1,721,664 research outputs found

    Schmidt, David

    No full text
    Military Information: Division #2, Cumberland Company, Corporal, 2nd Depot Company, Private, Company A, 61st Infantry.This project was assisted by a grant from the New Jersey Historical Commission, a division of the Department of State.Names of other Rutgers People: R. Schmidt (brother); Armstrong; Costa; Sheridan; J. Schmidt (brother); Joyce Kilmer; Moore.Casualty Status: Illness/Injury (non-fatal). J. Schmidt: "'sniped' with a 77", numerous wounds

    Odor and H2S Emissions from Dairy Facilities

    No full text
    Schmidt, David. (1999). Odor and H2S Emissions from Dairy Facilities. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/118855

    New technologies in manure management

    No full text
    Schmidt, David; Bicudo, Jose. (2001). New technologies in manure management. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/147609

    Full sign-invertibility and symplectic matrices

    No full text
    Schmidt, David A.; Lim, Chjan C.. (1994). Full sign-invertibility and symplectic matrices. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/2574

    G-0359: Logan, Utah, Karl W. Schmidt/David L. Olsen/Evan L. Olsen residence. Sec 14 T 11 N R1 W. Built 1895

    No full text
    G-0359: Logan, Utah, Karl W. Schmidt/David L. Olsen/Evan L. Olsen residence. Sec 14 T 11 N R 1W. Built 189

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Full text link
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Survey of Existing Aeroservoelastic Models

    Full text link
    This working paper documents a survey of existing mathematical models of aeroservoelastic aircraft. For the purposes of this working paper, the primary purpose of such models is for control analysis and design. Enhanced validation and simulation (piloted and non-piloted) are also important.NASA NRA, "Lightweight Adaptive Aeroelastic Wing for Enhanced Performance Across the Flight Envelope," NRA NNX14AL36A, Mr. John Bosworth Technical Monitor.Danowsky, Brian; Schmidt, David. (2015). Survey of Existing Aeroservoelastic Models. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/174385

    Variations on the Author

    Full text link
    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
    corecore