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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    De iustitia Dei vindicativa

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    quam speciminis loco pro consequendo S.S. ministerii munere praeside ... Samuele Scheurer ... placidae disquisitioni subiicit Samuel Morlot, Bernas, author, ad diem 13. Martii 1741. h.l.q.s.Diss. Hohe Schule Bern, 174

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Tentamen de literarum, potiùs literatorum naevis

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    quod ... sub praesidio ... D. Samuelis Scheureri ... publicae disquisitioni sistere audet Ioh. Rodolphus ab Arnay, Helv. Lausannas ... author, ad diem Decembris ...Diss. Hohe Schule Bern, 173

    Observationes miscellae theologico-philologicae

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    quas pro S.S. ministerii honore ritè consequendo ... praeside ... Samuele Scheurero ... placidae eruditorum disquisitioni sistit Ioh. Rodolphus Gruner, Helv. Bernas, author, ad diem Novembris ...Diss. Hohe Schule Bern, 173

    Commentatio theologica in Psalmum CXXXIII

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    quam ... sub praesidiô ... Samuelis Scheureri ... publico eruditorum examini sistet Nicolaus Liszkai, Losontzino-Hungarus, author & respondens ... ad d. 6. Decembris ...Diss. Hohe Schule Bern, 173

    De illustri veritatis Christianae argumento ex computo hebdomadum septuaginta Danielis cap. IX. 24. & seqq

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    quam exercitii gratia sub praesidio ... Samuelis Scheureri ... publico examini subiicit I. Samuel Koenig, fil. author & resp. ad diem mensis Aprilis anno 1730. ...Diss. Hohe Schule Bern, 173

    De monte Libanon ad illustrationem S. Scrip. locorum de eo agentium

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    quam ... sub praesidio ... Samuelis Scheureri ... amicis ventilandam proponit Ioh. Rodolphus Kyburzius Helv. Arov. responsurus author, ad diem Aprilis ...Diss. Hohe Schule Bern, 173
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