20,931 research outputs found
Music of Hugo Weisgall
No full textRecorded during a live performance at Oakland Recital Hall, Western Michigan University, Kalamazoo, Michigan on October 21, 1981, 8:00 p.m., program no. 34 of the School of Music's 1981-1982 season.1st work: Marilyn Rose Nicholson, soprano ; Robert Byrens, piano. 2nd work: Joyce Zastrow, soprano ; Robert Byrens, piano. 3rd work: Elizabeth Patches, mezzo-soprano ; Phyllis Rappeport, piano. 4th work: Gail Smith, stepdaughter ; Corinne O'Heran, mother ; Rick Knapp, son ; Mark Cummings, father ; Rick Krzeczkowski, the director ; Monica Whitaker, the prompter ; Nadine Vorenkamp, the coloratura ; Mary Rempalski, the mezzo ; Matthew Elliott, the basso cantante ; Tom Manguem, the tenore buffo ; Sarah Coley, the wardrobe mistress ; Jennifer Little, the understudy.Reel 1: Introductory remarks by the composer -- Two madrigals. Nuptual song ; No more I will thy love importune -- Translations. Song ; Poem ; The rebelReel 2: Di goldene pave. Di Goldene Pave ; Undzer Rebenyu ; Der Rebe Elimeylekh ; Mayn Harts Veynt in Mir ; Baleboste Zisinke ; Shlof Mayn Kind, Sholf Keyseyder ; Lomir Zikh Bafrayen -- Six characters in search of an author. Act I / libretto by Dennis Johnston, based on the play by Luigi Pirandell
Sarapatel: danced cartographies of flavor, memory and identity.
No full textThis monograph shares a danced cartography by artist-teacher Hugo Felix da Silva about his trajectory between the states of São Paulo and Paraíba in search of a greater understanding of his own identity (Hall, 2020) through his ethnic roots, with the general objective of mapping (Rolnik, 2016), through dance, the relationship of identity belonging between the researcher, his family and sarapatel, traditional family dish. As a theoretical-practical contribution linked to the founding African concept of Ancestry, were used as references Inaicyra Falcão dos Santos (2021), Sandra Petit (2015), Leda Maria Martins (2021), Luís Anastácio (2021), Mestre Jogo de Dentro (Santos, 2020) and Tsumbe Maria Mussundza (2018), as well as discussions on Social Memory based on the thoughts of Ecléa Bosi (2003). In this way, the author develops a creative process in dance based on bodily states (Laranjeira, 2015) relating it to food and perception (Silva, 2023), his affective memories linked to the family and the memories of his mother, grandmother and great-grandmother respectively, corroborating bodily dynamics (Domenici, 2015) that emerge as materializers of these memories and bodily states, resulting in the maturation of the creative process and perform Sarapatel dance.A presente monografia compartilha uma cartografia dançada pelo artista-docente Hugo Felix da Silva sobre sua trajetória entre os estados de São Paulo e Paraíba em busca de maior compreensão da própria identidade (Hall, 2020) através de suas raízes étnicas, tendo como objetivo geral cartografar (Rolnik, 2016), por meio da dança, a relação de pertencimento identitário entre o pesquisador, sua família e o sarapatel, prato tradicional familiar. Como aporte teórico-prático ligado ao conceito fundador africano de Ancestralidade, foram utilizadas como referências Inaicyra Falcão dos Santos (2021), Sandra Petit (2015), Leda Maria Martins (2021), Luís Anastácio (2021), Mestre Jogo de Dentro (Santos, 2020) e Tsumbe Maria Mussundza (2018), assim como foram estabelecidas discussões sobre Memória Social sob os pensamentos de Ecléa Bosi (2003). Dessa forma, o autor desenvolve um processo criativo em dança a partir de estados corporais (Laranjeira, 2015) relacionando à comida e à percepção (Silva, 2023), suas memórias afetivas ligadas à família e as memórias de sua mãe, avó e bisavó respectivamente, corroborando em uma frequência de dinâmicas corporais que surgem como materializadoras destas memórias e estados corporais, resultando no amadurecimento do processo criativo e trabalho em Dança Sarapatel
<i>No se sabe</i>: entrevista a Hugo Luis López
No full textEntrevista al Dr. Hugo Luis López, ictiólogo y responsable de la División Zoología Vertebrados del Museo de Ciencias Naturales de la Universidad Nacional de La Plata. Autor de numerosos trabajos sobre zoología e ictiología, además de difusor y propulsor de estos estudios en nuestro país. Director y editor de la publicación ProBiota, dedicada a la ictiología, limnología, zoología, herpetología y otras disciplinas conexas.Al hacer clic en el enlace que figura en "Documentos relacionados", pueden accederse a todos los trabajos de Hugo Luis López presentes en el repositorio.Radio Universidad Nacional de La Plat
[Soliloquium de arrha animae]
No full text[(Pseudo-)Augustinus Aurelius]Impressum: Datum in der Vorlage genannt, Ort und Drucker nach ISTCThe true author is Hugo de S. Victore: R. Goy, Die Überlieferung der Werke Hugos von St. Viktor, 1976, p.328Digitalisierung=Digitization=Numérisation Juli 2024 TIF
Hugo Brehme. Los prototipos mexicanistas. Num. 16 Año 6 (2002-2003) invierno. Alquimia. Sistema Nacional de Fototecas
No full text- Hugp Brehme o la construcción nacional - Hugo Brehme: un gigante de la fotografía mexicana, por Dennis Brehme - Hugo Brehme y Sergei Eisenstein: una convergencia, por Aurelio de los Reyes - El imagunario de Hugo Brehme / Arno Brehme, un acto olvidado - La exportación de lo mexicano: Hugo Brehme en casa y en el extranjero, por Jesse Lerner - El artista fotógrafo Hugo Brehme / Nada se salvó en la conocida casa artísitica - La colección Hugo Brehme, por Mayra Mendoza Avilés - El horizonte técnico en Hugo Brehme, por Heladio Vera Trejo
The Political Communication of Hugo Chávez: The Evolution of Aló Presidente
Get PDFAló Presidente was a weekly television programme anchored and produced by Hugo Chávez during his presidency in Venezuela. The show, a version of a phone-in, was broadcast live on national television at 11am on Sundays and lasted on average six hours. It followed the presidential agenda to a new location every week, where Hugo Chávez would inaugurate factories, read Latin American poetry, interview Fidel Castro, and sing llanero songs. This thesis investigates the role that Aló Presidente played in the making of the “Bolivarian Revolution”, Hugo Chávez’s political project. Through a critical reading of the transcripts of the show, it explores the 378 episodes, or 1656 hours, that aired between 1999 and 2012. Aló Presidente was the cornerstone of Chávez’s political communication, replacing press conferences and interviews. Chávez was known for his continuous presence on radio and television and his daily presidential addresses. However, only on the Sunday show could the audience phone the president and share their ideas, emotions and everyday life concerns. This thesis reviews the narratives that underlined the relationship between the audience/electorate and the host/president on Aló Presidente. It is argued that Aló Presidente played a fundamental role in articulating the identity of a public that shared the values and ideas of Chávez’s hegemonic project. Moreover, it is argued that the show Aló Presidente and the ideological process called the “Bolivarian Revolution” can be read as two co-related arms of a same project, and that they informed and defined each other throughout Chávez’s presidency. In this context, this thesis assesses the evolution of the programme in light of the political events taking place in Venezuela during that time. Aló Presidente is thus seen as a repository, or “black box”, of the discourses that articulated the Bolivarian identity and constructed the legitimacy of Hugo Chávez as the leader of a populist movement in Venezuela. Finally, the core of this thesis is that the co-relation between the show and the hegemonic project evolved over time to strengthen the authoritarian tendencies of Hugo Chávez’s regime. Following the activities of Aló Presidente over 13 years, the investigation charts that evolution in three different stages: 1) participation, 2) education, and 3) obedience, arguing that what started as a seemingly participatory space, progressively became a platform that presented Hugo Chávez’s figure as the ideologue of a populist movement, and ultimately secured his position as the indisputable leader and sole authority of Venezuela’s “Bolivarian Revolution”
Interview with Armando Hugo Ortiz Guerrero
No full textCathy Ragland interviews music historian and author, Armando Hugo Ortiz Guerrero.https://scholarworks.utrgv.edu/cathyraglandrec/1003/thumbnail.jp
Representações da cidade medieval na obra Notre-Dame de Paris de Victor Hugo
No full textNesta dissertação, serão analisadas e identificadas as representações medievais contidas em Notre-Dame de Paris do autor Victor Hugo, uma vez que a obra literária tem como pano de fundo, a cidade de Paris do século XV. Para tal finalidade, primeiramente, fez-se um estudo sobre a vida nas cidades medievais que envolve o aspecto físico e social; em seguida, comentaram-se a vida e obras de Victor Hugo, dando foco à obra indicada bem como à catedral de Notre Dame do ponto de vista histórico. A partir disso, o trabalho visa apontar e descrever historicamente a presença dos elementos medievais existentes no romance.This dissertation identifies and analyses medieval representations in Notre-Dame de Paris by author Victor Hugo, because the literary work has the city of Paris in the 15th century as its background. For this purpose, firstly, a study is carried out on the physical and social aspects of life in medieval cities; secondly, the work sets out on the commentary of the life and works of Victor Hugo, concentrated on the previously indicated book with the historical focus on the Notre Dame Cathedral. From this, the work aims at pointing out and describe historically medieval elements in the novel
Representações da cidade medieval na obra Notre-Dame de Paris de Victor Hugo
No full textNesta dissertação, serão analisadas e identificadas as representações medievais contidas em Notre-Dame de Paris do autor Victor Hugo, uma vez que a obra literária tem como pano de fundo, a cidade de Paris do século XV. Para tal finalidade, primeiramente, fez-se um estudo sobre a vida nas cidades medievais que envolve o aspecto físico e social; em seguida, comentaram-se a vida e obras de Victor Hugo, dando foco à obra indicada bem como à catedral de Notre Dame do ponto de vista histórico. A partir disso, o trabalho visa apontar e descrever historicamente a presença dos elementos medievais existentes no romance.This dissertation identifies and analyses medieval representations in Notre-Dame de Paris by author Victor Hugo, because the literary work has the city of Paris in the 15th century as its background. For this purpose, firstly, a study is carried out on the physical and social aspects of life in medieval cities; secondly, the work sets out on the commentary of the life and works of Victor Hugo, concentrated on the previously indicated book with the historical focus on the Notre Dame Cathedral. From this, the work aims at pointing out and describe historically medieval elements in the novel
Regimen conscientie vel parvum bonum
No full text[Bonaventura]. [Daran: Revelationes] / [Pseudo-Methodius]. [De praeparatione ad missam] / [Bonaventura]Keine Titelseite; Bl. 1a Textbeginn: Jncipit libellus qui appellatur regimen conscientie vel parvum bonum editus a fratre Bonaventure cardinalis ...De triplici via with title Regimen conscientie vel parvum bonum. The true author is Hugo de Balma (Verfasserlexikon 4 col. 225). On the text of (Pseudo-) Methodius see M. Kmosko in Byzantion 6 (1931) pp.273-96 (Sack(Freiburg) 2441)Polain dates about 147
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