1,720,962 research outputs found
Gli esordi dell'epica a Roma
No full textGli Annales di Ennio rappresentano una tappa importante nel ‘farsi’ della lingua poetica, non solo epica, qui analizzata nelle sue caratteristiche principali
Il Cippo del Foro: Nuove letture e prospettive euristiche
No full textThe Cippus of the Forum is reviewed in a new light thanks to the results of laser scanning commissioned by the Soprintendenza di Roma. A synergistic approach to the inscription, with the use of autopsies of the original and reproductions and digital image analysis, has made it possible to discard some old hypotheses and suggest new heuristic paths. An Appendix on Latin inscriptions from the seventh and sixth centuries BCE completes the work
Numérique et lecture de textes épigraphiques altérés
Get PDFL’acquisizione digitale dell’iscrizione sul cippo del Foro si è svolta nell’ambito del progetto di tutela e valorizzazione del Foro Romano e Palatino avviato dalla Soprintendenza Speciale per il
Colosseo, il Museo Nazionale Romano e l’Area Archeologica di Roma. L’analisi sul cippo è stata effettuata con FARO CAM2 composto da un braccio di misura da 2.9m dotato di testa a scansione laser V6HD, che permette di scansionare in un secondo 460mila punti dell’iscrizione con altissima
risoluzione e che è composto di un braccio meccanico che si muove intorno al supporto rilevando tutti i dati al centesimo di millimetro. I risultati delle analisi eseguite al laser scanner sono visibili dalle immagini ad alta risoluzione elaborate con colori che evidenziano le profondità millimetriche dell’incisione come si può vedere dalle figure. Lo studio delle immagini e le tre autopsie condotte hanno consentito una nuova edizione che si presenta ‘pulita’ dai dubbi del passato per i punti critici con letture divergenti dai primi lavori in poi e dovute a diversi fattori: il ricorso alle zincotipie e al calco Boni e al disegno Comparetti, la difficoltà di una autopsia in un luogo disagevole e chiuso per
lungo tempo e una interpretazione a priori. È il caso di una lettura D dopo SOR- (= sordes) e di r. 4 a Faccia B. Oltre a questi, le caratteristiche della pietra, il tufo lionato del Campidoglio, facilmente deteriorabile col trascorrere del tempo e con numerosi buchi, hanno impedito la riconoscibilità di un modulo divisorio coerente e presente in tutte le facce
The Lapis satricanus as evidence of an italic writing context in the Latium vetus?
No full textSabine traditions in the Lapis Satricanus? We will propose a possible cultural “sabine” individualization of the Lapis Satricanus, that expresses itself on a level of language and handwriting. The Latin alphabet actually gives evidence of some peculiarities that recall possible extra-Latin parallels. But the “cultural” contents (including obviously the linguistic features) are even more meaningful: these seem to show a coexistence of traditions in Rome of “not Roman type”
The digital edition of the archaic latin inscriptions (7th-5th century B.C.)
No full textThe ILA project consist in the digital edition of the archaic Latin inscriptions (7th -5th century B.C.) according to the EpiDoc guidelines. The edition is the result of an autoptical examination of the epigraphic documents and of the text-bearing objects, together with the analysis of previuos studies.In the particular case of the Forum inscription, this led to new discoveries and confirmed old hypotheses. Each text will be presented in an epigraphic chart, enriched by photos and illustrations
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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