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    Original Études for the Developing Conductor

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    Original Études for the Developing Conductor is a collection of supplemental études designed to enhance contemporary conducting pedagogy by amplifying the voices of composers from historically excluded groups. Each étude was commissioned from and composed by a living composer, the majority of whom are woman-identifying composers and/or composers of color. Each étude also addresses multiple specific pedagogical goals common to all conducting classrooms. Conducting textbooks commonly include musical examples to expose student conductors to various musical challenges and situations. However, due to the relative ease of using only music from the public domain, most examples found in commercially published books are excerpts of larger works composed by deceased cisgender white men of European descent. Often, this music bears little relation to a significant portion of the music contemporary students engage with and perform. These excerpts also tend to be quite short (i.e., less than a minute) and do not create cohesive, self-contained musical arcs. Are you reviewing or adopting this book for a course? Instructors adopting or reviewing this text are encouraged to record their use by filling out this form. This helps the book's sponsors to understand this open textbook's impact. This book was awarded Highly Commended for ALPSP's 2023 Impact Award. 2023 ALPSP Award Winners. A video [4:56] introduction to the book is available at: https://youtu.be/xcbWwbXkYV4. How to access this book The main landing page for this book is https://doi.org/10.21061/conducting. This text is available in multiple formats including: 1. High resolution PDF of scores and parts (linked on the left side of your screen) 2. Low resolution PDF of scores and parts (linked on the left side of your screen) 3. High resolution PDF of scores only (linked on the left side of your screen) 4. Low resolution PDF of scores only (linked on the left side of your screen) 5. A spiral-bound softcover print version (scores only). Click here to order a print copy. 6. MIDI realizations (MP4s) are available via a YouTube playlist or in the zip file (linked on the left side of your screen) 7. Files containing the score and parts for each étude (linked on the left side of your screen). These enable easy printing and use in apps for accessibility and annotation such as MuseScore. 8. A version with alt text embedded for each étude and part. [coming soon] ISBNs ISBN (PDF - scores and parts): 978-1-957213-51-4 ISBN (PDF - scores only): 978-1-957213-52-1 ISBN (print - scores only): 978-1-957213-53-8 Click here to order a print copy Features of the book - The chart "Musical Opportunities by Étude" differentiates the études by tempo, style, meter, and potential pedagogical goals. - The PDF version of this book is designed to be easily navigable. Hyperlinks and QR codes are provided throughout the text to help you move from the Table of Contents into composer biographies, scores, parts, and from parts back to the Table of Contents, Score, or to the main landing page for the resource. - The clickable "Jump To" menu on each composer biography page and first page of every score links to the table of contents or transposed parts in C, B-Flat, F, E-Flat, and alto clef. Instead of scrolling, use the links found in the footers of each transposed part. - For print users, a spiral-bound, scores-only, print-on-demand version is available for order here. Book pages may also be self-printed. The table of contents has all the page numbers you need, and you can still use the QR codes, URLs, or the DOI at the bottom of every page to find your way back to the complete book. - MIDI realizations are provided for all études on this page, and via a YouTube playlist. - Each étude’s composer biography page includes the composer’s biography and photo, a link to the composer’s website, information regarding length, meter, tempo, and style of the etude, potential pedagogical goals, the composer’s description of the Étude, and an audio realization (linked to YouTube). - The text and images in the PDF versions of this text are tagged structurally and include alternative text, which allows for machine readability. The music in the PDF versions of this text is machine readable through outside tools such as MuseScore. Featured composers 1. Arias, Spencer: The Jester 2. Biedenbender, David: Swirl 3. Botti, Susan: Vespers (Walking in Beauty) 4. Bozone, Judy: Lyrah 5. Browne, Matthew: Saunter 6. Browne, Matthew: Tarantella 7. Bumgarner, Trevor: Choppy Frontier 8. Chen, Yi: Ban (Beat) 9. Davids, Brent Michael: Native American Étude 10. Flagello, Gala: Bulletproof 11. Grafe, Max: Fanfare With Afterimages 12. Herryman Rodriguez, Ivette: Tumbao Pesante 13. Jolley, Jennifer: Legend of the Moonlight Above 14. Joyce, Molly: Offbeat 15. Lamb, Alexis: Addolcimento (Sweetly, Softening) 16. Lambrecht, Lynnsey: Festive Fugue 17. Li, Shuying: Étude for Conductors 18. Lorenz, Ricardo: Estudio a Cuatro Voces 19. McCune, Sally Lamb: Pony Hollow Trail 20. Purrington, Hilary: Keepsake 21. Rowe, Will: Loose Canon 22. Sherwood-Gabrielson, Christopher: Last Waltz in Paris 23. Specht, Elena: Fortress 24. Tann, Hilary: Moonrise 25. Zare, Roger: Reverie About the editors Jonathan Caldwell, Lead Editor Jonathan Caldwell is the director of bands and assistant professor of conducting at the University of North Carolina at Greensboro, where he conducts the Wind Ensemble and Symphonic Band and teaches undergraduate and graduate conducting. Prior to his appointment at UNCG, Caldwell held positions at Virginia Tech, the University of Wisconsin–Stevens Point, and Garner Magnet High School (Garner, NC). His writing has been published in the Journal of Band Research and the Teaching Music Through Performance in Band series. He has given presentations for the Midwest Band and Orchestra Clinic, the College Band Directors National Association, the Internationale Gesellschaft zur Erforschung und Förderung der Blasmusik (IGEB), and at music educator conferences in North Carolina and Virginia. Derek Shapiro, Lead Editor Derek Shapiro is the director of bands and assistant professor of music at Virginia Tech, where he conducts the Virginia Tech Wind Ensemble and teaches conducting. Prior to his appointment at Virginia Tech, he held positions at Eastern Michigan University, Georgia Southern University, and Cypress Creek High School. A strong advocate for music education with nine years of public school experience, Shapiro has taught at the middle school and high school levels. He has been published in the Teaching Music Through Performance in Band series and has presented at clinics in Florida, North Carolina, Michigan, and Virginia. Suggested citation Caldwell, Jonathan and Shapiro, Derek (2023). Original Études for the Developing Conductor. Blacksburg: Virginia Tech School of Performing Arts. https://doi.org/10.21061/conducting. Licensed with CC BY NC-SA 4.0. Report an error View errata Accessibility statement Virginia Tech is committed to making its publications accessible in accordance with the Americans with Disabilities Act of 1990. The Open Education Initiative is committed to continuous improvement regarding accessibility. The text, images, and links in the PDF versions of this text are tagged structurally and include alternative text, which allows for machine readability. Links to external websites are provided as QR codes. Audio recordings of each score are available as MIDI realizations via YouTube. Alternative text for scores and parts is scheduled to be available in late 2023. Please contact [email protected] if you are a person with a disability and have suggestions to make this book more accessible. Special thanks This project was made possible in part by financial support from the University Libraries at Virginia Tech Collaborative Research Grant, University of North Carolina at Greensboro University Libraries’ Textbook Affordability Program (TAP) Grants, and additional funding, technical, and publishing support from the Open Education Initiative of the University Libraries at Virginia Tech. Disclaimer This work may contain components (e.g., composer headshots) not covered by the CC BY NC-SA license. Every effort has been made to clearly identify these components but ultimately it is your responsibility to independently evaluate the copyright status of any work or component part of a work you use in light of your intended use.University Libraries at Virginia Tech Collaborative Research GrantUNCG Open Education Mini-Grants InitiativeOpen Education Initiative, University Libraries at Virginia Tec

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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