1,720,957 research outputs found
Interrogating Okooro Masquerade: A Structuralists Reading of the Costumes
There is a gulf between the script and the artist's intention when analyzing indigenous festivals. The task confronting a critic is to isolate the artist's intention and navigate the sea of esoteric through the available tools. This difficulty specifically confronts the interpretation of indigenous masquerades. While deploying structuralism and aesthetics, the endeavor is to attempt an explication of the text through eclecticism. An honest critic will quickly resort to eclecticism-which is the deployment of tools depending on the capability of yielding meaning. This study does not find it out of place to dine with the structuralist model with special attention on the synchronic dimension of meaning while exploring aesthetics at the same time. With the help of eclecticism, the study situates masquerades within entertainment and concludes that indigenous attempts at providing pleasure must have informed the emergence of masquerades
Interrogating Okooro Masquerade: A Structuralists Reading of the Costumes
There is a gulf between the script and the artist's intention when analyzing indigenous festivals. The task confronting a critic is to isolate the artist's intention and navigate the sea of esoteric through the available tools. This difficulty specifically confronts the interpretation of indigenous masquerades. While deploying structuralism and aesthetics, the endeavor is to attempt an explication of the text through eclecticism. An honest critic will quickly resort to eclecticism-which is the deployment of tools depending on the capability of yielding meaning. This study does not find it out of place to dine with the structuralist model with special attention on the synchronic dimension of meaning while exploring aesthetics at the same time. With the help of eclecticism, the study situates masquerades within entertainment and concludes that indigenous attempts at providing pleasure must have informed the emergence of masquerades
Identity, Displacement and Obscuring the Native Personality: Towards Decolonising Indigenous Folks in Ìlàjẹ Names
Fulfilment takes diverse forms and superimposing identity on supposed subjects who attempt to imitate whatever belongs to the impostor and considering it as the best standard they could imitate is the greatest form of satisfaction that a group of people that are not remotely connected could have from an overseas people. Apart from subsuming the identity of the people in the overall supremacy of the tiny people of an island in Britain, colonialism represents a subtle robbery of the possessions of the weak. Twenty indigenous surnames in the Ìlàjẹ/Ìkálẹ̀ communities of Ondo State exemplify the immediate and long-term goals of the colonialists. The names are interpreted and divorced of their underlying colonial undertones which seek to praise and arrogate positive vibrations to the subsisting relationship between the folks and those who colonized them. While deploying the tool of post-colonialism, the essay unravels the tool of diplomacy, exaggeration and arrogation of divine capabilities to themselves as reasons for the holistic acceptance of the colonialists as next to God, superhuman and greater than the black folks.
Aesthetics in “Oluwen” Cleansing Performance
The paper dwells on the tragic personality, the scapegoat, whose role is tied to the redemption of the people and cleansing of the land by metaphorically sacrificing himself during “““Olofun”gbogho””. This is another act in the fertility drama and it is instrumental in the regeneration of the land. The tragic hero is central to the cleansing, fertility and other allied ceremonies. The paper attempts an examination of the functions of the scapegoat during ““Olofun”gbogho”” and situates the tragic hero within a selfless desire to redeem the land from accumulated sins. The tool of analysis is aesthetics and the paper uncovers the underlying imperatives in the performance and situates them within art and the fulfilment of the people’s desire for entertainment
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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