1,720,956 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    A STUDY OF JOHN WANSBROUGH THOUGHTS ON QUR’ANIC STUDIES: SOURCE AND METHODS OF SCRIPTURAL INTERPRETATION

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    The study of Islam, particularly Quranic studies, has been shaped by various methodologies and interpretations introduced by Western scholars. Among them, John Wansbrough’s provocative insights in his methodological approach stand out. Wansbrough’s historical and literary analysis challenges traditional views by proposing that the Quran is a product of cultural evolution and influence. This article delves into Wansbrough’s perspective, focusing on his work ‘The Quranic Studies: Sources and Methods of Scriptural Interpretation.’ This study reveals Wansbrough’s arguments about the possibility of Jewish-Christian traditions in the Quran, the role of cultural contexts, and the evolution of the Quranic text. Wansbrough’s methods, including historical scepticism and literary analysis, have triggered both support and criticism. Wansbrough suggests that sacred texts, such as the Quran, may consist of different layers and undergo changes and revisions over time, especially due to cultural, political, and social influences. Although some scholars view Wansbrough’s methods as too sceptical and controversial, others consider them to provide valuable insights into the history and development of sacred texts. Scholars such as Fazlur Rahman have criticized Wansbrough’s theories, defending traditional views. However, supporters argue that Wansbrough’s ideas expand the boundaries of Quranic studies. Ultimately, this article explores and demonstrates open and critical discussions within the realm of Islamic studies, acknowledging various perspectives to achieve a deeper understanding of the complex origins and interpretations of the Quran. This research uses a qualitative approach and literature analysis to understand John Wansbrough’s thinking. Open and critical discussions are necessary for Islamic studies to understand the various perspectives and methods in uncovering the meaning of the Quran and the history of Islam.Bidang studi Islam, khususnya studi Al-Quran, telah dibentuk oleh berbagai metodologi dan interpretasi yang diperkenalkan oleh para sarjana Barat. Di antara mereka, pemikiran John Wansbrough menonjol dengan wawasan provokatif dan pendekatan metodologisnya. Analisis historis dan sastra Wansbrough menantang pandangan tradisional dengan mengusulkan bahwa Al-Quran adalah produk dari evolusi dan pengaruh budaya. Artikel ini menggali perspektif Wansbrough, dengan fokus pada karyanya "Studi Al-Quran: Sumber dan Metode Interpretasi Naskah." Studi ini mengungkapkan argumen-argumen Wansbrough mengenai kemungkinan perpaduan tradisi Yahudi-Kristen dalam Al-Quran, peran konteks budaya, dan evolusi teksnya. Metode Wansbrough, termasuk skeptisisme historis dan telaah sastra, telah memicu dukungan dan kritik. Sarjana seperti Fazlur Rahman mengkritik teori-teori Wansbrough, membela pandangan tradisional. Namun, para pendukung berpendapat bahwa gagasan-gagasan Wansbrough memperluas batas-batas studi Al-Quran. Pada akhirnya, eksplorasi ini memperlihatkan perlunya diskusi terbuka dan kritis dalam ranah studi Islam, mengakui berbagai pandangan untuk mencapai pemahaman yang lebih dalam mengenai asal-usul dan interpretasi kompleks Al-Quran. Penelitian ini menggunakan pendekatan kualitatif dan analisis kepustakaan untuk memahami pemikiran John Wansbrough. Diskusi yang terbuka dan kritis diperlukan dalam kajian Islam untuk memahami berbagai perspektif dan metode dalam mengungkap makna Al-Qur'an dan sejarah Islam

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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