1,720,969 research outputs found
Limnesia surinamensis Besseling, 1949 Besseling 1949
No full textLimnesia surinamensis Besseling, 1949 (Figures 3 A-D)Published as part of K, Harry Smit, Pešić, Vladimir, K & K, Simon Clavier, 2022, Water mites from French Guiana, with the description of 14 new species (Acari: Hydrachnidia), pp. 1119-1153 in Acarologia 62 (4) on page 112
Arrenurus (Megaluracarus) pugiunculatus K. Viets 1954
No full textArrenurus (Megaluracarus) pugiunculatus K. Viets, 1954 New record — 2/2/0, Petit-Saut Lake, date unknown, between 2007 and 2017, 4.939997°N, 53.044167°W, leg. S. Clavier. Distribution — Brazil (K. Viets 1954b), French Guiana (this study).Published as part of K, Harry Smit, Pešić, Vladimir, K & K, Simon Clavier, 2022, Water mites from French Guiana, with the description of 14 new species (Acari: Hydrachnidia), pp. 1119-1153 in Acarologia 62 (4) on page 113
Recifella elliptica
No full text<i>Recifella elliptica</i> (Walter, 1919) New record — 1/0/0, Crique Aya, National Reserve La Trinité, 4.590557°N, 53.413572°W, 4 <p>Nov. 2018.</p> <p> <b>Distribution</b> — Brazil (Walter 1919b ; Lundblad 1943), Paraguay (Lundblad 1943), French Guiana (This study).</p>Published as part of <i>K, Harry Smit, Pešić, Vladimir, K & K, Simon Clavier, 2022, Water mites from French Guiana, with the description of 14 new species (Acari: Hydrachnidia), pp. 1119-1153 in Acarologia 62 (4)</i> on page 113
Koenikea (Koenikea) angustipalpis K. O. Viets 1975
No full text<i>Koenikea</i> (<i>Koenikea</i>) <i>angustipalpis</i> K.O. Viets, 1975 <p> <b>New record</b> — 0/1/0, Petit-Saut Lake, date unknown, between 2007 and 2017, 4.939997°N, 53.044167°W, leg. S. Clavier.</p> <p> <b>Distribution</b> — Brazil (K.O. Viets 1975), French Guiana (this study).</p>Published as part of <i>K, Harry Smit, Pešić, Vladimir, K & K, Simon Clavier, 2022, Water mites from French Guiana, with the description of 14 new species (Acari: Hydrachnidia), pp. 1119-1153 in Acarologia 62 (4)</i> on page 113
Koenikea (Pseudokoenikea) horrida Lundblad 1930
No full textKoenikea (Pseudokoenikea) horrida Lundblad, 1930 New record — 0/2/0, Petit-Saut Lake, date unknown, between 2007 and 2017, 4.939997°N, 53.044167°W, leg. S. Clavier; 0/2/0, KAW20, Marais de Kaw-Roura National Reserve, French Guiana, 4.645064°N, 52.160725°W, 23 Jun. 2020, leg. S. Clavier. Remarks — The apodemes of the anterior coxae of this species are very short, just reaching the anterior margin of Cx-III. Distribution — Brazil (Lundblad 1930 ; K.O. Viets 1975), French Guiana (this study).Published as part of K, Harry Smit, Pešić, Vladimir, K & K, Simon Clavier, 2022, Water mites from French Guiana, with the description of 14 new species (Acari: Hydrachnidia), pp. 1119-1153 in Acarologia 62 (4) on page 113
Limnesia hesperia Lundblad 1930
No full textLimnesia hesperia Lundblad, 1930 New record — 1/0/0, Saut Sonnelle, Inini River, 3.668227°N, 53.960857°W, 28 Sept. 2017. Distribution — Peru (Lundblad 1930), Paraguay (Lundblad 1941), Surinam (Besseling 1949), French Guiana (this study). Remarks. According to Viets (1954b) Besseling’s material from Surinam does not belong to this species. When compared with the description in Lundblad (1941) there are indeed differences in the setation of P4. However, Besseling’s material and illustrations (Besseling 1949) matches the original description of Lundblad (1930), and, therefore, we disagree with Viets (1954b).Published as part of K, Harry Smit, Pešić, Vladimir, K & K, Simon Clavier, 2022, Water mites from French Guiana, with the description of 14 new species (Acari: Hydrachnidia), pp. 1119-1153 in Acarologia 62 (4) on page 112
Limnesia guianaensis Smit & Pesic 2022, sp. nov.
No full text<i>Limnesia guianaensis</i> Smit & Pešić sp. nov. <p>Zoobank: 5F31FFDF-7DCA-457B-9F70-63D862939FE8</p> <p>(Figures 2 A-D)</p> <p> <b>Material examined</b> — Holotype male, National Reserve La Trinité / Parc Amazonien de Guyane, Courcibo River, French Guinea, 4.475657°N, 53.219474°W, 14 Nov. 2019, leg. S.</p> <p>Clavier, dissected and slide mounted (MNHN).</p> <p>100 µm, C = 50 µm.</p>Published as part of <i>K, Harry Smit, Pešić, Vladimir, K & K, Simon Clavier, 2022, Water mites from French Guiana, with the description of 14 new species (Acari: Hydrachnidia), pp. 1119-1153 in Acarologia 62 (4)</i> on pages 1121-112
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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