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    Tectono-metamorphic and magmatic evolution of the Internal Dinarides (Kopaonik area, southern Serbia) and its significance for the geodynamic evolution of the Balkan Peninsula

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    The study is devoted to the tectono-metamorphic and magmatic evolution of the Internal Dinarides and it furthermore addresses the geodynamic evolution of the Balkan Peninsula. The investigated area is located in the internal-most part of the Dinarides and covers the contact zone between the Dinaridic orogen that essentially formed in Latest Cretaceous to Paleogene times and the “Serbo–Macedonian Massif“, that is a part of the Carpatho–Balkan orogen (Dacia Mega-Unit) which is characterised by older (pre-Turonian) deformations. The widespread occurrences of ophiolitic rocks, separated by different fragments of continental basement rocks led to a ,multi-ocean‘ concept whereby the oceans were separated by elongate continental terranes or micro-plates. By investigating the stratigraphic and tectonic evolution of the various continent-derived units and by studying their relation with the intervening ophiolitic belts this ,multi-terrane/multi-ocean‘ problem is critically addressed and a one-ocean model is preferred. Thereby the continental terranes simply represent the passive margin of Adria, exposed in windows below the ophiolites, which were obducted in Late Jurassic times. Strongly deformed and metamorphosed meta-sediments crop out in the Studenica valley and the Kopaonik area representing the easternmost occurrences of Triassic sediments within the Dinarides. Upper Paleozoic terrigeneous sediments are overlain by Lower Triassic siliciclastics and limestones, followed by Anisian shallow-water carbonates. A pronounced facies change to hemipelagic and distal turbiditic, cherty meta-limestones (Kopaonik Formation) testifies to a late Anisian drowning of the former shallow-water carbonate shelf. Sedimentation of the Kopaonik Formation was contemporaneous with shallow-water carbonate production on nearby and more proxi- mal carbonate platforms that were the source areas of diluted turbidity currents reaching the depositional area of this formation. The Kopaonik Formation was dated by conodont faunas as late Anisian to Norian and possibly extends into the Early Jurassic. It is therefore considered an equivalent of the grey Hallstatt facies of the Eastern Alps, the Western Carpathians and the Albanides–Hellenides. The coeval carbonate platforms were generally located in more proximal areas of the Adriatic margin, whereas the distal margin was dominated by hemipelagic/ pelagic and distal turbiditic sedimentation, facing the evolving Neotethys Ocean to the east. A similar arrangement of Triassic facies belts can be recognised all along the evolving Meliata–Maliac–Vardar branch of Neotethys, which is in line with a ‘one-ocean-hypothesis’ for the Dinarides: all ophiolites presently located southwest of the Drina–Ivanjica and Kopaonik thrust sheets are derived from an area to the east, and the Drina–Ivanjica and Kopaonik units emerge in tectonic windows from below this ophiolite nappe. On the base of the Triassic facies distribution neither arguments for an independent Dinaridic Ocean nor evidence for isolated terranes or blocks was seen. Two age groups for the Cenozoic granitoids in the Dinarides of southern Serbia were determined by high precision single grain U–Pb dating of thermally annealed and chemically abraded zircons: (i) Oligocene ages (Ko- paonik, Drenje, Željin) ranging from 31.7 to 30.6 Ma and (ii) Miocene ages (Golija and Polumir) at 20.58–20.17 and 18.06–17.74 Ma, respectively. Apatite fission-track central ages and modelling combined with zircon central ages, together with local structural observations, constrain the subsequent exhumation history of the magmatic rocks. They indicate rapid cooling from above 300 to ca. 80 °C between 16 and 10 Ma for the Oligocene and the Miocene age group, caused by extensional exhumation of the plutons that are located in the footwall of core-complexes. Miocene magmatism and core-complex formation thus not only affected the Pannonian basin but also a part of the mountainous areas of the internal Dinarides. Four different deformation phases (D1–D4) are distinguished in the study area. D1 to D3 are related to com- pression and metamorphism that pre-date the intrusion of I-type Oligocene plutons in Early Oligocene times, whereas the fourth deformation phase (D4) is related to extensional tectonics and exhumation that are contempo- raneous with the intrusion of Miocene S-type granitoids. The first event (D1) is probably linked to the obduction of the Western Vardar Ophiolitic Unit onto the distal Adriatic continental margin. It is associated with top-NW shear-senses observed in sigma-clasts in a ductilely deformed and slightly metamorphosed ophiolitic mélange as well as with a penetrative foliation and a stretching lineation coupled to greenschist facies metamorphism in the Late Paleozoic to Early Jurassic sediments. During the Late Cretaceous (110–85 Ma) these sediments witnessed a metamorphic event that occurred under lowermost greenschist-facies conditions, associated with the ductile deformation phase (D2) represented by a well developed foliation and isoclinal folds overprinting D1. A higher greenschist- to amphibolite-facies overprint is observed during Middle to Late Eocene (45–35 Ma) due to nappe- stacking caused by out-of-sequence thrusting (D3). This event is associated with the E–W-oriented compression related to and following the closure of the Sava suture. During the Miocene the entire area of investigation un- derwent rapid exhumation, accompanied by intense N–S-oriented ductile stretching (D4). This extension is correlated with the Miocene extension in the Pannonian basin whose location is in the back-arc area of the W-directed subduction of the European lithosphere beneath the Carpathians

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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