122 research outputs found
Chloris montana Roxburgh 1832
Chloris montana Roxburgh (1832: 329). Lectotype (hic designatus):—[Illustration] Roxburgh Icon (inedit.) No. 882 [Figure 1 in the middle and its dissected spikelet on the lower left-hand-side], (https://archive.bsi.gov.in/botanical-details?link=549T3936S79423IX, CAL icon!) (Fig. 1). Notes on lectotypification:— Roxburgh (1832), for his new species Chloris montana, merely cited the locality as “This is a native of mountainous tracts only”; he neither cited nor indicated any collection or illustration. In order to typify the preceding species name, searches for the specimen(s) used by him were made in several herbaria, viz., A, B, BM, BR, C, E, G, K, FI, G, LIV, NY, OXF, P, PH, TCD, and UPS in which many of Roxburgh’s collections are housed (Stapfleu & Cowan 1983, Robinson 2008). However, no suitable specimen was located. Alternatively, since Roxburgh’s Flora Indica drawings housed at CAL and K can serve as the original materials for the typification of Roxburgh species names, we looked for an appropriate uncited drawing. In this regard, we located Roxburgh’s icon No. 882 (inedit.) at CAL. The drawing of floral parts with annotations by the author certainly agrees well with the description of C. montana and depicts the species characters adequately. The (Fig. 1) shows characteristic villous peduncle (albeit in the field some forms also exhibit completely glabrous peduncle), non-spherical and non-inflated glabrous sterile florets—are in combination constitute distinguishing features of this species. Since no known original specimen seems to exist, this illustration (No. 882) is perfectly agreeing with the protologue is selected as the lectotype of C. montana in conformity with an Art. 9.12, Schenzen Code (Turland et al. 2018).Published as part of Landge, Shahid Nawaz & Shinde, Rajendra D., 2022, Lectotypification of Chloris montana (Poaceae: Chloridoideae) and taxonomic notes on a few species from India, pp. 243-252 in Phytotaxa 550 (3) on page 244, DOI: 10.11646/phytotaxa.550.3.4, http://zenodo.org/record/665099
Structured for Mission, by Alan J. Roxburgh
STRUCTURED FOR MISSION. By Alan J. Roxburgh Downers Grove, iL: Intervarsity Press (2015) Paperback, 181 pages
Ultimately the author reveals the solution to the problem of our existing structural decline: regain our biblical imagination, allow room for experimentation, and allow the Spirit to lead outside our comfort zone. he relates these factors to leadership by explaining how leaders allow this process to take place when a problem arises
A nomenclatural survey of the genus Amaranthus (Amaranthaceae) 9: names published by Roxburgh
A nomenclatural study of the names in Amaranthus published by W. Roxburgh was carried out. Seven names appear to have been published by the author, three being not valid from the nomenclatural point of view (Amaranthus atropurpureus, A. fasciatus, and A. lanceofolius, nomina nuda, Arts. 38.1 and 38.2 of ICN). The remaining four names are valid and they are typified by illustrations included in "The Roxburgh Collection" at the library of the Royal Botanic Garden of Kew [Nos. 447 (lectotype of A. fasciatus), 1676 (lectotype of A. lanceolatus), and 1677 (lectotype of A. frumentaceus)] or included in the Seikei Zusetsu Agricultural Catalog (neotype of A. atropurpureus)
The rise of public credit and the eighteenth-century English novel
It is no coincidence that the novel and public credit both emerged in the early part of the eighteenth century. The epistemological problem of belief unites both economic and novelistic discourses through the language of trust and credit. Unlike private credit, public credit did not operate with the assumption that repayment of the national debt was possible. The Bank of England issued more paper credit than it had bullion to back it, assuming that all creditors would never redeem their notes at once. Because public credit was therefore inherently problematic, writers often took recourse to literary techniques in order to render it coherent to the public whose trust was a factor in its success. Fiction can also prove credible without requiring a ground in empirical reality, much like public credit (which entails a translation of trust in tangible people to trust in abstractions meant to stand in for people: the Bank, the nation, the state, the public, and so on). Part of what makes the novel just that is its capacity to produce a virtual truth through its own narrative strategies, one that requires no tie to the empirical world that the work purports to represent. That is to say, virtue in the novel and virtue in public credit are both virtual. Examining the novel gives us insights into the way public credit works, and also into the way the discourse of political economy obscures its internal problems and contradictions.Ph. D.Includes bibliographical referencesIncludes vitaby Natalie Suzanne Roxburg
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How Photography Changed Politics: The Case of the Iranian Constitutional Revolution (1905-1911)
My dissertation reconceptualizes the Iranian Constitutional period (1905-1911) as an era of spectacle, in which photography played a central role in defining, mobilizing, and memorializing political movements and their leaders. The first chapter of my dissertation traces the role and impact of one specific photograph: a portrait of Joseph Naus, the Belgian head of the Iranian tax and customs systems, in the costume of an Iranian mullah. The circulation of the photograph, which had been reproduced as a postcard with a caption that purposefully misinterpreted the image, sparked a nationwide protest and turned the previously economic protest into a religiously legitimated one. The photograph became the basis for a fatwa and death threats to Naus. The second chapter discusses photographs of political protest. It focuses on a key event of the Constitutional Revolution, a several weeks-long sit-in during the summer of 1906 in the gardens of the British Legation in Tehran. In my research, I was able to prove that the so far unattributed series of photographs of this event was taken by the well-known photographer Antoin Sevruguin. The third chapter focuses on political portrait photographs from the second half of the Iranian Constitutional Revolution, which was characterized by revolutionary and counter-revolutionary violence. I analyze portraits of Iranian assassins and their victims and show how these acts of violence were influenced by global political movements and international media coverage. The epilogue of my dissertation focuses on the events directly following the Constitutional Revolution, when the Russian army invaded Tabriz and executed the remaining revolutionaries. I discuss the photographic documentation of the events, the circulation of the images, and their changing interpretations.History of Art and Architectur
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A survey of dissociation, boundary-thinness, and psychological wellbeing in spiritualist mental mediumship
The purpose of this study was to explore the personality and psychological wellbeing of Spiritualist mental mediums compared to nonmedium Spiritualists. A total of 159 Spiritualists (mediums = 80, nonmediums = 79) participated in a nationwide cross-sectional survey and completed measures of dissociation, boundary-thinness, psychological wellbeing, fantasy-proneness, and personality. Mediums scored significantly higher than nonmediums on psychological wellbeing, t = 3.80, p <.001, and reported lower psychological distress, t = 3.25, p = .001, but no significant differences were found between the groups on dissociation or boundary-thinness. Secondary analyses revealed significant differences for extraversion, t = 2.01, p = .046, neuroticism, t = 3.59, p = <.001, and openness to experience, t = 3.21, p = .002, but not for fantasy-proneness, agreeableness, or conscientiousness. Findings suggest that mediumship is not associated with a reported incidence of dissociative experiences or pathology. Results are discussed in relation to previous research that has proposed the mediumship role may serve a therapeutic functio
‘I Took Every Possible Care to Have Them Well Preserved’: Travelling Plants and Networks of Collection from India to England in the Letters of William Roxburgh to Sir James Edward Smith
The final decades of the eighteenth century saw the significant expansion of botanical propagation and collections across the globe, both as an aesthetic corollary and to provide the underpinning resources for imperialism. The focus of this article is the development of the network between botanists in India and England in the 1790s through the correspondence between William Roxburgh (1751–1815), superintendent of the Botanical Garden in Calcutta from 1793, and Sir James Edward Smith (1759–1820), who as Sarah Law notes, was ‘a focus of correspondence with every serious botanist in the world’ (Law, 2007, 184). Such networks were sustained by letters describing the plants and the treatment they needed, the habitat from which they had been taken, and details of how they had been collected and packed. Epistolary writing between plant hunters and British collectors can be understood, I suggest, as a form of travel writing. This is a form in which correspondence builds connections and relationships between fellow scientists and enthusiasts and the fragmentary focus on place, and the mobility of humans is replaced by close attention to the aesthetic and biological details of plants and the best ways of securing their successful transport across the globe. Using an ecocritical frame, this article explores the position of plants and biological specimens themselves as travellers and considers the ways in which their care and preservation have been articulated through sociable correspondence
Sir Joseph Banks to James Edward Smith
Thanks for turkey. Has had 'Limosella diandra' from [Charles] Konig and [William] Roxburgh but no drawing of it. Does not think it is the 'Gratiola pusilla' of [Carl Ludwig von] Willdenow. Happy at the improvement in Smith's health. Asks Smith's opinion of author Peter [Peregrine] Lille
Sir Joseph Banks to James Edward Smith
Thanks for turkey. Has had 'Limosella diandra' from [Charles] Konig and [William] Roxburgh but no drawing of it. Does not think it is the 'Gratiola pusilla' of [Carl Ludwig von] Willdenow. Happy at the improvement in Smith's health. Asks Smith's opinion of author Peter [Peregrine] Lille
‘I Took Every Possible Care to Have Them Well Preserved’: Travelling Plants and Networks of Collection from India to England in the Letters of William Roxburgh to Sir James Edward Smith
The final decades of the eighteenth century saw the significant expansion of botanical propagation and collections across the globe, both as an aesthetic corollary and to provide the underpinning resources for imperialism. The focus of this article is the development of the network between botanists in India and England in the 1790s through the correspondence between William Roxburgh (1751–1815), superintendent of the Botanical Garden in Calcutta from 1793, and Sir James Edward Smith (1759–1820), who as Sarah Law notes, was ‘a focus of correspondence with every serious botanist in the world’ (Law, 2007, 184). Such networks were sustained by letters describing the plants and the treatment they needed, the habitat from which they had been taken, and details of how they had been collected and packed. Epistolary writing between plant hunters and British collectors can be understood, I suggest, as a form of travel writing. This is a form in which correspondence builds connections and relationships between fellow scientists and enthusiasts and the fragmentary focus on place, and the mobility of humans is replaced by close attention to the aesthetic and biological details of plants and the best ways of securing their successful transport across the globe. Using an ecocritical frame, this article explores the position of plants and biological specimens themselves as travellers and considers the ways in which their care and preservation have been articulated through sociable correspondence
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