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    The Dynamics of Eurasian Comprehensive Security, Political and Economic Cooperation

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    The dissertation has four main chapters. I begin with the discussion of the philosophical and historical concept of Eurasia (Chapter No 2.). This contains an overview on contemporary political and security concerns of the great powers in Eurasia and a deep analytical study of philosophy and history of the terms Eurasianism(s), followed by subchapters such as: the standpoint of the United States in Eurasia, the strategic path of Russia in Eurasia, the strategic view of Turkey to Eurasia, China’s standpoint on Eurasia and India from Indo-Pacific to Eurasia. I found that Eurasian powers are capable to develop a global partnership model at the inter-regional and international level by challenging post-Soviet unipolar world order. I argue that this step generates conflicts and misunderstandings in high-level politics between Eurasian powers and the West, represented by organizations like NATO and the European Union. I believe that the era of misunderstanding will concede its place to “genuin strategic partnership and trans-Eurasian security system” applied by Brzezinski, Z. (Brzezinski, Z., 1997) between Eurasia and Europe, on the one hand, and Eurasian powers and the US, on the other. I made the argumentation that the Eurasian continent is divided between several nations and sovereign countries in three different levels: great, middle, and small powers. No unique power has the real capacity to shape or reassert an empire in order to rule the Heartland, WorldIsland to command the world. The bilateral and multilateral relations between Eurasian countries or powers are based on mutual recognition and equality. I proved the only issue that involve Eurasian powers outside their territory or borders are their inherited historical, cultural, and geopolitical frontiers. In the current geopolitical structure of world politics, the case of influence over international or regional initiatives is the issue of interest among countries seeking global or regional hegemony. The Heartland and the World Island in Eurasia are places where the frontiers and interests of all Eurasian powers meet or even encircle into one other. Because of this complex structure, regionalism or regional integration is a considerable part of their foreign policies. According to my findings, Halford Mackinder had addressed the geopolitical significance of the Heartland under the era of historical empires from a classical realistic point of view. My opinion is the implementation of such a political order or returning to the 20th century political settlement in the current international political, economic, and security structure is impossible. At the same time the Eurasian great powers failed to establish the western type liberal and neo-liberal political order. I raised the idea of fourth political theory that could lay an adaptable political structure or framework among and across the region. The next (No 3.) chapter focuses on the economic, trade, and geopolitical relations between Eurasian powers, and has two main parts. The first part contains an overview on IntraRIC+T (Russia, India, China + Turkey) investment and trade relations providing data about India-China, India-Russia, Russia-China, Russia-German and Russia-Europe trade and economic relations and the discusses the case of geopolitical and geostrategic interests of given countries. The second part of the chapter discusses the complexity of the BRICS (Brazil, Russia, India, China and South Africa). The influence and contribution of BRICS in world politics and economics, intra-BRICS achievements and failures, the case of BRICS New Development Bank and the case of intra-BRICS investment and trade are the main terms of this part. I will also try to make a theoretical background for the process to find what kind of cooperation BRICS is primarily involved in, whether it is a new occurrence in the global partnership era and what mechanisms and projections could raise a better and deeper economic cooperation and integration between these nations by applying theories of global and regional economic integration in the conclusion. The next (No 4.) chapter focuses on the Eurasian Economic Union. The subchapters in this part of my dissertation are: the treaty of the Eurasian Economic Union (EAEU), Russia and the EAEU, the historical and evolutional background of the EAEU, and the economic situation and the results of the EAEU in present. The last chapter is the conclusion section which contains an analytical outcome of the dissertation. For data collection to conduct my study, I used secondary sources such as books, journal and online articles related to the topic and official statistics and indicators from the World Bank, International Monetary Fund, Organization for Economic Co-operation and Development and International Trade Centre etc

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    Author Under Sail The Imagination of Jack London, 1893-1902

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    In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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