1,720,955 research outputs found
José Maria Santos: entrevistas e embates
This book intends to give access to the voice of José Maria Santos (1933-1990), one of the most important personalities of the Paraná professional theater, who also designed the name of the Escola Técnica Federal do Paraná for almost 20 years as director of the theater group of this institution . Throughout her life, Zé Maria granted dozens of interviews to different periodicals. Through these materials, we can perceive aspects of his personality and his professional and artistic thinking. The selection of interviews presented here runs through the period of the last 20 years of his career, from 1970 to 1989. A reading of these interviews allows us to perceive the thinking and to know the artistic life of Santos on diverse topics as: decentralization of artistic production; Cultural public policies; Censorship and political openness and economic changes in Brazil; Theater teaching; Experimental and avant-garde theater; Drama, television and cinema; Professional ethics and the role of the artist in society; The economic value of art. These interviews recount, from the perspective of José Maria Santos, the cultural history of Brazil in a perspective from Paraná.Este livro pretende dar acesso à voz de José Maria Santos (1933-1990), uma das personalidades mais importantes do teatro profissional paranaense, que também projetou o nome da Escola Técnica Federal do Paraná (atualmente Universidade Tecnológica Federal do Paraná) durante quase 20 anos como diretor do grupo de teatro desta Instituição. Zé Maria, ao longo de sua vida, concedeu dezenas de entrevistas a diferentes periódicos. Esses materiais registram aspectos de sua personalidade e de seu pensamento profissional e artístico. A seleção de entrevistas aqui apresentada perpassa os últimos 20 anos de sua carreira, de 1970 a 1989. Aqui podemos conhecer a vida artística de José Maria Santos e sua visão sobre temas diversos, como: descentralização da produção artística; políticas públicas culturais; censura e abertura política e as mudanças econômicas no Brasil; o ensino do teatro; o teatro experimental e de vanguarda; a dramaturgia, a televisão e o cinema; a ética profissional e o papel do artista na sociedade; e, o valor econômico da arte. Estas entrevistas recontam, sob a ótica de José Maria Santos, a história cultural do Brasil numa perspectiva paranaense
TUT/TECEFET/TETEF: 35 anos de teatro na Universidade Tecnológica Federal do Paraná
The book tells the story of the creation of the TUT, formerly also called TECEFET and TETEF, and its different phases, between 1972 and 2008. It is a volume of high documentary value, about the theater developed and practiced within an educational institution, containing several historical essays, reporting these 35 years of uninterrupted activities, explaining the perspectives of this activity with the internal community and the community of Paraná. He also adds testimonials from alumni, such as journalists and former members of the group Jorge Luiz Bostelmann de Oliveira and Ulisses Iarochinski, as well as other former members who helped to build and enrich this heritage of Parana culture.O livro conta a história da criação do TUT, anteriormente também chamado de TECEFET e TETEF, e suas diferentes fases, entre 1972 e 2008. É um volume de alto valor documental, sobre o teatro desenvolvido e praticado no âmbito de uma instituição educacional, contendo diversos ensaios de teor histórico, relatando estes 35 anos de atividades ininterruptas, explanando as perspectivas dessa atividade junto à comunidade interna e à comunidade paranaense. Acrescenta, ainda, depoimentos de egressos, como dos jornalistas e ex-integrantes do grupo Jorge Luiz Bostelmann de Oliveira e Ulisses Iarochinski, além de outros ex-integrantes que ajudaram a construir e enriquecer este patrimônio da cultura paranaense
Babel: o processo de criação do espetáculo teatral: catálogo da exposição
This catalog documents two important extension and research projects held at the Federal Technological University of Paraná (UTFPR) in Curitiba in 2013: the Babel theatrical performance and the exhibition Babel: the process of creating theatrical performance. Both activities were developed by the Extension Development Program (Programa de Extensão Cenográfico de UTFPR), which was funded by the Public Ministry (PRoExt 2013 - SESu / MEC) of the Extension Program of the Higher Education Secretariat. The exhibition presents the creative journey of the Babel play, developed in conjunction with another UTFPR extension program, the UTFPR Theater Group, a university and amateur group, which completed 40 years of activities in 2013. In this catalog, the groups and agents that carried out these cultural actions are presented first. The following is a presentation of the production process of the show in its pedagogical and creative aspects, trying to give the general public access to a knowledge not always available: how a theatrical spectacle is produced. Finally, a selection of photos depicting the Babel is presented.Este catálogo documenta dois importantes projetos de extensão e pesquisa realizados na Universidade Tecnológica Federal do Paraná (UTFPR), em Curitiba, no ano de 2013: o espetáculo teatral Babel e a exposição Babel: o processo de criação do espetáculo teatral. Ambas atividades foram desenvolvidas pelo Programa de Extensão Desenvolvimento Cenográfico, da UTFPR, que foi contemplado com recursos públicos pelo edital do Programa de Extensão, da Secretaria de Ensino Superior, do Ministério da Educação (PRoExt 2013 - SESu/ MEC). A exposição apresenta o percurso criativo do espetáculo Babel, desenvolvido em conjunto com outro programa de extensão da UTFPR, o TUT – Grupo de Teatro da UTFPR, grupo universitário e amador, que, em 2013, completou 40 anos de atividades. Neste catálogo, são apresentados primeiramente os grupos e os agentes que realizaram estas ações culturais. A seguir, é apresentada a trajetória de produção do espetáculo em seus aspectos pedagógicos e criativos, procurando dar ao público em geral acesso a um conhecimento nem sempre disponibilizado: como um espetáculo teatral é produzido. Por fim, é apresentada uma seleção de fotos que retratam o espetáculo Babel
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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