22,735 research outputs found
Data for Leaf out time correlates with wood anatomy across large geographic scales and within local communities.
No full textThere are three CSV files and one readme file.These data are for a project investigating a potential correlation between leaf out time and wood anatomy across woody species. Wood anatomy and phenology data was collected for 220 plants from three different common gardens.NSF grant (IOS: 1656318) & Sinnott Award (Arnold Arboretum)Savage, Jessica A; McMann, Natalie; Park, Daniel; Rothendler, Matthew; Mosher, Kennedy. (2022). Data for Leaf out time correlates with wood anatomy across large geographic scales and within local communities.. Retrieved from the Data Repository for the University of Minnesota (DRUM), https://doi.org/10.13020/sbkp-kd14
Social class in the 21st century: an interview with Mike Savage
No full textby Rebecca Mansell and Ronda Daniel ‘Social Class in the 21st Century’ is a new Penguin book written by Professor Mike Savage in collaboration with a team of sociologists, including the LSE’s Lisa Mckenzie, Sam Friedman and Daniel Laurison. We spoke to Mike Savage, who is also head of the LSE’s sociology department, about the new book, how the team collaborated and social class in London. As well as this, as a renowned social researcher, Mike gave us some pearls of wisdom to first year sociology students at the LSE
Savage, Canberra Theatre, Canberra, ACT, 29-30 September 2022.
No full textSavage, choreographed by Daniel Riley and presented by Australian Dance Theatre. SAVAGE explores our fundamental belief systems, our blind obedience and our belief in the truths and lies that have captured our imaginations, never really questioning what is underneath, below or hidden. Daniel Riley (Choreographer + Director), Sarah-Jayne Howard (Associate Director), James Howard (Composer), Dean Cross (Costume Designer), Renate Henschke (Costume Co-ordinator), Sebastian Geilings (Dancer), Brianna Kell (Dancer), Zachary Lopez (Dancer), Jada Narkle (Dancer), Darci O'Rourke (Dancer), Zoe Wozniak (Dancer), Kate Champion (Dramaturg), Matthew Adey (Lighting Designer), Simon Greer (Prouction Manager), Dean Cross (Set Designer), Briony Hunt (Stage Manager), Alex Mollison (Technician)
Savage, Dunstan Playhouse, Adelaide, SA, 21-25 September 2022.
No full textSavage, choreographed by Daniel Riley and presented by Australian Dance Theatre. SAVAGE explores our fundamental belief systems, our blind obedience and our belief in the truths and lies that have captured our imaginations, never really questioning what is underneath, below or hidden. Daniel Riley (Choreographer + Director), Sarah-Jayne Howard (Associate Director), James Howard (Composer), Dean Cross (Costume Designer), Renate Henschke (Costume Co-ordinator), Sebastian Geilings (Dancer), Brianna Kell (Dancer), Zachary Lopez (Dancer), Jada Narkle (Dancer), Darci O'Rourke (Dancer), Zoe Wozniak (Dancer), Kate Champion (Dramaturg), Matthew Adey (Lighting Designer), Simon Greer (Prouction Manager), Dean Cross (Set Designer), Briony Hunt (Stage Manager), Alex Mollison (Technician)
SAVAGE
No full textProgramme for SAVAGE, choreographed by Daniel Riley and presented by Australian Dance Theatre in association with Adelaide Festival Centre, premiering in 2022 at Dunstan Playhouse, Adelaide, SA
Report on Meteorological Research March 1, 1935 (m-1)
No full textThe object of the report was to elucidate in detail the various features of the research program in meteorology being carried on at the Daniel Guggenheim Airship Institute in Akron, Ohio. Mr. L. J. Fangman, of the U.S. Weather Bureau, was collaborating with the author in carrying out work such as a study of autographic records of the various meteorological elements during frontal passages with a view to the possible prediction of the intensity of the accompanying disturbance as it may affect the operation of aircraft and a study of atmospheric gustiness with a view to finding the dependence between frequency end amplitude of velocity fluctuations and the vertical temperature and velocity gradients
(Fourth) Report on Meteorological Activities at the DGAI (8-1-36)(Weather Bureau Copy)
No full textThis report is on the investigations of frontal phenomena at the Daniel Guggenheim Airship Institute in Akron, Ohio from January 1, 1935 through August 1, 1936. The investigation was carried out with the cooperation of the U.S. Bureau of Aeronautics, the U.S. Weather Bureau, the California Institute of Technology, and the Guggenheim Airship Institute. Mr. R.C. Robinson of the Weather Bureau cooperated with the author in carrying out the investigation. The object of the investigation was to determine the intensity of the atmospheric disturbances (i.e. rapidity of wind shift and gustiness) accompanying the passage of cold fronts, along with a study of the characteristics of the air masses involved and other features which might affect the intensity of the disturbance. The report treated thirty cold fronts which passed the station during 1935 to 1936
Archives and Images as Repositories of Time, Language, and Forms from the Past: A Conversation with Daniel Eisenberg
No full textPainting of George Washington by Edward Savage
No full textThis painting has recently replaced the Gilbert Stuart painting in the American Style Gallery. Mr. Savage was a self-taught painter and engraver. In the early 1780s Savage was painting commissioned copies of portraits of prominent Bostonians. In 1789, Harvard University sent the aspiring artist to paint a portrait of then-president George Washington. His early connection to Washington defined Savage's career. He painted at least seven portraits of Washington and two of Martha Washington. This painting reveals the image of an austere and stately George Washington. The background is a dark brown bronze. In almost profile, his face bears a long nose, dark eyes, and a protruding chin. Two brown, arching eyebrows frame his slender features. Four horizontal rows, one above the other, depict his gray and white hair. In a three-quarter length bust portrait, George Washington wears a solid black coat. It is open enough to reveal a white linen shirt underneath. The linen appears to zigzag down Washington�s chest. An ornate, gilded frame adorns the oil portrait.Original file name Lonesome GeorgeCollage.jp
- …
