1,723,141 research outputs found
Shandy Sandoro Goyang Horison Riss
No full textKonser musik 'I Like Monday with Shandy Sandoro', disambut antusias tamu dan pengunjung hotel. Konser ini bersamaan dengan peluncuran konsep baru Hotel Malioboro Horison Ultima Riss Malioboro dengan outlet baru Riss Coffee
Adapting Tristram Shandy
No full textLaurence Sterne’s The Life and Opinions of Tristram Shandy, Gentleman, has been noted as an unconventional eighteenth-century novel and it has long been considered unadaptable and unfilmable. In the last decade, however, two popular adaptations of Tristram Shandy have appeared in new media forms: Martin Rowson’s 1996 graphic novel and Michael Winterbottom’s 2005 film. Since Sterne’s text denies the kind of transfer typical of literary adaptations, Rowson and Winterbottom adapt the conceptual elements. Through adaptation and media theory, this thesis defines the Shandean elements of Sterne’s novel and locates the qualities of the text retained in adaptation. Rowson and Winterbottom adapt the conceptual properties of Tristram Shandy, ‘the spirit of the text,’ into two distinct mediums. In an exploration of the conventions of each medium, this thesis argues that the adaptations of Tristram Shandy are true to its spirit, and both successfully adapt the unadaptable novel
Reader as Author in \u3cem\u3eTristram Shandy\u3c/em\u3e
Full text linkIn a letter dated June 1764, Laurence Sterne wrote to Elizabeth Montagu, I am going down to write a world of Nonsense (467). He was referring, of course, to Tristram Shandy, a popular sensation from the time the first two volumes appeared four years earlier. Despite Samuel Johnson\u27s prediction that nothing odd will do long (qtd. in Sterne 484), Sterne\u27s masterpiece has maintained its prominence, appearing in our own time as the most modem of the eighteenth-century novels. In this essay, I am concerned with Sterne\u27s use of asterisks and blank pages-literary devices leaving gaps in the text-to engage the reader of the novel. Just as Kate Chopin\u27s The Awakening cannot reasonably be isolated from the feminist viewpoint, the reader\u27s thoughts and responses cannot be left out of Tristram Shandy. Several examples of how Sterne requires the reader to interact with the text will illuminate my point
Le opinioni di un clown: Tristram Shandy, gentiluomo
No full textSaggio sul "Tristram Shandy" di Laurence Sterne, posto a introduzione dell'edizione commentata pubblicata negli Oscar Mondadori. La curatela del volume riprende la traduzione e le note (in versione ridotta) della precedente edizione del volume stampata nei Meridiani Mondadori (2016). Questa introduzione è un saggio del tutto nuovo rispetto al materiale del Meridiano. Il saggio si articola in cinque parti: 1. 'Opinioni', in cui viene discusso il concetto di "opinione" nel contesto settecentesco dell'emergere e imporsi politico-sociale dell'opinione pubblica, secondo il noto assunto di J. Habermas; 2.'Origini', in cui vengono discusse le (contestate) origini del romanzo di Sterne all'interno della "rise of the novel"; 3. 'L'alone multicolore dell'umorismo', in cui viene analizzato il ruolo della narrazione umoristica nel romanzo; 4. 'Malinconia e interruzione', in cui gli aspetti tragico-malinconici della narrazione vengono messi a riscontro con le molteplici interruzioni e digressioni di cui è costituito il romanzo; 5 'Vertigini e vortici', in cui le interruzioni e digressioni vengono analizzate nella relazione funzionale con i continui inizi ex novo del testo, in un movimento vorticoso e zigzagante che diventa il nucleo estetico dell'opera sterniana
The Life And Opinions Of Tristram Shandy, Gentleman
No full textVerfasser ermittelt nach ESTCMit Frontispiz (Kupferstich), unterzeichnet: "W. Hogarth invt." und "J. Collyer sculpt." und einer Darstellung eines schwarzen Rechtecks auf den Seiten 67-68 (Holzschnitt)Enthält Widmung an: "To The Right Honourable Mr. Pitt", unterzeichnet: "... The Author."Vorlageform der Veröffentlichungsangabe: London: Printed for W. Strahan, J. Dodsley, G. Robinson, T. Cadell, T. Lowndes, and J. Murray. MDCCLXXXII
The life and opinions of Tristram Shandy : gentleman & A sentimental journey through France and Italy /
No full textHalf-title; Works of ... with life of the author.1. The life and opinions of Tristram Shandy.--II. The life and opinions of Tristram Shandy [cont'd.] A sentimental journey through France and Italy. A political romance. A fragment in the manner of Rabelais. Memoirs of the life and family of the late Rev. Mr. Laurence Sterne.Mode of access: Internet
The Life And Opinions Of Tristram Shandy, Gentleman
No full textVerfasser ermittelt nach ESTCDie Rückseite des Titelblatts ist unbedrucktDas Frontispiz ist ein Kupferstich, unterzeichnet: "Published as the Act directs. Jany. 14th. 1780. by W. Strahan, T. Cadell, J. Dodsley, G. Robinson & J. Murray. &c."Enthält Widmungen an: "... To A Great Man", unterzeichnet: "... The Author" und "To The Right Honourable John Lord Viscount Spencer ...", unterzeichnet: "... Laur. Sterne."Vorlageform der Veröffentlichungsangabe: London: Printed for W. Strahan, J. Dodsley, G. Robinson, T. Cadell, T. Lowndes, and J. Murray. MDCCLXXXII
A Central Consciousness at Work Beneath the Surface Artlessness: Narrative Strategies in “Tristram Shandy”
Full text link‘The Life and Opinions of Tristram Shandy, Gentleman’ (hereafter shortened to “Tristram Shandy”) is a unique novel written by British author Laurence Sterne in the eighteenth century. While Sterne’s contemporary readers may have conflicting viewpoints about the artistic value of “Tristram Shandy” because of its surface artlessness and chaos, readers today in the contexts of such twentieth-century critical theories as postmodernism, existentialism, and deconstruction, find it congenial and more intriguing. I argue that despite the apparent chaos of this novel, the author-narrator Tristram is a central consciousness that holds the whole work together. And I believe Sterne narrates his story in such a peculiar way in conformity to his own perception of the outside world. Specifically, this paper aims to explore the inventive narrative strategies employed in Sterne’s “Tristram Shandy” in the three aspects of narrative structure, time-shifting technique and self-conscious narrator. Amazingly, “Tristram Shandy” presents a wholly new notion of creative writing, one that goes beyond its time, and has unbreakable connection with twentieth-century literature.</jats:p
J.N. Shandy
No full textMr. Shandy is wearing a dark business suit with a striped tie. He is also wearing eyeglasses.This image is a preservation copy made from an unstable original nitrate negative
Shandy Hall at Wrightsville Sound
No full textPhotograph of Shandy Hall, a historic house on Wrightsville Sound
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