1,721,001 research outputs found
Italian Jewish Artists and Fascist Cultural Politics: On Gardens and Ghettos at the Jewish Museum in New York (1989) Emily Braun, interviewed by Raffaele Bedarida and Sharon Hecker
No full textConversazione tra Raffaele Bedarida, Sharon Hecker e Emily Braun sul coinvolgimento di quest'ultima nella mostra Gardens and Ghettos, tenutasi al Palazzo dei Diamanti a Ferrara e al Jewish Museum a New York nel 1989
Interview with Maaza Mengiste on Project3541: A Photographic Archive of the 1935–41 Italo-Ethiopian War
No full textConversazione tra Raffaele Bedarida, Sharon Hecker e Maaza Mengiste sul romanzo the Shadow King e sull'archivio online Project3541 sulla guerra Italo-Etiope e sulla resistenza etiope all'occupazione fascista
Art, Life, Politics, and the Seductiveness of Italian Fascism: Post Zang Tumb Tuuum at Fondazione Prada, Milan, 2018
No full textRiflessione sulle scelte curatoriali e genealogia storica della mostra Post Zang Tumb Tuuum organizzata da Germano Celant alla Fondazione Prada, Milano 2018
Interview with Renato Barilli, Curator of Annitrenta Exhibition (Milan, 1982)
No full textIntervista con Renato Barilli, curatore della mostra Annitrenta, Milano 1982
Lead in Modern and Contemporary Art
No full textA book review of Sharon Hecker and Silvia Bottinelli (eds), Lead in Modern and Contemporary ArtLondon, Bloomsbury Visual Arts, 2021, ISBN: 978-1—3501-9644-5
Postwar Italian Art History Today. Untying ‘the Knot’, a cura di Sharon Hecker e Marin R. Sullivan. New York: Bloomsbury, 2018
No full textIl libro Postwar Italian Art History Today: Untying ‘the Knot’, curato da Sharon Hecker e Marin R. Sullivan,
(New York: Bloomsbury, 2018) costituisce una tappa importante tra i più recenti studi della storia dell’arte
italiana del XX secolo e più specificamente della seconda metà del secolo. La recensione si sofferma sull'impianto del libro che risponde prima di ogni altra considerazione a una necessità: quella di ripensare criticamente forme e modi della
metodologia storico-artistica oggi a partire da alcuni fatti specifici. Considerare o riconsiderare alcune fasi
della storia dell’arte non ha il solo fine di compiere rivalutazioni o approfondimenti di situazioni restando
nei confini della storiografia consolidata. Il libro propone una serie di riletture di fasi importanti della
storia dell’arte italiana “sciogliendo”, più che continuando ad annodare, situazioni e ricerche dai punti di
riferimento che per decenni hanno orientato la prospettiva storico-critica: i movimenti artistici, le
tendenze, le tecniche, quando questi divengono il parametro attraverso il quale comprendere o definire le
ricerche artistiche
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
- …
