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"Transcending quotation" : cross-cultural musical representation in Mauricio Kagel’s "Die Stücke der Windrose für Salonorchester"
No full textDie Stücke der Windrose für Salonorchester (1989-95) by the Argentine-German composer Mauricio Kagel (*1931) constitute a set of eight pieces on the main bearings of the compass, each number being named after a compass point. In my thesis I explore how the different musical idioms – references to non-Western musics and to salon orchestra music, as well as Kagel’s own compositional procedures – relate to one another in the pieces. The specific origin of the materials Kagel utilised is established by examining a variety of sources, such as the composer’s own programme notes, an interview I conducted with him, and most importantly, the sketch materials. On this basis I develop a theoretical model of the intertextual relations between different musical discourses by means of Bakhtinian dialogics, resulting in a typology distinguishing different kinds of cross-cultural musical representation according to the degree of ‘stylisation’ involved. This typology serves as the framework of my analyses in which I discuss the different ways Kagel engages with his source materials in terms of compositional technique, aesthetic issues such as Kagel’s challenge to traditional notions of authorship, and the ideological implications of cross-cultural musical representation, interpreted in the light of recent discourses, for instance in cultural studies and postcolonialism. In particular, I demonstrate that Kagel‘s work is as much a critical reflection on common Western representations of ‘otherness’, as it engages in such a practice itself, as is apparent in the ostentatious employment of a salon orchestra with its associations of turn-of-thecentury exoticism. By illustrating methodological approaches to cross-cultural composition, which has become a prominent feature of contemporary Western concert music, the thesis aims to contribute to current discourses concerning the musical representation of ‘otherness’
Fearless: Mauricio Novoa
No full textThis week, we acknowledge Mauricio Novoa ‘14 as a fearless advocate of social justice through his use of the power of words.
Mauricio, an English major with a writing concentration, keeps a personal blog called Greasy Frijoles where he has been posting original poems since January 2012. Aside from being a very talented writer, Mauricio writes in various styles and on a number of topics. Many of his pieces confront racism and classism head on. [excerpt
Mauricio Cristancho, violín (Colombia)
No full textConcierto interpretado por Mauricio Cristancho acompañado en el piano de Ruth Marulanda Salazar. Mauricio es violinista y compositor. Inició sus estudios musicales con su padre, el maestro Francisco Cristancho Camargo. Sus profesores de violín fueron, Ernesto Díaz, Edward Preodor, Alberto Lysy y Henryk Szeryng, estudió Orquestación y Dirección de Orquesta con el maestro Olav Roots.
En este concierto interpretaron obras de Tomaso Albinoni, Ludwig van Beethoven, Ernest Bloch, Béla Bartók, Mauricio Cristancho H
Contemporary real life cardioversion of atrial fibrillation: results from the multinational RHYTHM-AF study
No full textAbstract not availableHarry J.G.M. Crijns, Bob Weijs, Anna-Meagan Fairley, Thorsten Lewalter, Aldo P.Maggioni, Alfonso Martín, Piotr Ponikowski, Mårten Rosenqvist, Prashanthan Sanders, Mauricio Scanavacca, Lori D. Bash, François Chazelle, Alexandra Bernhardt, Anselm K. Gitt, Gregory Y.H. Lip, Jean-Yves Le Heuze
Mauricio Starosta's DMA Piano Lecture
No full textLecture on selected piano technique principles of Dorothy Taubmann and Joe Kaplan applied to group piano, intermediate and advanced repertoire.Related performances for this degree --
Mauricio Starosta's DMA Piano Recital 1: https://hdl.handle.net/2346/97806
Mauricio Starosta's DMA Piano Recital 2: https://hdl.handle.net/2346/97807
Mauricio Starosta's DMA Piano Recital 3: https://hdl.handle.net/2346/97808
Related dissertation for this degree -- A comparison of the language used by selected piano pedagogues to address efficient piano technique: https://hdl.handle.net/2346/97805Recital recordings are archival copies for educational purposes only. Members of the TTU community may request to listen/view them for educational purposes via the PDF link to the left
Mauricio Starosta's DMA Piano Recital 3
No full textSonata for Two Pianos in D Major K. 448 (1791) by W.A. Mozart
Rhapsody in Blue (1924) by G. GershwinRelated performances for this degree --
Mauricio Starosta's DMA Piano Recital 1: https://hdl.handle.net/2346/97806
Mauricio Starosta's DMA Piano Recital 2: https://hdl.handle.net/2346/97807
Mauricio Starosta's DMA Piano Lecture: https://hdl.handle.net/2346/97809
Related dissertation for this degree -- A comparison of the language used by selected piano pedagogues to address efficient piano technique: https://hdl.handle.net/2346/97805Recital recordings are archival copies for educational purposes only. Members of the TTU community may request to listen/view them for educational purposes via the PDF link to the left
Catheter Ablation for Atrial Fibrillation in Patients with Heart FailureMauricio Scanavacca and Edimar Alcides Bocchi
No full textIng. Mauricio Macri: ECON 2014
No full textEntrevistasVideo realizado en la Facultad de Ciencias Económicas donde se presenta el Jefe de Gobierno, Mauricio Macri, a responder preguntas del público presente con vista a las elecciones del 201
Mauricio Murcia, clarinete (Colombia)
No full textConcierto interpretado por Mauricio Murcia acompañado en el piano de Miyer Garvin. Mauricio ha sido integrante de la Banda Sinfónica Nacional de Colombia, la Banda Sinfónica Santafé de Bogotá, la Banda de la Universidad Nacional de Colombia, la Banda Juvenil del Conservatorio del Tolima, la Orquesta Filarmónica de Boca Ratón, la Miami Pops Orchestra y la Grand Opera Orchestra de Florida; invitado como músico supernumerario a la Orquesta Sinfónica de Colombia y también a la Sinfónica de Miami. En 1994 fue escogido como mejor instrumentista juvenil en el XX Concurso Nacional de Bandas Musicales en Paipa (Boyacá).
Comparte escenario con Miyer Garvin quien inició sus estudios musicales a la edad de ocho años bajo la dirección de su padre y los de piano con los maestros Gunther Renz y Marina González. Se ha presentado en recitales con el Programa Infantil y Juvenil de la Universidad Javeriana, en el Auditorio León de Greiff con la Banda Sinfónica del Conservatorio de la Universidad Nacional y con el ensamble de percusión Tambuco en el Teatro Mayor Julio Mario Santo Domingo.
En este concierto interpretaron obras de André Messager, Johannes Brahms, Mauricio Murcia, Carlos Guastavino y Arturo Márquez
Response by Rivarola and Scanavacca to Letter Regarding Article, “Targets and End Points in Cardiac Autonomic Denervation Procedures”
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