1,721,286 research outputs found
Conférence de M. Samten G. Karmay
No full textKarmay Samten G. Conférence de M. Samten G. Karmay. In: École pratique des hautes études, 5e section, Sciences religieuses. Annuaire. Tome 82, Fascicule III. Comptes rendus des conférences de l'année universitaire 1973-1974. 1973. pp. 53-57
Conférence de M. Samten G. Karmay
No full textKarmay Samten G. Conférence de M. Samten G. Karmay. In: École pratique des hautes études, 5e section, Sciences religieuses. Annuaire. Tome 82, Fascicule III. Comptes rendus des conférences de l'année universitaire 1973-1974. 1973. pp. 53-57
Rare Buddhist Texts kept in Orgyan Chos Gling
No full textThe essay, written by Samten Karmay, deals with his work in the Bhutanese village Ogyen Choling. There is located a collection of rare Buddhist texts and manuscripts back the the 14th and 15th centuries
Samten Karmay, Secret Visions of the Fifth Dalai Lama
No full textChayet Anne. Samten Karmay, Secret Visions of the Fifth Dalai Lama . In: Arts asiatiques, tome 44, 1989. p. 142
Bon, The Everlasting Religion of Tibet. Tibetan Studies in Honour of Professor David L. Snellgrove
No full textSamten G. Karmay & Jeff Watt (éd.), Bon. The Magic Word. The Indigenous Religion of Tibet.
No full textChayet Anne. Samten G. Karmay & Jeff Watt (éd.), Bon. The Magic Word. The Indigenous Religion of Tibet.. In: Arts asiatiques, tome 64, 2009. pp. 151-153
Art piece on the mandala, to be constructed by the Venerable Lobsang Samten in
No full textArt piece on the mandala, to be constructed by the Venerable Lobsang Samten in conjunction with the Maine College of Art
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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