1,721,420 research outputs found
Formica fusca subsp. rufibarbis var. glauca Ruzsky 1895
No full textFormica fusca rufibarbis var. glauca Ruzsky, 1895; W Siberia.Published as part of Seifert, B. & Schultz, R., 2009, A taxonomic revision of the Formica rufibarbis Fabricius, 1793 group (Hymenoptera: Formicidae)., pp. 255-272 in Myrmecologische Nachrichten 12 on page 27
Formica rufibarbis subsp. volgensis Ruzsky 1914
No full textFormica rufibarbis volgensis Ruzsky, 1914; Volga River.Published as part of Seifert, B. & Schultz, R., 2009, A taxonomic revision of the Formica rufibarbis Fabricius, 1793 group (Hymenoptera: Formicidae)., pp. 255-272 in Myrmecologische Nachrichten 12 on page 27
Formica stenoptera Foerster 1850
No full textFormica stenoptera Förster, 1850; Germany.Published as part of Seifert, B. & Schultz, R., 2009, A taxonomic revision of the Formica rufibarbis Fabricius, 1793 group (Hymenoptera: Formicidae)., pp. 255-272 in Myrmecologische Nachrichten 12 on page 27
Formica rufibarbis subsp. montivaga Santschi 1928
No full textFormica rufibarbis st. montivaga Santschi, 1928; [replacement name for Formica rufibarbis natio montana Kuznetzov-Ugamsky, 1923; Turkestan; junior primary homonym of F. subpolita var. montana Wheeler, 1910]Published as part of Seifert, B. & Schultz, R., 2009, A taxonomic revision of the Formica rufibarbis Fabricius, 1793 group (Hymenoptera: Formicidae)., pp. 255-272 in Myrmecologische Nachrichten 12 on page 27
Formica rufibarbis subsp. montana var. minor Kuznetzov-Ugamsky 1926
No full text<p>Formica rufibarbis ssp. montana var. minor Kuznetzov-Ugamsky, 1926; Turkestan.</p>Published as part of <i>Seifert, B. & Schultz, R., 2009, A taxonomic revision of the Formica rufibarbis Fabricius, 1793 group (Hymenoptera: Formicidae)., pp. 255-272 in Myrmecologische Nachrichten 12</i> on page 27
Formica rufibarbis var. montaniformis Kuznetzov-Ugamsky 1929
No full text<p>Formica rufibarbis var. montaniformis Kuznetzov-Ugamsky, 1929; Daghestan.</p>Published as part of <i>Seifert, B. & Schultz, R., 2009, A taxonomic revision of the Formica rufibarbis Fabricius, 1793 group (Hymenoptera: Formicidae)., pp. 255-272 in Myrmecologische Nachrichten 12</i> on page 27
Cardiocondyla mauritanica
No full text<p>Cardiocondyla mauritanica</p> <p>69 samples with 138 workers from Afghanistan, Egypt, Greece, India, Indonesia, Iran, Iraq, Israel, Jordan, Kiribati, Libya, Malta, Morocco, Oman, Puerto Rico, Pakistan, Portugal, Spain, Tunisia, Turkey, United Arab Emirates, Ukraine, and USA (Arizona, California, Florida).</p>Published as part of <i>Seifert, B., 2008, Cardiocondyla atalanta Forel, 1915, a cryptic sister species of Cardiocondyla nuda (Mayr, 1866) (Hymenoptera: Formicidae)., pp. 43-48 in Myrmecologische Nachrichten 11</i> on page 4
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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