114 research outputs found
Per un ritratto di Donata Doni
No full textNel presente articolo si traccia il profilo di Donata Doni, una poetessa romagnola di origini
lucane, a distanza di cinquant’anni dalla sua
scomparsa. Pur trattandosi di una figura
esclusa dal canone letterario novecentesco, Donata Doni è autrice di una produzione poetica
abbastanza copiosa, anche se in parte ancora
inedita. L’articolo si sofferma sulla produzione
poetica edita, registrandone la ricezione critica.In the article it is drawn the profile of Donata
Doni, a poet from Romagna with Lucanian origins, fifty years after her death. Although she is
a figure excluded from the twentieth-century
literary canon, Donata Doni is the author of a
large enough poetic production, even though it
is still partly unpublished. The article dwells on
her published poetic production, recording its
critical reception
LAPORAN KERJA PRAKTIK METODE PELAKSANAAN BALOK DAN PELAT LANTAI PADA LANTAI 2 SAMPAI LANTAI 6 GEDUNG TOWER 2 ITS SURABAYA
No full textThe city of Surabaya is one of the metropolitan cities that continues to grow and is one of the supports for the development of education in Indonesia. Government Regulation of the Republic of Indonesia Number 47 of 2008 formulates compulsory education with the aim of providing education for Indonesian citizens to develop their potential so they can live independently in society. The increasing awareness of the Indonesian people towards the quality of education has caused enthusiasts to study at tertiary institutions to increase more and more rapidly.
The higher the level of education, the more efforts to develop and provide educational facilities and infrastructure in order to prepare quality human resources. One of the higher education institutions in Indonesia that continues to grow is the Sepuluh Nopember Institute of Technology (ITS). This institute is located in the city of Surabaya and has been established since 1957. The ITS Sukolilo campus occupies 180 hectares of land, with a total building area of approximately 150,000 m2. Along with human development regarding increasing educational excellence, the Sepuluh Nopember Institute of Technology (ITS) plans to add lecture rooms, with the aim of increasing capacity which can improve the quality of education at the university. Currently in 2022 ITS is building the ITS Tower 2 Building, Faculty of Intelligent Electrical and Informatics Technology.
Tower 2 ITS was built as a lecture building for the Faculty of Intelligent Electrical and Informatics Technology which consists of classrooms, lecturer rooms, laboratories, auditoriums, meeting rooms, showrooms, multifunction rooms, rooftops and support rooms and is located on one level, in tower 2 ITS building is also equipped with a Building Automation System (BAS) and Solar Panels so that it can save energy and maintenance costs.The structural work of beams and floor slabs in the ITS tower 2 building project uses ready mix or ready-to-use concrete. The ready mix concrete mix used in this project was obtained from the batching plant of PT. Merak Jaya Beton and PT. Concrete Building Solutions. Casting beams and floor slabs can use concrete buckets and concrete pumps. Tower cranes are used to move steel that has been assembled to the installation site and move the concrete mix pipe from the concrete mixer truck to the casting location using a concrete bucket. Whereas a concrete pump is a construction tool in the form of a pump and pipe that is installed in a vertical and horizontal or oblique combination to lighten and drain the concrete paste on the beams and floor slabs that will be casting. In this practical work report will discuss the organizational structure of the project, the method of implementing the casting of beams and slabs.
When the author carried out practical work in September 2022 construction activities were underway on floors 2 to 6, and it is planned that the ITS Tower will have 11 floors in the future. The ITS Tower 2 building construction project was carried out by PT. Wijaya Karya as the contractor, PT. Parigraha as the MK consultant and PT. Element Tiga Tiga as the planning consultant
Intertestualità nell'opera di Violette Leduc
No full textExploiting the theories about intertextuality as a literary phenomena, this study aims to draw a kind of map of the intertextual relationships between the work of Violette Leduc and three authors who were part of her life and who had an impact on her writing, namely, Maurice Sachs, Jean Genet and Simone de Beauvoir. Starting from the description of the theories concerning intertextuality, the present work focuses on the so-called 'internal' intertextuality, that is, the reworking of a text within another text by the same author – a fairly common writing practice among Violette Leduc and the three authors at the centre of this analysis – and a cross-reading of the work of the three authors in the light of the intertextual relationships that informs a certain part of their production (1932-1973).
The intertextual analysis of Leduc's work can contribute to a new understanding of the creative process of the work by underlining the literary value of a writer too often forgotten in the panorama of French literary history
Meditations on print (1553)
No full textThe source text of an Italian utopian author, Anton Francesco Doni (1513-1574), written to celebrate the
hundredth anniversary of the printing press, mirrors the spirit of the epoch and presents opinions about
advantages and disadvantages resulting from the invention of Gutenberg’s press. Authentic personages take part in
the dialogue; the immediate reason for their discussion is an argument that “printing caused harm to talented
people”. In their opinions about print, anxiety and disappointment intertwine with enthusiasm for the “black
art”. Eventually, commonly expressed respect for the achievements of Aldus Manutius results in the victory of the
latter opinion. For us, Doni’s dialogue is a historical testimony of the contemporary reaction to the exchange of
cultural paradigms, which is particularly relevant today, in the times of the great media revolution
Dynamics of Regulatory Networks in Gastrin-Treated Adenocarcinoma Cells
No full textUnderstanding gene transcription regulatory networks is critical to deciphering the molecular mechanisms of different cellular states. Most studies focus on static transcriptional networks. In the current study, we used the gastrin-regulated system as a model to understand the dynamics of transcriptional networks composed of transcription factors (TFs) and target genes (TGs). The hormone gastrin activates and stimulates signaling pathways leading to various cellular states through transcriptional programs. Dysregulation of gastrin can result in cancerous tumors, for example. However, the regulatory networks involving gastrin are highly complex, and the roles of most of the components of these networks are unknown. We used time series microarray data of AR42J adenocarcinoma cells treated with gastrin combined with static TF-TG relationships integrated from different sources, and we reconstructed the dynamic activities of TFs using network component analysis (NCA). Based on the peak expression of TGs and activity of TFs, we created active sub-networks at four time ranges after gastrin treatment, namely immediate-early (IE), mid-early (ME), mid-late (ML) and very late (VL). Network analysis revealed that the active sub-networks were topologically different at the early and late time ranges. Gene ontology analysis unveiled that each active sub-network was highly enriched in a particular biological process. Interestingly, network motif patterns were also distinct between the sub-networks. This analysis can be applied to other time series microarray datasets, focusing on smaller sub-networks that are activated in a cascade, allowing better overview of the mechanisms involved at each time range.© 2014 Doni Jayavelu, Bar. This is an open-access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited
Force characterization for a submerged velocity cap in unsteady flows
No full textCoastal facilities such as desalination plant or a nuclear power plant need a continuous discharge of salty water to carry out their functions. Hereby an intake structure, such as a velocity cap, can be used to take in water from the sea. These intakes are open seafloor founded constructions mounted at a water depth ranging between 10 and 20 meters. In order to design such an intake cap in an offshore environment, the action of waves and in general of unsteady flows is the most important design load to be accounted for. This thesis has the aim to investigate the nature of the forces and turning moment acting on the structure in presence of waves and to provide tools, in the form of hydrodynamic coefficients, that can be used to compute the design loads. The analysis is based at first on experimental records collected during a previous campaign including force measurements and PIV recordings. The measurements are then used to validate a CFD model in OpenFOAM. Structure-induced turbulence is shown to be fundamental to define the total loads on the structure in the numerical model. The use of a turbulence closure is in fact observed to be needed in order to come to a validation of the CFD model. Even if the flow separation around the cap is not always accurately predicted, the peak of the inline force is estimated by the model with an error of 8%. In the case of the vertical load the error observed reaches up to 15% but part of the mismatch is attributed to a bias in the experimental records. The CFD tool is then used to generate additional test cases on solitary waves and regular waves in order to expand the scope of this research. The hydrodynamic force coefficients are defined fitting both the experimental records and the load estimates of the numerical model by means of the weighted least squares method. The inline force characterization follows the theory of the Morison equation which is shown to provide a good fit in all analyzed cases. Good agreement is found between numerical and experimental results with regards to the estimate of the inertia coefficient while the numerical estimate of the drag coefficient is up to 19 % lower than the experimental estimate. Vertical force and overturning moment signals are originally fitted with the most common formulas used in literature which however produced poor fits to the force and moment signals. New equations are suggested therefore to come to a better characterization of these loads. The best fits for the vertical force are found with an equation that includes the effect of the horizontal drag, the vertical drag and of the vertical inertia, while in the case of the turning moment the best fits are obtained with a combination of horizontal drag, vertical drag, horizontal inertia and vertical inertia.Civil Engineerin
Il codice Acquisti e Doni 70 della Biblioteca Medicea Laurenziana di Firenze: un caso di autografia?
No full textThe Fimerodia by Jacopo del Pecora da Montepulciano is an allegorical-didactic poem in terza rima composed between 1395 and 1404. It is part of the imitative literary production of the second half of the 14th century. The tradition of the work consists of four manuscripts: Acquisti e Doni 70 from the Biblioteca Mediceo Laurenziana in Florence (A), Magliabechiano II II 128 (M1), Magliabechiano VII 963 (M2) and Vatican Latin 3126 (V).
A was defined as "probably autograph" since it was discovered by Aldo Aruch, towards the end of the nineteenth century, while the two Magliabechiani had already been found by Rodolfo Renier. The codex has also been considered an autograph by Renier, Guido Zaccagnini and Mauro Cursietti. However, no one justifies the alleged autograph except Cursietti, who justifies it by the almost total absence of abbreviations and the presence of numerous corrections. The first element is not conclusive, since it could or could not have been done at the copyist's discretion, while the second is more interesting, since the correction of insignificant errors suggests a revision of the work. The absence of conceptual errors and the accuracy of the text must also be taken into account. Finally, the autograph hypothesis would respond well to the inconsistency between the palimpsest character of the codex and the professionalism of the writing: Jacopo da Montepulciano was imprisoned in the Stinche prison at the time of the composition of the Fimerodia and this would explain the lack of writing material and the need to re-use papers already written and badly washed or scratched. The author, after composing the work, would copy it on the material at his disposal and then revise it by correcting it. Finally, the discovery of a number of letters sent by Jacopo to Francesco Datini and now kept in the Datini collection makes it possible to carry out a paleographic comparison between the manuscripts, made difficult by two completely different writing contexts
...E TUTTO IL RESTO È LETTERATURA. TRA ATTORE E POETA. PER UN'INTERPRETAZIONE DI PAUL VERLAINE
No full textThe following article creates a parallel between the two phases of the literary work of French poet Paul Verlaine and the reflections on what an actor can do concerning the interpretation of his poems.
Starting from the parnassian period of his work, focused on the pursuit of objectivity and technical perfection (art for art's sake) closely linked to the classical canons, the contribution shows how Verlaine's poetry had never been truly without its intimate feature. The meeting with the young poet Arthur Rimbaud changed Verlaine's writing into a new way of conceiving poetry and poet's mission: a combination of musicality, 'unpoetical' words taken by the common language and sensibility.
Likewise, the actor struggled between choosing a formal interpretation of the author in which the text is point of departure and destination or, on the contrary, decide for a more intimate interpretation in which subjectivity is likely to overcome the text
Doni Taba
No full textTraditional Malian song in the Wasssoulou style overlaid with modern techno sound producing Mali-Techno music and giving the performer the nickname techno-Mamo
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