1,721,004 research outputs found
La dignità dantesca di Firenze: note sull'edizione 'landiniana' della "Commedia", 1481, in Dante visualizzato Carte ridenti III: XV secolo Seconda parte, a cura di R. Arqués Corominas e S. Ferrara, Firenze, Franco Cesati, 2019, pp. 95-100
Cleopatras lussuriosa. Dalla Vita di Boccaccio alle interpretazioni moderne
Studio sulla figura di Cleopatra dalla biografia boccacciana nel De mulieribus claris alle interpretazioni novecentesch
«Figurando il Paradiso»: le figure dipinte dell’incunabolo della Commedia della Casa di Dante in Roma e una nuova iconografia dell’Empireo
Il saggio è dedicato alle interazioni tra commento e illustrazione nell’incunabolo con figure dipinte della Casa di Dante in Roma, il cui corredo figurato risale al 1499. Dopo aver brevemente descritto il manufatto e precisato la cronologia, si illustrano le scelte di fondo dell’illustratore, Antonio Grifo, in rapporto alla tradizione iconografica del poema dantesco; e in seguito si approfondiscono alcuni punti in cui le immagini sono determinate dal rapporto con i commenti utilizzati da Grifo, quello di Landino presente nell’edizione Piasi (1491) e quello di Benvenuto, epitomato e riportato nelle postille manoscritte in margine, evidenziando le circostanze in cui il rapporto con i commenti determina scelte in contrasto con le precedenti xilografie presenti nella stampa o l’adesione a una particolare interpretazione del testo dantesco
Da Firenze a Venezia. Il primo decennio della Commedia illustrata a stampa (1481-1491)
Il contributo prende in esame l'illustrazione della Commedia dantesca a stampa nel Quattrocento, nella sua evoluzione dalla prima edizione parzialmente illustrata Firenze 1481 alle edizioni veneziane degli anni Novanta del XV secolo
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Séminaire: "Boccace numérique. Regards en Italie et en France entre le XVe et le XVIIe siècles", CESR, Tours, le 3 décembre
Séminaire organisé par Sabrina Ferrara . programme en pdf . 10h Sabrina Ferrara (Université de Tours/CESR) Regards anciens et actuels sur Boccace et son œuvre 10h30 Renzo Bragantini (Università Roma1 “Sapienza”) Che requisiti dovrebbe avere una nuova edizione, critica e commentata, del Decameron? 11h Fosca Mariani Zini (Université de Lille) Boccace et la philosophie: une question controversée 11h30 Claudia Zudini (Université de Rennes) Boccace vulgaire et Boccace latin : éléments de conti..
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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