1,720,958 research outputs found

    Richard A. and Susan F. Smith Campus Center

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    Massachusetts Ave. facade (has two story retail wing at left); In 1955, Sert founded a studio in Cambridge, Massachusetts, which in 1958 became a partnership with Huson Jackson and Ronald Gourley. Sert was the Graduate School of Design dean when he designed the building. Holyoke Center, which occupies a full city block in the heart of Harvard Square, is a ten-story, 360,000 square foot facility. The main plan of the concrete structure is H-shaped, with the north wing along Massachusetts Avenue and south wing along Mt. Auburn Street. The central connecting portion sets back from both Dunster Street and Holyoke Street and is approximately the same width as the two wings. Holyoke Center is the main administration building of Harvard University. It includes underground parking, the arcade, shops, and a bank at street level, university offices above, and a fully equipped infirmary, and University Health Services. At street level, a pedestrian arcade, occupying two stories in height, runs through the block. The building is set for renovation in 2016 and has been renamed. Source: docomomo (US) [website]; http://www.docomomo-us.org (accessed 8/2/2014

    Science Center

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    Pathway between enclosure all on the right and the tower area, with pergola arching overhead; Harvard's main classroom and laboratory building for undergraduate science and mathematics, in addition to housing numerous other allied departments and services. Located just north of Harvard Yard, the Science Center was built in 1973 after a design by Josep Lluís Sert (then dean of the Harvard Graduate School of Design). As part of its construction the portion of Cambridge Street running along the north edge of Harvard Yard was depressed into an underpass, allowing unhindered pedestrian movement between the Yard and Harvard facilities to the north, including the Science Center itself. The Center includes teaching laboratories, five lecture halls, twenty general-use classrooms, a cafeteria, library, computer store and the Collection of Historical Scientific Instruments. Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page (accessed 7/16/2013

    Carpenter Center for the Visual Arts

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    View of upper northwest corner from southwest; The Carpenter Center for the Visual Arts (1959-1962), Harvard University, Cambridge, MA, was Le Corbusier's only North American commission. One of his erstwhile assistants in the Rue de Sèvres studio, Josep Lluís Sert, the new Dean of the Graduate School of Architecture at Harvard, called him in when a benefactor, St Vrain Carpenter, offered to fund a centre for the visual arts dedicated to learning by doing, in contrast (but adjacent) to the highly traditional Fogg Museum and Fine Arts Department. Le Corbusier declared as one of his reasons for accepting the commission that he wished to put on show in the USA the repertory of his 'inventions'. In fact, the building can be read as an inventory of his mature vocabulary: the brise-soleil, the ondulatoires, the aérateurs, as well as the older features such as the exposed piloti, the roof garden and the pedestrian ramp. An astonishing aspect, however, is that the building retains a freshness and dynamism that, on a confined site and in the presence of dignified red-brick campus classicism, takes the breath away. This was a case in which Le Corbusier's original sketch of 1 April 1960 survived all pragmatic alterations during the design and construction processes. Source: Grove Art Online; http://www.groveart.com/ (accessed 1/28/2008

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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