3,439 research outputs found
Eschatologie en fresque. L'Antichrist selon Luca Signorelli
No full textSignifcato storico e dottrinale dell'affresco di Luca Signorelli (Duomo di Orvieto, Cappella Nova) riguardante i tempi finali e in particolare la predicazione dell'Anticrist
Luca Signorelli: "fu costui creato e discepolo di Pietro dal Borgo a San Sepolcro"
No full textIl contributo analizza la fase iniziale della produzione di Luca Signorelli mettendola in relazione con il dettato pittorico di Piero della Francesca
Dibujo de Luca Signorelli
No full textVidrio, Positivo, Diapositiva, 85 x 100 mm, Gelatino Bromuro, S_integro, E_IntegraDibujo de Luca Signorelli, apunte y estudio de hombre cargando con otro en sus hombros, en el Museo del LouvreUnidad Documenta
Subset selection in dimension reduction methods
No full textDimension reduction methods play an important role in multivariate statistical analysis, in particular with high-dimensional data. Linear methods can be seen as a linear mapping from the original feature space to a dimension reduction subspace. The aim is to transform the data so that the essential structure is more easily understood. However, highly correlated variables provide redundant information, whereas some other feature may be irrelevant, and we would like to identify and then discard both of them while pursuing dimension reduction. Here we propose a greedy search algorithm, which avoids the search over all possible subsets, for ranking subsets of variables based on their ability to explain variation in the dimension reduction variates.Dimension reduction methods, Linear mapping, Subset selection, Greedy search
Cappella di San Brizio
No full textAppearance of the Antichrist and the Last Judgment, with grisaille work beneath the main scenes illustrating the pagan underworld as described by early poets such as Dante; Two side chapels lie off the main crossing of the cathedral. The Cappella del Corporale, on the north side, was built between 1350 and 1356: it is two bays deep, with quadripartite vaults. The Cappella di S Brizio, a virtually identical structure on the south side, was begun in 1408 and completed in 1444; it was decorated by such artists as Fra Angelico, Benozzo Gozzoli and Luca Signorelli. Fra Angelico finished only two of the vault triangles: Christ as Judge and a gold-backed group of Prophets. The frescoes illustrating the End of the World are well documented. They are Signorelli's most complex and famous work. In 1499 he was contracted to finish the vault, abandoned 50 years before by Fra Angelico; the board liked the result and in 1500 assigned the decoration of the rest of the chapel to Signorelli. It was finished in 1503, with a break in 1502 when funds were lacking. In the scenes, which include the Last Judgement (in several parts, including the Damned, the Appearance of the Antichrist and the Resurrection of the Flesh) Signorelli explored the dramatic possibilities of the nude. By giving the demons near human form, but by colouring them with every shade of putrefying flesh, he made his cataclysmic vision fearful. Through his dynamic use of form and figural energy in the crowded scenes he created active compositional rhythms. Vasari wrote that Signorelli 'showed the way to represent nudes in painting as if alive'. Beneath the main scenes are remarkable small-scale grisaille scenes, which illustrate the underworld as described by pagan poets and Dante (the poets appear in the centre of each group of grisailles). Throughout the chapel the contours are often incised with a stylus; they were probably marked through a cartoon and in the grisailles correspond with the work of assistants, one of whom was his nephew, Francesco Signorelli (d 1559). Source: Grove Art Online; http://www.groveart.com/ (accessed 2/4/2008
Un omaggio a Luca Signorelli: Almada Negreiros e l'Italia
No full textUn omaggio di Almada Negreiros a Luca Signorelli e i suoi rapporti con la cultura italian
Braun, Due nudi maschili di Luca Signorelli, 1912
No full textScheda di Catalogo Braun, Due nudi maschili di Luca Signorelli, 1912, esposta nella mostra fotografica "La fototeca di Adolfo Venturi alla Sapienza" (Roma, Città Universitaria, MLAC - Museo Laboratorio d'Arte Contemporanea - 22 novembre - 20 dicembre 2018
Braun, Il dio Pan di Luca Signorelli, 1908
No full textScheda di Catalogo Braun, Il dio Pan di Luca Signorelli esposta nella mostra fotografica "La fototeca di Adolfo Venturi alla Sapienza" (Roma, Città Universitaria, MLAC - Museo Laboratorio d'Arte Contemporanea - 22 novembre - 20 dicembre 2018
Luca Signorelli: un nuovo frammento della pala di Matelica
No full textIl riconoscimento della mano di Luca Signorelli in una tavola raffigurante la testa di Cristo (appartenente alle collezioni dell'IRI) consente di portare un ulteriore tassello alla ricostruzione di una delle pale eseguite dall'artista per Matelica
Braun, Madonna con bambino di Luca Signorelli, 1890 - 1931
No full textScheda di Catalogo Braun, Madonna con bambino di Luca Signorelli, 1890 - 1931 esposta nella mostra fotografica "La fototeca di Adolfo Venturi alla Sapienza" (Roma, Città Universitaria, MLAC - Museo Laboratorio d'Arte Contemporanea - 22 novembre - 20 dicembre 2018
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