1,721,849 research outputs found

    SiPMs for Dual-Readout Calorimetry

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    A new fibre-sampling dual-readout calorimeter prototype has been qualified on beam at two facilities (DESY and CERN) using electrons from 1 to 100 GeV. The prototype was designed to almost fully contain electromagnetic showers and a central module (highly granular readout) was equipped with 320 Silicon Photomultipliers (SiPMs) spaced by 2 mm and individually read out. The test beams performed in 2021, allowed to qualify the readout boards used to operate the SiPMs, to define the calibration procedure and to measure the light yield for scintillating and Cherenkov signals produced by the shower development. This paper reports the first results obtained with the highly granular readout and discusses the ongoing R&D to address some open questions concerning the mechanical integration and the scalable readout scheme that will allow to build and operate the next prototype designed for hadronic showers containment

    An interval framework for uncertain frequency response of multi-cracked beams with application to vibration reduction via tuned mass dampers

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    The paper addresses the frequency response of beams in presence of open cracks with interval parameters. On adopting the standard Euler–Bernoulli beam theory, every crack is modelled as a linearly-elastic rotational spring whose stiffness and position are treated as uncertain-but-bounded parameters. A two-step method is proposed to calculate the bounds of all response variables. First, the sensitivity functions of the response are calculated as every uncertain parameter varies within the respective interval. Next, the bounds of the response are computed by either a sensitivity-based method or a global optimization technique, the former if the response is monotonic with respect to all uncertain parameters and the latter if the response is non-monotonic with respect to even one parameter only. The method relies on analytical forms for all response variables and the associated sensitivity functions. The applications focus on the frequency response of multi-cracked beams equipped with tuned mass dampers, showing potential and accuracy of the method

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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