40,266 research outputs found
Pollen profile from Sims See, southern Germany
Pollen profile from Sims See, southern German
How to be a woman. Models of masochism and sacrifice in young adult fiction
Buffy, Bella, Veronica, Katniss, Clary, Tris and Saba : For two decades post-feminist heroines have faced life-threatening trials as part of their progress to womanhood. In this chapter I consider how young adult popular fictions operate as forms of pedagogy for young women by offering them particular models of maturity and womanhood. I explore the recurrence and reformulation of a persistent pattern of behaviour in which heroines engage in risky and/or masochistic behaviours for which they are emotionally rewarded.. These recurrences function as a form of vicarious experiential learning in which readers and viewers learn that emotional gratification and adult status are conferred through self-harm and self-sacrifice. Popular culture is not a monolithic form and young adult fictions are no exception. An analysis of fictional examples of this behaviour pattern challenges the idea that heroines today are empowered agents as a result of the legacy of feminism. At the same time, the analysis belies any notion that fictions are universally hegemonic and oppressive – fictions can and do disrupt and interrogate this pattern of emotional masochism. Scholars of public pedagogy have explored the complexities, contradictions and subtleties of the pedagogical process. Sandlin O’Malley and Burdick (2011) in their review of public pedagogy literature acknowledge that some scholarship has demonstrated how “the teaching and learning inherent within daily life can be both oppressive and resistant” (p. 144). Jubas and Knutson (2012) also see public pedagogy as an arena where contradictions and tensions are in play. They argue that we can see “New examples of dialectic or tensions … between the authority of the producer and the consumer; between traditional structures which ground identities and help people make sense of cultural texts, and personal agency which frees people to choose and invent identities and meanings” (p. 86). This analysis aims to contribute to understandings of the complexities of public pedagogy by showing how fictions aimed primarily at young women both resist and accommodate patriarchy
Are there synergies between World Bank partial credit guarantees and private lending?
Since 1994, the World Bank has provided partial credit guarantees to private financiers of several large infrastructure projects in developing countries. A major objective of the partial guarantee program is to leverage Bank resources so as to provide developing countries with better private credit terms. A real test of the efficacy of World Bank partial credit guarantees is whether they also lower the interest rate and lengthen the effective maturity of the part of the credit not covered by the World Bank guarantee. On the basis of deals closed so far, the author finds no evidence that guarantees have affected nonguaranteed interest rates favorably, while the duration of the nonguaranteed credits remains relatively short.International Terrorism&Counterterrorism,Payment Systems&Infrastructure,Banks&Banking Reform,Economic Theory&Research,Strategic Debt Management,Financial Crisis Management&Restructuring,Banks&Banking Reform,Economic Theory&Research,Strategic Debt Management,Insurance&Risk Mitigation
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Skin friction factor and mean velocity profile measured in high-reynolds-number turbulent pipe flow
A friction factor in a fully developed pipe flow is measured very accurately over wide range Reynolds number from 103 to 107 at the high Reynolds number facility in AIST,NMIJ. Also a velocity profile is measured by using a LDV up to 106. From the comparison between a velocity profile and the friction factor, we found that a log-law profile is well observed and Kármán constant is estimated to be 0.385. Based on the measurements, we present a new functional form of the friction factor which is consistent with mean velocity profile
From Pedrolino to a Pierrot: The Origin, Ancestry and Ambivalence of the British Pierrot Troupe
In this article, the author considers the British development of the seaside Pierrot troupe, arguing that its construction is consistent with the notion of invented tradition, and the associated concerns with identity and nationality. Tracing the history of the character from its origins as Pedrolino in the commedia dell’arte, the article considers the traditional and novel elements of the British form. This also allows a brief account of the origin and aesthetics of the British tradition. Reflecting on the synthesis of the archaic and contemporary dimensions of the form, the author proposes that the new structure constructed an ambivalent class of character. The composition of both troupes and audiences was drawn from across the range of social strata. Through its collectivity and its treatment of contemporary social themes, it is argued the British Pierrot troupe approached and negotiated questions of a cultural and national identity in the late-Victorian period.
Dave Calvert is a Senior Lecturer at the University of Huddersfield, UK. His research
interests include street theatre, Applied Theatre and learning disabled
performance. He is also a member of The Pierrotters, the last remaining seaside
Pierrot troupe
Responding to the Threat of Violent Extremism - Failing to Prevent
The shocking 7/7 London bombings and subsequent plots have confirmed the Islamist terrorist threat faced by the UK. How should we understand such home-grown terrorism, and how successful since 2005 have government attempts to ‘prevent violent extremism’ through community-based education been? This 2012 monograph draws on research evidence, much of it from work with young people in the north of England, to suggest that the 'Prevent' policy approaches have been misguided and ineffective, further alienating British Muslim communities rather than supporting longer-term attempts to encourage community cohesion and integration that provides resilience against extremism
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Writing The see-through man: poetry and commentary
'Writing The See-Through Man: Poetry and Commentary' is a Creative Writing thesis in two parts. The first part is a collection of poems called The See-Through Man, written specifically for this project. It comprises thirty short poems (of approximately one page in length) and one long poem, '1969' (approximately sixty pages in length). The second part of the thesis is a personal, critical commentary which reflects on the evolution of the themes in this collection, from an initial desire to write about the male nude in art, to a desire to write about masculinity, to, finally, a desire to write autobiographically on issues of male embodiment. It reflects, retrospectively, on the creative processes behind the writing of the poems, with specific reference to technical experiments undertaken during the writing of key poems. It uses my own contemporaneous journals to piece together their 'histories', from idea to final draft. It also reflects on the influence of other poets and poetic traditions, with particular reference to the long poem, the prose-poem and the sonnet (and how assigning a central place to the sonnet grew out of a translation of Michelangelo). The sonnet, for example, comes to be understood as a metaphor for the Apollonian male body (considered to be a negative construct) and the versions of sonnets in the collection as examples of that form undergoing Dionysian adjustments
Pollen profile 2 from Hofstätter See, Bavaria, Germany
Pollen profile 2 from Hofstätter See, Bavaria, German
Stratigraphy and lithology of pollen profile Hofstätter See, Profil 1
Stratigraphy and lithology of pollen profile Hofstätter See, Profil
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