7,933 research outputs found
Shaw Family Folder
No full text47 pages of family history documents containing and related to Ruma Shaw; Elmer Shaw; Clarence Shaw; Leo S Shaw; Bertha Shaw; Fannie Isabel Coonrod; Tom Shaw; Mary Catherine Shaw; Lyle Shaw - including: News Articles, Interviews, and Family Tree on the Shaw Famil
The great catherine
No full textOn poster: "Three one-act plays. 'The Great Catherine, by George Bernard Shaw'. 'Snickering Horses by Emjo Basshe'. 'The Miser by Moliere'.
Hamilton, Catherine Jane [pseud. Retlaw Spring] (1841–1935), author and journalist
Full text linkHamilton, Catherine Jane [pseud. Retlaw Spring] (1841-1935), author and journalist, was born on 25 January 1841 at Kilmersdon, Somerset, where she was baptized on 12 April 1841, the younger of two daughters of Richard Hamilton (1805?-1859), vicar of Kilmersdon, and his wife Charlotte, née Cooper (1809-1882), the fifth daughter of William Cooper, of Queens County, Ireland. She was of Irish heritage on both sides. Her father belonged to a military family with roots in Strabane (county Tyrone) - his father, John Hamilton, and her father’s four older brothers were all officers in the Fifth Foot – and was a graduate of Trinity College Dublin. He had been a bright scholar with an aptitude for languages, and as a preacher was praised for his powerful sermons and his ability to bring the Bible to life for his parishioners
Fred Shaw riding a pony
No full textSketch from the scrapbook of Sarah E.E. Mitchell of Lisdillon on the East Coast of Tasmania 1874.
Sketch 112 - Taken about 1866 to 1869 - by Catherine Mitchell.
Fred Shaw, son of Edward Carr Shaw of Red Banks, Swansea, riding to Triabunna called Spring Bay, then. His pony was short & his legs long so Kate made them longer for fun. Father, Mr William John Lyne & Kate meet him as they ride to Swansea. He used to play cricket matches there. Later he & Mrs Shaw had Red Banks, & turned out & built The Bluff House, for Edward Bernard Shaw, when he married Lois Mary Mitchell, of Mayfield, 19 Jan 1913. E.H.J, & Annie M Mitchell’s second daughter.
The sketches by Catherine Penwarne (Kate), eldest daughter of John and Catherine Mitchell (of Cornwall, England, who settled at Lisdillon, East Coast Tasmania in 1852) were made between 1860 and 1876, and portray aspects of 19th Century social and domestic life. Catherine’s sketches were compiled by her sister Sarah. E.E.Mitchell. Derived from her own collection, from those of friends and relations, and from John Ball, Kate's husband, they were compiled sometime between 1928 and 1933. The sketches are mounted in an album, together with: locks of Kate's hair on red silk; a pressed fern arrangement; a coloured photograph of John and Catherine Ball; and coloured views of Buckland Churchyard in 1850, showing the grave of Paul Thomas Mitchell, aged 3 days, and in 1879 showing the grave of Catherine Penwarne Ball. The scrapbook was bequeathed to The Royal Society of Tasmania in 1946.
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Gender and the politics of the gaze in Bronte's Wuthering Heights
Full text linkDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2009.O objetivo deste estudo é apresentar uma análise de como a imagem de Catherine é moldada pelo olhar masculino, como ela enfrenta os três tipos de olhar - o olhar dos personagens, o olhar do leitor, e o olhar do autor - e finalmente, se o olhar masculino é interrompido. O parâmetro teórico desta análise, o conceito do olhar masculino, é teorizado por Laura Mulvey no artigo "Prazer Visual e Cinema Narrativo" (1975) o qual critica a relação entre o olhar masculino e a imagem feminina do prazer visual moldado pela sociedade patriarcal. Através da crítica de Mulvey do prazer visual generizado em filmes, que pertence ao contexto do cinema clássico de Hollywood, articulo sua teoria em relação ao romance Wuthering Heights de Emily Brontë para examinar a dinâmica do olhar masculino em relação à personagem feminina Catherine. Este estudo teve também por objetivo analisar o quanto o paradigma teórico de Mulvey produzido para cinema poderia ser aplicado especificamente em um texto literário escrito no século XIX.The objective of this thesis is to present an analysis of whether Catherine's image has been shaped by the male gaze, how she contends with the three looks of the male gaze - the look of the characters, the look of the reader, and the look of the author - and finally, how the male gaze is broken. The theoretical parameter of this analysis, the concept of the male gaze, is theorized by Laura Mulvey in the article "Visual Pleasure and Narrative Cinema" (1975) which critiques the relation between the male gaze and the female image within the patriarchal molding of visual pleasure. Borrowing Mulvey's critique of the gendering of visual pleasure in films, which pertains to the context of classical Hollywood cinema, I have articulated her theory in relation to Emily Brontë's Wuthering Heights, to examine the dynamics of the male gaze regarding the female character, Catherine. This study also aimed at examing the extent to which Mulvey's theoretical paradigm produced for cinema could be articulated specifically in relation to a literary text written in the nineteenth century
Walter Shaw gets thrown in the bin
No full textSketch from the scrapbook of Sarah E.E. Mitchell of Lisdillon on the East Coast of Tasmania 1874.
Sketch 47 taken 1874, by Catherine Mitchell, at hop harvest time at Lisdillon, depicts gentleman being thrown into a hop harvest bin.
In the Lower Hop ground Mayfield, Lisdillon East Coast, Tas. Mr Walter Shaw from Melbourne & Mr Edward Carr Shaw’s brother & who had two pupils in one eye, & Doctors had offered to buy it after his death. Three brothers one lost an eye, they were called on eye, two eye & three eyes (E.C.S. had two). Mr W Shaw said to Mrs Carn, throw me in the bin, & gave her half a crown. She said the Master says we must not but wait till he is gone away. She did then & said he was the only gentleman she had thrown in the bin! Caleb dog lying under it as usual. Mr B.J. Solly this side Mrs Walter Shaw; Kate, Amy & S.E.E.M – Father and his best friends Mr E.C.Shaw with their back to the bin. Mr Thos. Cruttenden was father’s other friend, acquaintance & friends are quite different he said to me once.
The sketches by Catherine Penwarne (Kate), eldest daughter of John and Catherine Mitchell (of Cornwall, England, who settled at Lisdillon, East Coast Tasmania in 1852) were made between 1860 and 1876, and portray aspects of 19th Century social and domestic life. Catherine’s sketches were compiled by her sister Sarah. E.E.Mitchell. Derived from her own collection, from those of friends and relations, and from John Ball, Kate's husband, they were compiled sometime between 1928 and 1933. The sketches are mounted in an album, together with: locks of Kate's hair on red silk; a pressed fern arrangement; a coloured photograph of John and Catherine Ball; and coloured views of Buckland Churchyard in 1850, showing the grave of Paul Thomas Mitchell, aged 3 days, and in 1879 showing the grave of Catherine Penwarne Ball. The scrapbook was bequeathed to The Royal Society of Tasmania in 1946.
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Amy Shaw riding a pony
No full textSketch from the scrapbook of Sarah E.E. Mitchell of Lisdillon on the East Coast of Tasmania 1873.
Sketch unnamed or numbered, taken 1873, by Catherine Mitchell, depicting people on horseback, including Amy C. Shaw, on a pony, possibly at Red Banks, East Coast Tasmania.
The sketches by Catherine Penwarne (Kate), eldest daughter of John and Catherine Mitchell (of Cornwall, England, who settled at Lisdillon, East Coast Tasmania in 1852) were made between 1860 and 1876, and portray aspects of 19th Century social and domestic life. Catherine’s sketches were compiled by her sister Sarah. E.E.Mitchell. Derived from her own collection, from those of friends and relations, and from John Ball, Kate's husband, they were compiled sometime between 1928 and 1933. The sketches are mounted in an album, together with: locks of Kate's hair on red silk; a pressed fern arrangement; a coloured photograph of John and Catherine Ball; and coloured views of Buckland Churchyard in 1850, showing the grave of Paul Thomas Mitchell, aged 3 days, and in 1879 showing the grave of Catherine Penwarne Ball. The scrapbook was bequeathed to The Royal Society of Tasmania in 1946.
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Dr. Jennifer Erkulwater and Dr. Catherine Bagwell – Faculty Author Interview
No full textFeatured authors are Dr. Catherine Bagwell, Associate Professor of Psychology and Dr. Jennifer Erkulwater, Associate Professor of Political Science. Dr. Rick Mayes is another co-author, but he is unable to join us today due to a research leave project in Peru. Their new book, Medicating Children: ADHD and Pediatric Mental Health, integrates analyses of the clinical, political, historical, educational, social, economic and legal aspects of ADHD and the medications and treatment surrounding the mental disorder
Interview with Catherine McCall
No full textInterview with Dr. Catherine McCall, graduate of UNCW's MFA in Creative Writing program and author of Lifeguarding: A Memoir of Secrets, Swimming, and the South
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