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    Letter from Samuel Taylor Coleridge to James Augustus Hessey, [1822-25]

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    Letter from Samuel Taylor Coleridge to his publisher, James Augustus Hessey. The watermark of the paper reads \u27Cowan 1822\u27. The letter discusses the publication of Coleridge\u27s Aids to Reflection in the Formation of a Manly Character, which was first published in 1825. The letter is not published in either The Collected Letters of Samuel Taylor Coleridge or The Unpublished letters of Samuel Taylor Coleridge (both edited by Earl Leslie Griggs). Cf. references to Seneca in the letter to entry no. 5089 in The Notebooks of Samuel Taylor Coleridge (ed. Coburn and Christensen).https://scholarworks.umt.edu/whicker/1018/thumbnail.jp

    Towards a poetics of becoming: Samuel Taylor Coleridge's and John Keats's aesthetics between idealism and deconstruction

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    "Towards a Poetics of Becoming: Samuel Taylor Coleridge�s and John Keats�s Aesthetics Between Idealism and Deconstruction" grapples with a new aspect in reading and interpreting Romantic textuality, evident in both writers. Resisting the radical presuppositions of current idealist critical readings on the one hand, and modern and postmodern critical approaches that sideline Romantic aesthetic and spiritual idealism and dismiss Romantic theory as a whole respectively, the work sets forth to re-evaluate Romantic idealism from within the interpretative context of the philosophy of becoming. In this vein, it argues that a majority of the texts of Coleridge and Keats strongly substantiate their long sustained idealism, through a permanent process of transformation and changes in the developing self towards a desired goal. The centrality of the poetics of becoming, the work conjectures, is understood from a reformulation of Schlegel�s Romantic theory on irony and becoming, and Hegel�s idealistic dialectics, which argue for the non-progressive contradictory self and the spiral attainment of absolute knowledge respectively. The hermeneutic and phenomenological understanding of logical and constructive irony, paradox, fragmentation, self-contradiction, anti-self-consciousness and constructive deferral, do not only place the texts treated as dynamic and highly interrelated with other texts, but most importantly the developing and transforming self of the writers, positing the argument that the question of self-presence and intentionality is tenable in the process of becoming

    Letter from Samuel Taylor Coleridge to H.W. Montagu

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    Autograph letter written by Samuel Taylor Coleridge to H.W. Montagu. Transcriptions included.Mr S. T. Coleridge would not have troubled [2 words blotted over] Mr Montague about such a trifle as the Devi’s Thoughts if the reputation, that this doggerel is capable of conferring had been the point in question. [S. T. C. with some irony corrects Montagu’s impressions as to the authorship of a poem already printed in ‘the Compleat collection of Mr Coleridge’s poetical writings by Mr Pickering.” An Irish miscellany, he concludes, has published Coleridge verses as by “Mr Porson.”] S. T. Coleridge[‘s] Complt., Grove, Highgate April Monday 183

    Shaping Spirits, or, Imagination and "Abstruse Research": the perils of metaphysics and Coleridge's loss of form in the years of his philosophical accomplishment

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    Includes bibliographical references (leaves 78-81).The mystical nature of Samuel Taylor Coleridge's poems, 'The Rime of the Ancient Mariner', 'Christabel' and 'Kubla Khan' has intrigued readers for over two centuries. Of these full poems only the "Rime" is complete and yet they all still enjoy the scrutiny of a wide audience. This thesis examines the circumstances surrounding Coleridge's inability to continue writing such poems of imaginative force

    and Reply. (i) Letter dated 10 June 1793 to Richard Bright, Bristol, from Samuel Taylor, Manchester.

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/236457Re: Gordon's affairs. (ii) Reply to Samuel Taylor from Richard Bright, dated 20 June 1793.126258 Sub-Item: [1980.0075.01473] "and Reply. (i) Letter dated 10 June 1793 to Richard Bright, Bristol, from Samuel Taylor, Manchester.

    Letter to Richard Bright Esq., Bristol from Samuel Taylor, Manchester

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/236466Re: Ships and cargo.126267 Sub-Item: [1980.0075.01482] "Letter to Richard Bright Esq., Bristol from Samuel Taylor, Manchester

    Letter to Richard Bright, Bristol from Samuel Taylor, Manchester

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/236439Re: Business Dealings on behalf of Taylor and Willington.126240 Sub-Item: [1980.0075.01455] "Letter to Richard Bright, Bristol from Samuel Taylor, Manchester

    Letter to Richard Bright Esq., Bristol from Samuel Taylor, Manchester

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/236433Re: Gordon's affairs.126234 Sub-Item: [1980.0075.01449] "Letter to Richard Bright Esq., Bristol from Samuel Taylor, Manchester

    Approvement imagery analysis samuel taylor coleridge's poems

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    The research discusses Samuel Taylor Coleridge poems. The writer studies three poems as the object of the study, they are: Kubla Khan, the Nightingale, and Frost at Midnight. Imagery analysis uses as the theoretical frame work of the research. The method of the research is descriptive qualitative to depict about the content of Firstly the writer focuses on imagery analysis, and imagery description of those poems. The goals of the research are to find and understand the imaginative power of Samuel Taylor Coleridge. The writer also discusses the way of Samuel Taylor Coleridge describing imagery in the poems. In his conclusion, the writer concluded that Samuel Taylor Coleridge use several kinds of imageries, such as visual imagery, auditory imagery, tactile imagery, and organic imagery. Coleridge also uses both techniques in describing or developing the imagery, literal description, and figurative descriptio

    Chief Samuel Taylor (Thunderbird) Blue Papers - Accession 496

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    The collection consists of photocopies of correspondence, genealogical information, financial records, newspaper clippings, photographs, pamphlets, and a scrapbook collected by Samuel Taylor (Thunderbird) Blue (1872-1959), former chief of the Catawba Indians (1931–1938, 1941–1943, and 1956–1958). A large part of the collection relates to mission work with The Church of Jesus Christ of Latter-day Saints in South Carolina (Mormon Church), and federal agencies on the problems facing the Catawba Indians.https://digitalcommons.winthrop.edu/manuscriptcollection_findingaids/1630/thumbnail.jp
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