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    More dinosaur and pterosaur rock art that isn\u27t

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    To support claims of the coexistence of humans with dinosaurs and pterosaurs, young-earth creationist authors have identified several pieces of ancient rock art as depictions of dinosaurs or pterosaurs. Here, nine such claims are investigated. An alleged pterosaur painting in Black Dragon Canyon, Utah, is actually not a single painting. Its head and neck are a painting of a person with outstretched arms. Its torso and limbs are those of a painting of a second person with outstretched arms, whose body continues into the pterosaur\u27s wing. The other wing is a painting of a horned serpent. The three paintings only appear connected because someone outlined the group with chalk. An alleged dinosaur petroglyph in Havasupai Canyon, Arizona, is a stylized bird with an extension on one foot; the hooked line that represents its head and neck is a stylized bird head. A second alleged dinosaur petroglyph in Havasupai Canyon is a stylized bighorn sheep or rabbit. An alleged dinosaur cave painting in Tanzania is an obvious giraffe. Three alleged cave paintings of long-necked dinosaurs in Zambia have short necks and most likely represent lizards. An alleged dinosaur painting on Agawa Rock in Lake Superior Provincial Park, Ottawa, represents Underwater Panther, a supernatural lake guardian of Ojibwe tradition. An alleged pterosaur painting at Alton, Illinois, is the product of the imagination of a nineteenth-century American author. These pieces of rock art now join the ever-growing pile of discredited evidence for the ancient coexistence of humans and dinosaurs. © Palaeontological Association July 2012

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Dinosaurs and pterosaurs in Greek and Roman art and literature? An investigation of young-earth creationist claims

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    Many young-Earth creationist (YEC) authors claim that ancient Greek and Roman writings describe dinosaurs and pterosaurs, and that Greco-Roman art illustrates Mesozoic reptiles. Such claims are used as evidence against evolutionary theory in an attempt to cast doubt on the separation of humans and such animals by millions of years. However, examination of the Greco-Roman materials in question reveals that none of them actually depict Mesozoic reptiles. In descriptions of dragons (Greek drak?n; Latin draco) in Greco-Roman literature-which YEC authors claim are dinosaurs-coils and the epithets ophis, serpens, and anguis reveal that the ancient authors are describing snakes, often large constrictors. This is the case for the draco described by Pliny, Phrygian dragons described by Aelian, the Vatican Hill child-eater mentioned by Pliny, the Bagradas River dragon, the legendary dragons that Alexander the Great supposedly encountered, and dragons in Greek mythology. An alleged theropod dinosaur in the Nile Mosaic of Palestrina is a mammal, possibly an otter. An alleged dinosaur in a Pompeii fresco is a crocodile. Herodotus\u27 description of winged snakes is anatomically incompatible with pterosaurs and possibly refers to cobras. Alleged pterosaurs on an Alexandrian coin are winged snakes. An alleged Etruscan pterosaur head sculpture depicts a mammal. Two alleged Tanystropheus in a Roman mosaic from Lydney Park, England are mythical sea monsters. These YEC claims now join the ranks of discredited evidence against evolutionary theory. © Palaeontological Association, November 2013
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