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[Portrait of Annie Wood]
No full textBlack and white portrait of a woman with her hair pinned up in a bun. She is wearing a silky, satin dress-shirt and wearing a beaded necklace around her neck. The inscription to the left of the portrait reads, "Annie Wood. A very good friend & school mate.
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[Portrait of Hope Smith]
No full textBlack and white portrait of a woman. The woman is wearing a formal dress, with a large tule bow on her shoulder. The inscription to the left of the portrait reads, "Hope Smith. School friend.
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[Portrait of Ethel Stewart]
No full textBlack and white portrait of a woman with her hair pinned up in a bun. She is wearing a polka-dotted dressed with an embrodiered design on the front face. The inscription to the left of the portrait reads, "Ethel Stewart. A school friend.
Pony parade in front of opera house
No full textEl Dorado Springs; parade of decorated ponies and carts, one with a caged animal, clowns, a band, costumed people in front of opera house; cornice of building painted with Our Opera House 1915; sign advertises Polly of the Circus, Goldwyn Feature, Monday Mar 25th; cafe on one side of opera house, bank in N. H. Cruce Block on the other; brick street; photo by Joe D. Cole, Shaw Studio; "R. Montgomery [Dentist?]" on windows above bank; information on back: pony parade advertising a show at the opera house, George Logan and Burns Lewis on ponies, Mildred Dunaway to their left; others pictured are Bernard Ryan, Clovis Smith, Dr. Quick, Silas Roe, Loren Enlo
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[South Reading Room, Library, North Texas State Teachers College, 1929]
No full textPhotograph of the North Texas State Teachers College Library in the spring of 1929. Seen in the photo is a large room with long tables at which are seated a variety of young men and women looking at various books. Along the back wall can be seen shelves of books. To the left can be seen sculptures. The photographic image is affixed to a pale gray mount with line borders. At lower right front corner is embossed photographer's mark: "Shaw / Denton, Texas". On the reverse of the mount are handwritten the following notes: "This picture was made in the spring of 1929, soon after the few books on the wall were moved from the stacks to this room (South Reading Room in old Library Building - now Historical Building). It represents the beginning of the Reference Dept. - L. Brashears." and "For Miss Brashears Compliments of the Shaw Studio." The photograph shows the Library Building (built 1912-1913) the first library building on the NT campus, which later would be called the Historical Building, and is presently the O.J. Curry Building ("Curry Hall"). Lottie Brashears started at NT in 1921 as Assistant Librarian, and worked at various positions within the NT Library until her retirement in 1958. She was one of the first heads of the Reference Department
[The Interior of the Shaw Studio, February 1943]
No full textPhotograph of in interior of Shaw Studio for photography. A man and two women stand in front of the glass-fronted counter while another woman stands behind it. There are many portraits inside and on the counter, the women are wearing dresses, and the man is wearing a jacket with the words "FALCONS" and "NTSTC" on the back
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[The Interior of the Shaw Studio, February 1943]
No full textPhotograph of in interior of Shaw Studio for photography. A man and two women stand in front of the glass-fronted counter while another woman stands behind it. There are many portraits inside and on the counter, the women are wearing dresses, and the man is wearing a jacket with the words "FALCONS" and "NTSTC" on the back
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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