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SCENIC−PLASTIC STUDIES IN THE CONTEXT OF ART CRITICISM SCIENCE: THEATRICAL STUDIES, CHOREOLOGY AND BALLET STUDIES, CIRCUS STUDIES, VARIETY STUDIES
Get PDFThe article analyzes the theory of scientific research in the field of Art criticism (Study of Art) in particular the theatrical art and choreography. Scientific research on theatrical studies, circus, variety studies, as well as choreology and ballet studies.The research on this problem is analyzed. The peculiarities of art studies in scenic and choreographic art are revealed. The directions of research in the theater, circus, stage, ballet have been specified and defined.Specific characteristics of scientific research in acting, directing, pantomime, circus and variety genres, ballet art and dance forms are indicated.Key words: scenic art, theater, direction, circus, variety, ballet, choreography, art criticism (study of art), scientific research, art, science, theatrical studies, choreology and ballet studies, circus studies, variety studies
Neoclassical stylistics, formal and technical facilities and scenic method the artistic and creative process of specialization "contemporary variety dance" of the Kyiv Municipal Academy of Circus and Variety Arts late XX-th − early XXI-th century
No full textThe analysis of neoclassical ballet form and style in a scenic method of artistic and creative process of specialization "contemporary variety dance" of Kyiv Municipal Academy of Circus and Variety Arts. Analyzes the research on this issue. Determined genesis stage of the method in artistic and creative process of specialization "contemporary variety dance" of Kyiv Municipal Academy of Circus and Variety Arts. It builds a historical retrospective of the neoclassical style and theatrical forms in the artistic and creative process of specialization "contemporary variety dance". Determined particular stage of the method in artistic and creative process of specialization "contemporary variety dance" of Kyiv Municipal Academy of Circus and Variety Arts. Keywords: neoclassical style, contemporary variety dance, stage technique, artistic and creative process.Проведено аналіз неокласичних балетних форм та стилістики в сценічному методі художньо-творчого процесу спеціалізації «сучасний естрадний танець» Київської муніципальної академії естрадного та циркового мистецтв. Аналізуються наукові дослідження з даної проблематики. Визначається генеза сценічного методу в художньо-творчому процесі спеціалізації «сучасний естрадний танець» Київської муніципальної академії естрадного та циркового мистецтв. Вибудовується історична ретроспектива неокласичної стилістики та сценічних форм в художньо-творчому процесі спеціалізації «сучасний естрадний танець». Визначаються особливості сценічного методу в художньо-творчому процесі спеціалізації «сучасний естрадний танець» Київської муніципальної академії естрадного та циркового мистецтв.Ключові слова: неокласика, неокласичний стиль, сучасний естрадний танець, сценічний метод, художньо-творчий процес
«NEOCLASSICAL SCENIC METHOD IN THE SPECIALIZATION "CONTEMPORARY VARIETY DANCE'' ON THE EXAMPLE OF THE TEACHING OF DISCIPLINE "CLASSICAL DANCE" OF THE KYIV MUNICIPAL ACADEMY OF CIRCUS AND VARIETY ARTS MID-TEENS OF THE XXI CENTURY»
Get PDFThe analysis of the study of neoclassical ballet style in the program of the discipline of specialization "contemporary variety dance" of Kyiv Municipal Academy of Circus and Variety Arts. Analyzes the research on this issue. It determines the characteristics of artistic method of teaching of discipline "Classical dance" with specialty "Performing Arts", specialization "contemporary variety dance'' of Kyiv Municipal Academy of Circus and Variety Arts. The analysis the first and last stages of training on the subject "Classical dance". Examples of lesson − the exercises sur la barre, a la centre, allegro, jumps, turns and neoclassical variations.Keywords: neoclassical style, contemporary variety dance, stage technique, artistic and creative process, teaching of discipline
Ontology of neoclassicism in choreographic culture, and also the genesis of a new classic in ballet theater XX-th − beginning of XXI-th century
Get PDFПроведено онтологічний аналіз неокласицизму в хореографічній культурі. Аналізуються наукові дослідження у галузі неокласицизму в художні культурі, сучасній хореографії, неокласичного балетного театру. Визначаються генеза неокласицизму в хореографічні культурі, осмислення неокласичного стилю, його естетика. Вибудовується історична ретроспектива неокласицизму в хореографічній культурі сьогодення за авторським сценічними методами видатних балетмейстерів. Визначаються особливості впливу філософських ідеї та естетики на неокласичну хореографію. Розкривається, естетичний та формально-технічний аспект стилістики неокласики в художній культурі взагалі.Ключові слова: неокласика, мистецтво неокласицизму, художня культура, неокласичний стиль.Spend an ontological analysis of neoclassicism in choreographic culture. It consists of a rationally-constructed, clear and consistent theory of ontology and philosophy of dance ballet; of inheritance and succession professional dance from antiquity to the early twentieth century; with universal build professional study of theater and stage dance; synthesis of dance with other art forms.Contemporary neoclassical choreography is closely connected with the philosophical ideas and new choreographic theory of the early twentieth century that have shaped its ethical and aesthetic principles. The artistic image and form in the ballet art of XX-th− beginning of XXI-th centuries creates a choreographer who consciously or unconsciously guided by certain aesthetic concepts of psychoanalysis, intuitional, existentialism, cosmism. These ideas are reflected in new aesthetic theory, dance and ballet, as well as scenic method of Michel Fokine, Fyodor Lopukhov, Leonide Myassine, George Balanchine, Frederick Ashton.Philosophical ideas and new choreographic choreographers of the twentieth century, the theory suggested that a combination of traditional ballet academic standards with new forms of dance. Has the philosophical and psychological concept of ballet as a home, with the help of free improvisation and experiment, to transmit internal sensations, impressions, emotions, psychology of relationships through professional dance movement; introduced philosophical and psychological concept as a major in ballet.Author revealed the specific style (author's style) in the ballet neoclassical − "Balanchinical" (1930−1985), "Choreodramatical" (since 1940) "Kilianical" (since 1975), "Eclectic" (since 1995).Defined chronological framework of neoclassical ballet to contemporary choreographic culture that have such interim stages: "Generation" (1905−1970) "Development" (1930−1990) "Eclecticism and synthesis" (1960−2015).Keywords: neoclassical, neoclassical art, art culture, neoclassical style
NEOCLASSICAL CHOREOGRAPHY IN THE CONTEXT OF CIRCUS GENRES: FEATURES OF DANCE AND PLASTICS IN THE CIRCUS
Get PDFIn the article the principle of constructing circus representations using the priyom of neoclassical choreography is analyzed. The analysis of researches on the given problem is given. The importance of research in this problem is being clarified, since it is little studied.Specify the formal technical features of this priyom. Examples of circus representations are given. A comparison of visual representation of different genres of circus art is conducted.Keywords: choreography, neoclassic, circus art, scenic representation, circus number, circus genres, gymnastics, acrobatics, stage plastic artistic culture
CLASSIFICATION IN CIRCUS GENRES TODAY: VARIETIES, FEATURES, STRUCTURE
Get PDFThe article analyzes and discusses the features of circus genres − acrobatics, gymnastics, balancing act, juggling. The characteristic of circus genres is analyzed. Specific features of the robots of the department of circus genres Kyiv Municipal Academy of Variety and Circus Art. The ontological features of circus genres − acrobatics, gymnastics, balancing act, juggling are specified. The techniques and varieties of circus genres are defined. The structure of circus genres − acrobatics, gymnastics, balancing act, juggling is considered
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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