1,721,039 research outputs found
Eymeri Jean-Michel, La fabrique des énarques.
Siméant Johanna. Eymeri Jean-Michel, La fabrique des énarques.. In: Revue française de sociologie, 2002, 43-4. Actualités wébériennes : perspectives d'analyses et principes de traduction. pp. 796-799
S. Faludi, Backlash. La guerre froide contre les femmes
Siméant Johanna. S. Faludi, Backlash. La guerre froide contre les femmes. In: Politix, vol. 6, n°24, Quatrième trimestre 1993. Affaires culturelles, sous la direction de Annie Collovald, Sylvain Bourmeau et Vincent Dubois. pp. 225-230
M. Pollak, Une identité blessée. Études de sociologie et d'histoire
Siméant Johanna. M. Pollak, Une identité blessée. Études de sociologie et d'histoire. In: Politix, vol. 7, n°26, Deuxième trimestre 1994. Parler en public, sous la direction de Dominique Cardon, Jean-Philippe Heurtin et Cyril Lemieux. pp. 169-173
Lavaud Jean-Pierre, La dictature empêchée. La grève de la faim des femmes de mineurs. Bolivie, 1977-1978.
Siméant Johanna. Lavaud Jean-Pierre, La dictature empêchée. La grève de la faim des femmes de mineurs. Bolivie, 1977-1978.. In: Revue française de sociologie, 2000, 41-3. pp. 587-590
Présentation
Dauvin Pascal, Siméant Johanna. Présentation. In: Mots, n°65, mars 2001. L'Humanitaire en discours, sous la direction de Pascal Dauvin et Johanna Siméant. pp. 3-6
Présentation
Dauvin Pascal, Siméant Johanna. Présentation. In: Mots, n°65, mars 2001. L'Humanitaire en discours, sous la direction de Pascal Dauvin et Johanna Siméant. pp. 3-6
Travailler sur l'humanitaire par entretiens — Retour sur une « méthode »
Dauvin Pascal, Siméant Johanna. Travailler sur l'humanitaire par entretiens — Retour sur une « méthode ». In: Mots, n°65, mars 2001. L'Humanitaire en discours, sous la direction de Pascal Dauvin et Johanna Siméant. pp. 117-133
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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