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Tang shi yan jiu /
No full textIncludes bibliographical references.Taiwan Resource Centre for Chinese Studie
Zai zhong he piao yi ya suo shi yan zhong de mai chong chang du suo jian yu zai shi yan ceng mian shang de li zi shu zong xiang can shu de tao lun
No full textShih, Kai = 在中和漂移壓縮實驗中的脈衝長度縮減與在實驗層面上的粒子束縱向參數的討論 / 師愷.Thesis M.Phil. Chinese University of Hong Kong 2014.Includes bibliographical references (leaves 94-96).Abstracts also in Chinese.Title from PDF title page (viewed on 27, September, 2016).Shih, Kai = Zai zhong he piao yi ya suo shi yan zhong de mai chong chang du suo jian yu zai shi yan ceng mian shang de li zi shu zong xiang can shu de tao lun / Shi Kai
The Evolution of the Can Tang Wu-dai-shi Yan-yi --With some remarks on Xiao-shuo Jiang-shi--
No full textThe author intends to answer the following questions : (1) Why is Li Cun-xiao 李存孝 described as the hero of the Can Tang Wu-dai-shi Yan-yi 殘唐五代史演義? (2) Why is the Can Tang Wu-dai-shi Yan-yi detailed in the first half and sketchy in the second half? (3) Why is the Can Tang Wu-dai-shi Yan-yi completely different in contents from the Wu-dai-shi Ping-hua 五代史平話? Li Cun-xiao in the Can Tang Wu-dai-shi Yan-yi is an invincible general and the incarnation of loyalty and filial duty. This is not a reflection of the actual person in history. However, it is worth noting that in the novel Li Cun-xiao is executed without opposing, because he is deceived by Kang Jun-li 康君立 and Li Cun-xin 李存信 into believing the execution is ordered by his foster father Li Ke-yong 李克用. In history, Li Cun-xiao distinguished himself by bravery, but Li Ke-yong favoured Kang Jun-li, and Li Cun-xin made a false charge against Li Cun-xiao, so that Li Cun-xiao betrayed Li Ke-yong and was executed. More notably, the death of Li Cun-xiao is also described in Guan Han-qing's 關漢卿 play of Deng fu-ren ku-tong ku Cun-xiao 鄧夫人苦痛哭存孝, where the plot is similar to that of the novel but Li Cun-xiao deplores many times that he is treated coldly because of a foster child. These make it clear that the play is based on the historical fact and justifies Li Cun-xiao, and that the novel is based on the play and identifies him as a good son and retainer. This is a reflection of sympathy for Li Cun-xiao. We must not forget that Li Cun-xiao is not only in the novel but in all of Yuan Drama 元雜劇 about him described as a central figure in the battle against Huang Chao 黄巢, who was defeated by Li Ke-yong in history. This is another reflection of sympathy for Li Cun-xiao. The legend of Li Cun-xiao seems to have been embellished, connected with the legend of Huang Chao and Zhu Wen 朱溫 by Zheng-de 正德 period (1506-1521), and compiled into the lost Jin-tong Can Tang Ji 金統殘唐記. The Can Tang Wu-dai-shi Yan-yi, which seems to be based on the Jin-tong Can Tang Ji, was revised about 1613, in order to fill up the blank between the Sui Tang Liang-chao Zhi-zhuan 隋唐兩朝志傳 and the Nan-Song Zhi-zhuan 南宋志傳. The former describes the period before the rebellion of Huang Chao and the latter describes from the second half of the Five Dynasties 五代, which is based on the Wu-dai-shi Ping-hua. Therefore the Can Tang Wu-dai-shi Yan-yi need not describe the Five Dynasties in detail, so that it is only roughly treated in the second half. The Wu-dai-shi Ping-hua is mainly based on the Zi-zhi Tong-jian Gang-mu 資治通鑑綱目, so the content is entirely different from that of the Can Tang Wu-dai-shi Yan-yi. We can also find this kind of differnce among other historical novels such as Ping-hua 平話 in the Yuan 元 dynasty and Yan-yi 演義 in the Ming 明 dynasty. It is possible that this is derived from the difference between Xiao-shuo 小說 and Jiang-shi 講史 in the Song 宋 dynasty
A Study on Derived Words of \ue2Lao Qi Da Yan Jie\ue2 and \ue2Piao Tong Shi Yan Jie\ue2
No full text\ue3\ue3Compiled by the Division translation " Lao Qi Da " and " Piao Tong Shi " series of books, are the most authoritative, and important Chinese spoken language conversation textbook in Korean, but also the use of literacy learning Chinese textbooks. These two series use a long time, spread wide, in history has a huge impact, reflecting the three or four hundred years of modern Chinese phonology, vocabulary and grammar of a number of changes in the study of modern Chinese language has a unique value.
As the Chinese affixes involve the two levels of vocabulary, and grammar, is the important phenomenon in the history of Chinese vocabulary. It is tremendous and research value. Since the pre-Qin, \ue2derived word\ue2 has been generated more and more with the times. The increasing number of terms is generated by the derived word formation, and derived word is one important way for polyphony of Chinese language. Therefore, this paper intends to represent the Yuan and Ming northern Chinese spoken " Lao Qi Da Yan Jie " and " Piao Tong Shi Yan Jie " two books for the corpus, the word derived from two books discuss the types of use cases, and change.
\ue3There are five chapters in this thesis, except and , the derived words are discussed for the current situation. It also discusses the prefix and suffix for the two books of " Lao Qi Da Yan Jie " and " Piao Tong Shi Yan Jie". Simply, except for a few examples of non-Chinese idiom, the " Lao Qi Da Yan Jie " and " Piao Tong Shi Yan Jie " which are not the local material, but useful textbook, are in line with the common Chinese language phenomenon.
Keywords :Lao Qi Da Yan Jie, Piao Tong Shi Yan Jie, Chinese textbook, derived word, affi
Ya pian shi lüe
No full text林則徐. 鴉片事略 / 李圭 ; [編輯者 中國歷史硏究社]Lin Zexu. Ya pian shi lüe / Li Gui ; [bian ji zhe Zhongguo li shi yan jiu she
sj-docx-1-cad-10.1177_00111287211061719 – Supplemental material for Does the Premium Fit the Risk? The Role of Criminal Escalation in Case Processing
No full textSupplemental material, sj-docx-1-cad-10.1177_00111287211061719 for Does the Premium Fit the Risk? The Role of Criminal Escalation in Case Processing by Shi Yan and Jason W. Walker in Crime & Delinquency</p
Guo jia zong he pei tao gai ge shi yan qu zong he ping jia yan jiu Ji yu zhi shi chan quan shi jiao = Evaluation of the national comprehensive reform pilot zones: A perspective of intellectual property
No full textBen shu yun yong qing bao xue,Tong ji xue ji qi ta xiang guan zhuan ye zhi shi,Cong zhi shi chan quan jiao du,Fen xi guo jia zong he pei tao gai ge shi yan qu ping jia ti xi wen ti,Wei guo jia zong he pei tao gai ge shi yan qu jian she ti gong ke kao de li lun zhi cheng,Wei ping gu guo jia zong he pei tao gai ge shi yan qu jian she ti gong zhong yao can ka
Compliation and research on the implied meanings of Xing-Shi-Yan
No full text碩士《型世言》是明末書坊主作家陸人龍和陸雲龍聯手創作的擬話本小說之作，此書在明亡後失傳，直到1987年才在韓國奎章閣被發現。它的出現補足了小說史上的缺頁，使明代小說的研究更加完整。
現今對《型世言》的研究，多著重在考證、社會背景、主題思想、藝術成就、語言學等五大類，卻忽略一本書從無到有的生產過程。陸氏兄弟既是文人，又為書商，該如何在闡揚理念和市場考量中取得平衡，是一大學問，這也是本論文的探討重點。
本論文分為六章：第一章說明研究動機，藉由爬梳前人研究成果，形成問題意識，再列出研究目的與方法步驟。
第二章討論《型世言》選材的取向，陸人龍只有兩篇故事取材自宋、元，其餘皆取自明代。本章先分類釐清取材的來源及面向，再分析選材的理由，證明陸人龍有意識的揀選材料，以符合並貫徹自己的創作理念。
第三章是《型世言》對故事素材再製的寓意：第一節討論內容再製的原因，「原因動機」乃社會上叛亂四起、朝政敗壞、科舉弊病、道德淪喪；「目的動機」是希望透過作品能「樹型今世，以為世型」和達到「諷諭」的效果。第二節從形式和內容二方面討論對舊材料的再製，分析故事再製前後的差異性。第三節為《型世言》改寫後加入的創作意圖，從正面表揚與反面警戒切入，明瞭作者欲藉作品「揚善刺惡」之意圖。
第四章，《型世言》評點的形成與作用，第一節說明評點的形成與作用，與明代小說評點大盛的情形，再由客觀環境層面與主觀心理層面討論《型世言》加入評點的理由。第二節整理出《型世言》加入評點的作用和效果有四：增加趣味性、提高讀者對作品的理解度、強化作者觀點、提供不同的閱讀視角。這些都是評點替小說增色的理由。
第五章乃《型世言》所呈現的正負面價值觀：本書帶來的正面價值觀為樹立人倫綱常之典範，以及提醒文人應盡的社會責任；負面價值觀是部分過於陳腐的觀念，文中一些行文和觀點也自相矛盾，從後設立場來看，這些都是值得借鏡之處。
第六章為結論，統和前幾章的論述，歸納出《型世言》從無到有生產而出的各項理由，並對《型世言》做一個整體性的評價。Xing-Shi-Yan is the main writer Lu Ren Lung and Lu Yun Lung created Short Novel to make, in the Ming Dynasty after the lost book, until 1987 in South Korea were found. Its appearance complements the missing pages in the history of the novel, making the Ming Dynasty novel research more complete.
Today on Xing-Shi-Yan research,and more emphasis on research, social background, theme ideas, artistic achievement, linguistics and other five categories, while ignoring a book from scratch production process. Luks brothers both writers, but also for booksellers, extolled the concept and how to strike a balance between market considerations, is a major problem, which is the focus of this discussion paper.
This thesis is divided into six chapters: The first chapter explains the motivation, results of previous studies by Combing through the formation awareness of the problem, and then lists the research purpose and method steps.
The second chapter discusses Xing-Shi-Yan selection orientation, Lu Ren Lung only two stories taken from the Song, Yuan, the rest are from the Ming Dynasty. This chapter first drawn to clarify the origin and classification for, and then analyze the reasons for the selection, proof Lu Ren-Lung consciously chosen materials to meet and carry out their own creative philosophy.
The third chapter is Xing-Shi-Yan material reproduction of the story The moral: the first discussion remanufactured reasons, "because motive" is social rebellion everywhere, affairs of state corruption, imperial ills, moral turpitude; "purpose motive" is the hope through work can "tree present and, thinking the world type" and achieve "allegorical" effect. Section II discusses two aspects form and content of the old materials, reproduce, analyze differences before and after the story of reproduction. Section III is Xing-Shi -Yan rewrite after adding creative intent, praise and opposite from the front guard cut, clear and trying to take advantage of work "and promote good stab evil" in intent.
Chapter IV, Xing-Shi-Yan Comment formation and the role of first explain the formation and role of commentaries, and Ming Novel Critique Dasheng case, then by objective and subjective psychological environmental aspects discussed Xing-Shi-Yan to join Comment reason. Section sorted out,Xing-Shi-Yan adding commentaries and effect are four: Increase interesting works to improve the reader''s understanding and strengthens opinion of the authors, providing different reading angle. These commentaries are enriched for novel reasons.
Chapter V, Xing-Shi-Yan, presented by the positive and negative values: positive values for the book brings Tsunatsune establish a model of human relations and social responsibility to remind the literati; negative values are part of the concept is too trite, some of the wording of the text and the views are contradictory, established after the field from the point of view, these are worth learn from office.
Chapter VI is the conclusion, systems, and the first few chapters of discussion, summarized,Xing-Shi-Yan scratch production out of the ground, and the Xing-Shi-Yan doing a holistic evaluation.第一章：緒論
第一節：研究動機……..……………………………………………………1
第二節：前行研究成果檢討與史料的運用………………………………..2
一、 前行研究成果檢討………………………………………………2
(一) 考證類…………………………………………………..3
(二) 社會背景類……………………………………………..5
(三) 主題思想類……………………………………………..6
(四) 藝術成就類……………………………………………..8
(五) 語言學類………………………………………………..9
二、史料的運用……………………………………………………….9
第三節：問題意識與研究方法……………………………………………..10
一、 問題意識的形成…………………………………………………10
二、 研究方法與步驟…………………………………………………11
第二章：《型世言》選材的取向…………………………………………………14
第一節：取材自宋、元……………………………………………….……..14
第二節：取材自明代……………………………………………….………..15
一、 取自真人真事…………………………………………….………15
(一) 官吏……………………………………………….……..15
(二) 平民……………………………………………….……..22
(三) 其他……………………………………………….……..27
二、 取自傳說或民間故事……………………………………….……28
(一) 一般民間故事……………………………………….…..29
(二) 有類神話成分的傳說及民間故事………………….…..32
第三節：取材大多來自明代的原因分析……………………………….…..36
一、 取自真實人物的原因分析…………………………………….…37
二、 取自真實事蹟的原因分析…………………………………….…39
三、 取自民間故事的原因分析…………………………………….…40
第三章：《型世言》對故事素材再製的寓意………………………………….…43
第一節：《型世言》內容再製的原因…………………………………….…43
一、 原因動機…………………………………………………….…..44
(一) 叛亂四起…………………………………………….…..44
(二) 朝政敗壞…………………………………………….…..47
(三) 科舉弊病…………………………………………….…..52
(四) 道德淪喪…………………………………………….…..58
二、 目的動機……………………………………………………….62
(一) 樹型今世，以為世型………………………………….62
(二) 諷諭…………………………………………………….64
第二節：《型世言》對舊材料的再製……………………………………..66
一、 形式的再製…………………………………………………….66
二、 內容的再製…………………………………………………….78
第三節：《型世言》改寫後加入的創作意圖……………………………...81
一、 正面表揚¬¬¬¬¬¬¬¬……………………………………………………….81
(一) 忠.....................................................................................82
(二) 孝……………………………………………………….82
(三) 節……………………………………………………….84
(四) 義……………………………………………………….87
二、 反面警戒……………………………………………………….88
(一)刺貪色……………………………………………………...88
(二)刺貪矯……………………………………………………...90
(三)刺貪財……………………………………………………...91
第四章：《型世言》評點的形成與作用…………………………………....…...94
第一節：評點產生的原因……………………………………………….….94
一、 小說評點的源流…………………………………………….….94
二、 明代小說評點之發展……………………………………….….96
三、 《型世言》加入評點的原由……………………………….….98
(一) 客觀環境層面……………………………………….….98
(二) 主觀心理層面………………………………………….102
第二節：《型世言》加入評點的作用與效果………………………….......102
一、 增加趣味性…………………………………………………….103
二、 提高讀者對作品的理解度…………………………………….105
(一) 掀出伏筆……………………………………………….105
(二) 畫龍點睛……………………………………………….106
三、 強化作者觀點………………………………………………….109
四、 提供不同的閱讀視角………………………………………….114
第五章：《型世言》所呈現的正負面價值觀…………………………………...121
第一節：正面價值觀……………………………………………………….121
一、 樹立人倫綱常之典範………………………………………….121
二、 文人應盡的社會責任………………………………………….123
第二節：負面價值觀……………………………………………………….127
一、 過於陳腐的觀念……………………………………………….127
二、 行文與觀點自相矛盾………………………………………….131
第六章：結論…………………………………………………………………….134
參考文獻………………………………………………………………………….138學號: 697010055, 學年度: 10
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