1,732,083 research outputs found
TrashCan 1.0 An Instance-Segmentation Labeled Dataset of Trash Observations
No full textThe dataset is uploaded in three .zip files: dataset.zip contains the images and labels of the TrashCAN dataset, while instance_checkpoints.zip and material_checkpoints.zip contain network configurations and checkpoints for Faster-RCNN and Mask-RCNN evaluations of the TrashCan-Instance and TrashCan-Material dataset versions.The TrashCan dataset is comprised of annotated images (7,212 images currently) which contain observations of trash, ROVs, and a wide variety of undersea flora and fauna. The annotations in this dataset take the format of instance segmentation annotations: bitmaps containing a mask marking which pixels in the image contain each object. The imagery in TrashCan is sourced from the J-EDI (JAMSTEC E-Library of Deep-sea Images) dataset, curated by the Japan Agency of Marine Earth Science and Technology (JAMSTEC). This dataset contains videos from ROVs operated by JAMSTEC since 1982, largely in the sea of Japan. The dataset has two versions, TrashCan-Material and TrashCan-Instance, corresponding to different object class configurations. The eventual goal is to develop efficient and accurate trash detection methods suitable for onboard robot deployment. While datasets have previously been created containing bounding box level annotations of trash in marine environments, TrashCan is, to the best of our knowledge, the first instance-segmentation annotated dataset of underwater trash. It is our hope that the release of this dataset will facilitate further research on this challenging problem, bringing the marine robotics community closer to a solution for the urgent problem of autonomous trash detection and removal.Hong, Jungseok; Fulton, Michael S; Sattar, Junaed. (2020). TrashCan 1.0 An Instance-Segmentation Labeled Dataset of Trash Observations. Retrieved from the University Digital Conservancy, https://doi.org/10.13020/g1gx-y834
Trash-ICRA19: A Bounding Box Labeled Dataset of Underwater Trash
No full textThis dataset is available for download as a .zip file named Trash_ICRA19.zip. Within the compressed folder are both the dataset and configurations for testing the datset with deep learning algorithms. There is a README in the top directory, and in most lower directories, explaining the files and directories in its directory.This data was sourced from the J-EDI dataset of marine debris. The videos that comprise that dataset vary greatly in quality, depth, objects in scenes, and the cameras used. They contain images of many different types of marine debris, captured from real-world environments, providing a variety of objects in different states of decay, occlusion, and overgrowth. Additionally, the clarity of the water and quality of the light vary significantly from video to video. These videos were processed to extract 5,700 images, which comprise this dataset, all labeled with bounding boxes on instances of trash, biological objects such as plants and animals, and ROVs. The eventual goal is to develop efficient and accurate trash detection methods suitable for onboard robot deployment. It is our hope that the release of this dataset will facilitate further research on this challenging problem, bringing the marine robotics community closer to a solution for the urgent problem of autonomous trash detection and removal.Fulton, Michael S; Hong, Jungseok; Sattar, Junaed. (2020). Trash-ICRA19: A Bounding Box Labeled Dataset of Underwater Trash. Retrieved from the University Digital Conservancy, https://doi.org/10.13020/x0qn-y082
Jabbar und Sattar Kheiri
Full text linkBiographische Notizen zu Jabbar Kheiri \ Literaturangaben zu Sattar Kheir
Kritik Terhadap Lukisan Kaligrafi Karya M. Sattar Periode 2005
No full textSemua cabang seni Islam bertolak dari ide abstrak tidak terkecuali kaligrafi. Salah satu seniman lukis kaligrafi kota Malang adalah M. Sattar. Seni lukis kaligrafi berkembang menjadi lebih kreatif dan lebih modern, itulah yang diperlihatkan M. Sattar dengan karya-karya kaligrafinya. Untuk mengetahui nilai estetik dari 7 lukisan M. Sattar yang berjudul “Untuk-Nya”, “Tidak Sama”, “Akhir”, “Luar”, “Lelehan-lelehan Merah Pada Dua Segitiga”, “Nama-Mu” dan “Milik-Nya”, dilakukan dengan cara pengamatan dan penghayatan terhadap lukisan kaligrafi karya M. Sattar. Penelitian ini bertujuan untuk mengetahui nilai estetik dari lukisan kaligrafi karya M. Sattar. Diharapkan penelitian ini akan menjadi karya kritik seni bagi Mahasiswa Program Pendidikan Seni Rupa Jurusan Seni dan Desain Universitas Negeri Malang. Objek dalam penelitian ini adalah 7 lukisan kaligrafi karya M. Sattar tahun 2005, masing-masing berjudul “Untuk-Nya”, “Tidak Sama”, “Akhir”, “Luar”, “Lelehan-lelehan Merah Pada Dua Segitiga”, “Nama-Mu” dan “Milik-Nya”.Penelitian ini dilakukan pada tanggal 14 November sampai 12 Desember 2005. Jenis penelitian yang digunakan dalam penelitian ini adalah kualitatif dengan pendekatan kritik formalistik. Analisa yang digunakan dalam penelitian ini adalah analisa mengalir. Metode yang digunakan dalam penelitian ini adalah metode observasi yang melibatkan proses penghayatan dan dokumentasi. Pengecekan keabsahan data menggunakan Derajat Kepercayaan (Credibility) dan Kebergantungan (Dependability), untuk mendapatkan data yang bisa dipercaya dan dipertanggungjawabkan.Karakteristiknya mulai berbeda dengan lukisan-lukisan M. Sattar tahun sebelumnya yaitu pada komposisi yang memenuhi bidang lukisan. Jika karya sebelumnya bermain dengan objek-objek geometris seperti segitiga, lingkaran dan persegi. Satu ciri khas yang masih berlaku pada semua lukisan M. Sattar, baik dari periode 1990-1999 atau pada periode 2000-2005 adalah dua titik. Dua titik itu kebanyakan muncul pada setiap lukisannya.Jadi, lukisan M. Sattar periode 2005 sudah mengalami perubahan konsep dan gaya yang lebih representatif. Lukisannya periode sekarang lebih bergaya abstrak, akan tetapi lebih bernuansa kelembutan pada teknik dan warnanya.Berdasarkan hasil penelitian ini dapat disarankan agar dilakukan penelitian lebih lanjut. Misalnya perkembangan gaya lukisan kaligrafi M. Sattar serta peranan garis-garis kaligrafi pada lukisan M. Sattar. Dengan menggunakan pendekatan kritik holistik, kritik formalistik, kritik jurnalistik atau kritik fenomenologis
Interview with Fawzia Abdel Sattar
No full textلقاء مع الدكتورة فوزية عبد الستار رئيسة اللجنة التشريعية بمجلس الشعب المصري حول تقييمها لمجلس الشعب الحالي. أجرى هذا اللقاء إبراهيم عابدين.An interview with Dr. Fawzia Abdel Sattar chairwoman of the Legislative Committee of the Egyptian People's Assembly about her assessment of the performance of the current parliament. Interview conducted by Ibrahim Abdeen
Bitte Sattar Kheiris um Anerkennung seinen Professorentitel in Deutschland
No full textBrief von Sattar Kheiri an das Auswärtige Amt mit der Bitte um Unterstützung und Anerkennung seines Professorentitels in Deutschlan
Abdul Sattar Edhi: A Tribute
No full textAbdul Sattar Edhi is a living legend and the most decorated philenthropist of Pakistan truly for his unmatched dedication, commitment and practical work. The article is a one-window solution as it briefly but comprehensively touches all the dimensions required to be highlighted to pay a worthy tribute to a hardworking realizer of dreams - Edhi sahib! This article encompasses all there needs to be known about Edhi and his remarkable achievements... Writing style is unique too ..
Interview with Abdul Sattar Naji
No full textمقابلة مع الناقد الفني الكويتي، عبد الستار ناجى، يناقش فيها حركة النقد والسينما الموجودة بالكويت، ويتحدث عن المحاذير الكثيرة أمام المخرجين الناشئين في منطقة الخليج . قامت بالمقابلة درية شرف الدين.An interview with Kuwaiti art critic, Abdul Sattar Naji, in which he discusses art criticism and cinema in Kuwait and obstacles faced by emerging filmmakers in the Gulf region. The interview was conducted by Doria Sharaf El-Din
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