1,721,096 research outputs found
Kant, Schiller, Hegel e la parabola dell’estetica
No full textSi cercherà di capire quale sia stato il destino di quella breve ma folgorante stagione di primato antropologico-filosofico-politico dell’estetica di cui il Più antico programma
di sistema dell’idealismo tedesco può essere considerato il manifesto. Verranno schizzate le basi teoriche di quel primato attraverso il ricorso a Kant e soprattutto Schiller (1-2), per poi passare a indagare ragioni e modalità del suo declino, e insieme della sua assimilazione, nel pensiero di Hegel (3-4)
"Intendere un autore meglio di quanto egli stesso si sia inteso". Schiller interprete dell'etica kantiana
No full textThis paper discusses the long-standing myth of Schiller's criticism of Kant's ethics with a view to reversing current views on both Schiller's competence and his disagreement with Kant. As a result, Schiller emerges as a reliable interpreter of Kant's moral philosophy and, moreover, as someone who had already come to similar conclusions on his own, before reading Kant
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Tefrostratigraphic study for the last 18000 14C years in a dep sea sediment sequence for the south Adriatic
No full text
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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