Decapoda: Caridea) from Brazil, pp. 1-24 in Zootaxa 2606 on page 19, DOI: 10.5281/zenodo.19769
Brachycarpus Bate 1888
No full textBrachycarpus Bate, 1888 Brachycarpus Bate, 1888: 795; Holthuis, 1952: 2; Cardoso, 2006: 26; Cardoso & Young 2007: 285. Diagnosis. Rostrum with teeth on dorsal and ventral margins. Carapace with antennal and hepatic spines. Mandibular palp with three articles. Maxillipeds with exopods. Dactyli of pereopods 3 to 5 bifid. Telson with two pairs of dorsal spines and two pairs of spines on the posterior margin.Published as part of Ferreira, Rodrigo Simões, Vieira, Rony Roberto Ramos & D'Incao, Fernando, 2010, The marine and estuarine shrimps of the Palaemoninae (Crustacea: Decapoda: Caridea) from Brazil, pp. 1-24 in Zootaxa 2606 on page 3, DOI: 10.5281/zenodo.19769
Palaemoninae Rafinesque 1815
No full textSubfamily Palaemoninae Rafinesque, 1815 <p> <b>Diagnosis.</b> Pleurobranch present on third maxilliped. Posterior margin of telson with two pairs of spines and generally one or more pairs of setae (modified from Holthuis, 1951).</p>Published as part of <i>Ferreira, Rodrigo Simões, Vieira, Rony Roberto Ramos & D'Incao, Fernando, 2010, The marine and estuarine shrimps of the Palaemoninae (Crustacea: Decapoda: Caridea) from Brazil, pp. 1-24 in Zootaxa 2606</i> on page 3, DOI: <a href="http://zenodo.org/record/197695">10.5281/zenodo.197695</a>
Adaptive shifts in Neotropical planthoppers: new troglobitic species and the first surface species of Ferricixius Hoch & Ferreira, 2012 (Hemiptera: Fulgoromorpha Cixiidae) from Brazilian caves
No full textSantos, Júlio César Do Carmo Vaz, Hoch, Hannelore, Zampaulo, Robson De Almeida, Simões, Matheus Henrique, Ferreira, Rodrigo Lopes (2023): Adaptive shifts in Neotropical planthoppers: new troglobitic species and the first surface species of Ferricixius Hoch & Ferreira, 2012 (Hemiptera: Fulgoromorpha Cixiidae) from Brazilian caves. Zootaxa 5330 (3): 375-397, DOI: 10.11646/zootaxa.5330.3.3, URL: http://dx.doi.org/10.11646/zootaxa.5330.3.
Entrevista com Rodrigo Pederneiras, coreógrafo do Grupo Corpo (MG - Brasil)
No full textEntrevista realizada em 21 e 22 de setembro de 2012, quando da vinda do Grupo Corpo a Porto Alegre, como parte de sua turnê nacional. Constituiu instrumento de pesquisa na dissertação de mestrado do Programa de Pós-Graduação em Artes Cênicas da Universidade Federal do Rio Grande do Sul: “COREOGRAFIA ‘21’ DO GRUPO CORPO: 21 percepções sobre o processo de criação cênica”. Acomodados nas poltronas da plateia do Teatro do SESI, enquanto os bailarinos faziam aula no palco, o entrevistado e a autora aprofundam o objeto de estudo (o processo coreográfico do balé “21”) e visitam outros temas que mostram alguns pontos de vista do coreógrafo do Grupo Corpo, Rodrigo Pederneiras. A entrevista foi editada para fins de adequação ao espaço editorial, sem prejuízo ao conteúdo.Interview conducted on 21 and 22 September 2012, when Grupo Corpo came to Porto Alegre (south of Brazil), as part of its national tour. This interview constituted a research instrument in the master’s degree dissertation of the Performing Arts Program at the Federal University of Rio Grande do Sul: “CHOREOGRAPHY ‘21’ BY GRUPO CORPO: 21 insights into the process of scenic creation.” Taking place in the seats of Teatro do SESI, while dancers were on stage class, the respondent and the author deepen the object of study (the choreographic process of “21”) and visit other issues that show some views of Grupo Corpo’s choreographer, Rodrigo Pederneiras. (Edited in order to be appropriated to editorial rules, no prejudice to the content)
Entrevista com Rodrigo Pederneiras, Coreógrafos do Grupo Corpo (MG – Brasil)
No full textEntrevista realizada em 21 e 22 de setembro de 2012, quando da vinda do Grupo Corpo a Porto Alegre, como parte de sua turnê nacional. Constituiu instrumento de pesquisa na dissertação de mestrado do Programa de Pós-Graduação em Artes Cênicas da Universidade Federal do Rio Grande do Sul: “COREOGRAFIA ‘21’ DO GRUPO CORPO: 21 percepções sobre o processo de criação cênica”. Acomodados nas poltronas da plateia do Teatro do SESI, enquanto os bailarinos faziam aula no palco, o entrevistado e a autora aprofundam o objeto de estudo (o processo coreográfico do balé “21”) e visitam outros temas que mostram alguns pontos de vista do coreógrafo do Grupo Corpo, Rodrigo Pederneiras. A entrevista foi editada para fins de adequação ao espaço editorial, sem prejuízo ao conteúdo.Interview conducted on 21 and 22 September 2012, when Grupo Corpo came to Porto Alegre (south of Brazil), as part of its national tour. This interview constituted a research instrument in the master’s degree dissertation of the Performing Arts Program at the Federal University of Rio Grande do Sul: “CHOREOGRAPHY ‘21’ BY GRUPO CORPO: 21 insights into the process of scenic creation.” Taking place in the seats of Teatro do SESI, while dancers were on stage class, the respondent and the author deepen the object of study (the choreographic process of “21”) and visit other issues that show some views of Grupo Corpo’s choreographer, Rodrigo Pederneiras. (Edited in order to be appropriated to editorial rules, no prejudice to the content)
Entrevista com Rodrigo Pederneiras, coreógrafo do Grupo Corpo (MG - Brasil)
Get PDFEntrevista realizada em 21 e 22 de setembro de 2012, quando da vinda do Grupo Corpo a Porto Alegre, como parte de sua turnê nacional. Constituiu instrumento de pesquisa na dissertação de mestrado do Programa de Pós-Graduação em Artes Cênicas da Universidade Federal do Rio Grande do Sul: “COREOGRAFIA ‘21’ DO GRUPO CORPO: 21 percepções sobre o processo de criação cênica”. Acomodados nas poltronas da plateia do Teatro do SESI, enquanto os bailarinos faziam aula no palco, o entrevistado e a autora aprofundam o objeto de estudo (o processo coreográfico do balé “21”) e visitam outros temas que mostram alguns pontos de vista do coreógrafo do Grupo Corpo, Rodrigo Pederneiras. A entrevista foi editada para fins de adequação ao espaço editorial, sem prejuízo ao conteúdo.Interview conducted on 21 and 22 September 2012, when Grupo Corpo came to Porto Alegre (south of Brazil), as part of its national tour. This interview constituted a research instrument in the master’s degree dissertation of the Performing Arts Program at the Federal University of Rio Grande do Sul: “CHOREOGRAPHY ‘21’ BY GRUPO CORPO: 21 insights into the process of scenic creation.” Taking place in the seats of Teatro do SESI, while dancers were on stage class, the respondent and the author deepen the object of study (the choreographic process of “21”) and visit other issues that show some views of Grupo Corpo’s choreographer, Rodrigo Pederneiras. (Edited in order to be appropriated to editorial rules, no prejudice to the content)
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