8,187 research outputs found
Dio Chrysostom : the Bithynian Years
L'auteur étudie la visite faite par Dion à Olbia-Borysthène ; il en discute le rapport avec le retour d'exil et la chronologie des discours 12, 13, 40, 44. Il passe ensuite en revue les autres œuvres concernant la Bithynie et suggère, pour le discours 38, la date de 81 environ. Enfin, il tente une biographie politique de Dion pour les années 101-110.Sheppard Anthony R. R. Dio Chrysostom : the Bithynian Years. In: L'antiquité classique, Tome 53, 1984. pp. 157-173
Revealing masks: exotic influences and ritualized performance in modernist music theater
W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the "exotic" in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of "total theater." Drawing on an extraordinarily diverse - and in some instances, little-known - range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance - such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig--also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance
Book review: 'Revealing masks: exotic influences and ritualized performance in modernist music theater' by W. Anthony Sheppard
Review of: 'Revealing Masks: Exotic Influences and Ritualized Performance in Modernist Music Theater' by W. Anthony Sheppard, xvi + 350 (California Studies in 20th‐Century Music, 1) University of California Press Berkeley and Los Angeles, 2001 $45/£28.50, 0–520–22302–0
54/12/22 Mayor Calls Sheppard Trial Fair, Says Verdict Was Justified by Evidence
City of Cleveland mayor, Anthony J. Celebrezze, the person responsible for the Cleveland Police taking full charge of the case, feels the verdict of the Sheppard trial is justified by the evidence presented.https://engagedscholarship.csuohio.edu/newspaper_coverage/1610/thumbnail.jp
Interview with Anthony F. Janson
Anthony F. Janson is a retired professor and former Department Chair for the UNCW Department of Art and Theatre [retired December 2002]. This interview covers his complete life and career. He discusses his relationship with his art historian father, H.W. Janson, including his relationship as son and co-author and editor of the Janson texts on art history. The interview covers Tony's career as a scholar, book editor, author, art museum curator [at Indianapolis Art Museum and North Carolina Art Museum], and as a professor. Throughout, he comments on important artists in history and his philosophy of art history. He also includes stories of his time in the Vietnam War
Interview with Anthony F. Janson
Anthony F. Janson is a retired professor and former Department Chair for the UNCW Department of Art and Theatre [retired December 2002]. This interview covers his complete life and career. He discusses his relationship with his art historian father, H.W. Janson, including his relationship as son and co-author and editor of the Janson texts on art history. The interview covers Tony's career as a scholar, book editor, author, art museum curator [at Indianapolis Art Museum and North Carolina Art Museum], and as a professor. Throughout, he comments on important artists in history and his philosophy of art history. He also includes stories of his time in the Vietnam War
Letter from Anthony Brummelkamp to Mrs. G. Groen van Prinsterer
In a letter to Mrs. G. Groen van Prinsterer from Rev. Anthony Brummelkamp, the author is clearing up some statements of Rev. Budding and chiding Rev. Hendrik Scholte for having an arrogant and sharp tone. A foonote to the letter mentions the school operated by Rev. Brummelkamp and Rev. Albertus C. Van Raalte in Arnhem.https://digitalcommons.hope.edu/vrp_1840s/1193/thumbnail.jp
Fr. Anthony J. Gittins, C.S.Sp.
Fr. Anthony J. Gittins, C.S.Sp. [b. 1943] was ordained in 1967. He attended the University of Edinburgh from 1968-72 and received a doctorate in Social Anthropology in 1977. Fr. Gittins was a missionary to the Mende people in Sierra Leone from 1972-80. He went on to serve as a professor at the Missionary Institute and as Formation Director in London from 1980-84. He is the Emeritus Professor of Theology and Culture at the Catholic Theological Union in Chicago, Illinois, where he began teaching in 1984. Fr. Gittins has spent over thirty years ministering to homeless women and those leaving prostitution in Chicago, and is the author of several books.https://dsc.duq.edu/sohp/1000/thumbnail.jp
Anthony Grooms, 21st Annual ODU Literary Festival
Anthony Grooms is the author of Ice Poems (Poetry Atlanta Press) and Trouble No More: Stories (LaQuesta Press). Shorter works have appeared in Callaloo, African American Review, and other journals. He has received awards from the City of Atlanta, the State of Georgia, Breadloaf Writers Workshop and the National Endowment for the Arts. In 1996, Trouble No More won the Lillian Smith Award from the Southern Regional Council. Novelist Marita Golden noted that “Grooms writes about the South, civil rights, home folks, black and white people and anything he wants to with more love, humor and finely-honed skill than I have seen in a long time.” The Atlanta Journal-Constitution said, “Groom’s stories take us to the center of the phenomenon (civil rights movement) with an honesty and courage long overdue.” Grooms is an Associate Professor of Creative Writing at Kennesaw State University in Georgia
Anthony Swofford & Writers In Community, 39th Annual ODU Literary Festival
Anthony Swofford is the author of the memoir Jarhead as well as a novel Exit A. His writing has appeared in Harper’s, the Guardian, Slate, The New York Times, The Daily Beast, and others. He has taught at the University of Iowa Writers’ Workshop and Lewis and Clark College. His forthcoming book is a biography of Carlos Arredondo, a Gold Star Father and hero of the 2013 marathon bombing in Boston, and he will write an adaptation of this book for HBO Films
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