462 research outputs found
Ingo Plag, Word-Formation in English (2
No full text1. General observations Ingo Plag is Professor of English Linguistics at Heinrich-Heine-Universität Düsseldorf. He has published articles in specialized journals like Linguistics, Language or English Language and Linguistics and in works like the Yearbook of Morphology [2001], Word-Formation: An International Handbook of the Languages of Europe [2016] or Word Knowledge and Word Usage: A Cross-Disciplinary Guide to the Mental Lexicon [2017]. He is the author of Morphological Productivity: Stru..
Remarks on Early Medieval legal charters — The legend of “dux Ingo” and his “carta sine litteris”
No full textEnea Silvio Piccolomini in his work entitled
De Europa
written in 1458, tells an interesting story defined as a legend in terms of genre about a duke called Ingo, who lived during the reign of Charlemagne. This narrative claims that in 790
dux gentis
Ingo held a feast for the inhabitants of his province where food was served to the peasants allowed to appear before him in golden and silver bowls, while to the dignitaries standing further away from him in bowls made of clay. The researchers’ attention is deservedly raised by the query how come that this parabolical story with biblical tone was included in Enea Silvio’s work; if it had been borrowed who the
auctor
might have been he borrowed it from. The answer seems to be very simple: from the
Conversio Bagoariorum et Carantanorum
drafted regarding the lawsuit proceeded against Methodius. In the case narrated in the
Conversio
Ingo sent a charter or much rather a parchment without any writing, or letters on it
(carta sine litteris)
, which provided his legate with sufficient authenticity to demand obedience from the people.In this study-after having compared the two narratives and outlined the place of De Europa in Enea Silvio Piccolomini’s oeuvre and the circumstances of the drafting and tendencies of the Conversio Bagoariorum et Carantanorum-the author attempts to answer the following questions. To what extent can duke Ingo, mentioned by Enea Silvio and not questioned in the literature for long centuries, be considered a real historical person? Does the Conversio refer to Ingo as a duke, and if it does, what is his existence as a duke and introduction in the literature as a duke owing to? What could the meaning of carta sine litteris referred to in Conversio have been, and why did Enea Silvio not take this item over although he could have put it forward as a further proof of Ingo’s dignity? To what literary prefigurations can the description of the feast held by Ingo be traced back to, and what role did it play in the Conversio? Regarding the borrowing of the Ingo story by Enea Silvio, what possible intermediary writing and author can be reckoned with
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