1,721,074 research outputs found
Revitalizing rural areas through innovation and entrepreneurship: public and private initiatives to train, attract and retain human capital
Full text linkThe European Commission has increasingly highlighted the importance of fostering conditions that support the emergence and flourishing of innovation and entrepreneurship across all regions. The Long-Term Vision for EU’s Rural Areas recognises the key role that innovation can play in revitalising these territories and transforming them into places of opportunity, while the New European Innovation Agenda emphasises the need to accelerate and strengthen innovation across the EU and thereby address the existing territorial innovation divide. This report, which is part of the Startup Village Forum’s research activities, analyses successful initiatives, supported by public policies or private efforts, which focus on attracting, training or retaining human capital to bolster entrepreneurial and innovation ecosystems in European non-urban areas. The analyzed initiatives - selected for their sustainability, resilience, replicability, inclusivity, cohesiveness, and urban-rural networks - have been promoted by public actors in Ireland (Connected Hubs), Spain (RAISE Youth) and Sweden (Lärcentrum), and by private ones in Portugal (Rural Move) and Italy (Incubatore SEI). They vary widely in terms of their typology, objectives, operational approaches, target groups, services provided, and implementation periods. They leverage urban-rural networks, thus enhancing brain circulation and brain bank. The countries hosting these initiatives present a heterogeneous distribution of tertiary education across cities, towns and suburbs, and rural areas, highlighting a north-south divide. The study shows that all the initiatives have been supported by urban-rural networks and have enhanced the inclusiveness of people coming from outside the area. Additionally, it reveals that key elements for their success, apart from the participation in urban-rural networks, include close collaboration with higher educational institutions, engagement with public institutions, and robust political support across different tiers of government
Perché si uccide un magistrato senza punto interrogativo
No full textStudio condotto con il sound designer Stefano Sasso del film di Damiano Damiani "Perché si uccide un magistrato" sui rapporti tra immagine e suono, cinema politica e cinema e mafia.
Suoni, maschere e verità di Indagine su un cittadino al di sopra di ogni sospetto
No full textStudio del film "Indagine su un cittadino al di sopra di ogni sospetto" di Elio Petri che intreccia le componenti politico-indiziario con la lettura psicanalitica che si evince particolarmente dal fitto tessuto sonoro e musicale
Misteri in musica, canti e canzoni in Vaghe stelle dell'Orsa...
No full textStudio condotto con il sound designer Stefano Sasso sul film di Luchino Visconti "Vaghe stelle dell'Orsa" guardando alle significazioni insite nel fitto tessuto sonoro, canoro e musicale
Corruzione al Palazzo di Giustizia: dissonanze e assonanze indiziarie
No full textStudio condotto con il sound designer Stefano Sasso sulla trasposizione cinematografica di Marcello Aliprandi del dramma di Ugo Betti "Corruzione al Palazzo di Giustizia" tra combinazioni giuridiche, elementi indiziari, comparazioni cinematografiche, sonorità e musicalità politicamente e drammaturgicamente rilevant
A bordo di un asteroide: Identificazione di una donna e dintorni
No full textStudio condotto con il sound designer Stefano Sasso sulle ragioni profonde, visive, storiche, politico-indiziarie, musicali e sonore di "Identificazione di una donna" di Michelangelo Antonioni, alla luce di richiami e risonanze riconducibile al contesto del terrorismo italiano tra gli anni Settanta e Ottanta, intriso di curiose piste fantascientifiche e parapsicologiche
DALLA MANUTENZIONE STRADALE AL MIGLIORAMENTO TERRITORIALE: IL GLOBAL ROAD MANAGEMENT SYSTEM (GRMS)
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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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