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Bos primigenius Bojanus, 1827 from the early Late Pleistocene deposit of Avetrana (Southern Italy) and the variation in size of the species in Southern Europe: preliminary report
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Biochronology and palaeoenvironmental changes from the Middle Pliocene to the Late Pleistocene in Central Italy
No full textFIG. 9. — A in Biochronology and palaeoenvironmental changes from the Middle Pliocene to the Late Pleistocene in Central Italy
No full textFIG. 9. — A, comparison between the quantity of taxa (continuous line) and the turnover indices (dashed line) for the temporal intervals comprised in the Faunal Units for Italy; B, comparison between the quantity of taxa (continuous line) and the turnover indices (dashed line) for the temporal intervals comprised in the Faunal Units for Central Italy. In abscissa the values of number of taxa and turnover index. Abbreviation: MIS 2, Marine Isotope Stage 2.Published as part of Petronio, Carmelo, Bellucci, Luca, Martiinetto, Edoardo, Pandolfi, Luca & Salari, Leonardo, 2011, Biochronology and palaeoenvironmental changes from the Middle Pliocene to the Late Pleistocene in Central Italy, pp. 485-517 in Geodiversitas 33 (3) on page 505, DOI: 10.5252/g2011n3a4, http://zenodo.org/record/538124
Bos primigenius Bojanus, 1827 from the early Late Pleistocene deposit of Avetrana (Southern Italy) and the variation in size of the species in Southern Europe: preliminary report
Full text linkVery abundant remains of Bos primigenius have been recovered in the early Late Pleistocene site of Avetrana (southern Italy). The site is characterized by a karst filling originated from a series of almost coeval depositional events. This discovery represents a rare record in the early Late Pleistocene of southern Europe. Biometrical analysis of the metapodial bones of aurochs from Avetrana gave the cue to examine the evolutive trend of the species in southern Europe, from the Middle Pleistocene to Holocene. This trend is characterized by an increase in size of the metapodial bones from Middle Pleistocene to early Late Pleistocene and to a decrease in size of the same during the late Late Pleistocene and Holocene. Also, the variations in size are compete by change in shape of the metapodial bones. These variations seem to be related with climatic fluctuations and competitions with Homo and Bison. At least, five evolutive stage are recognized; they are an important tool for the biochronological correlations among the Pleistocene sites of southern Europe
FIG. 1 in Biochronology and palaeoenvironmental changes from the Middle Pliocene to the Late Pleistocene in Central Italy
No full textFIG. 1. — Distribution, first occurrences and last occurrences of the main macromammals on the Italian peninsula. Selected large mammals numbers: 1, Anancus arvernensis; 2, Tapirus arvernensis; 3, Sus minor; 4, Mammut borsoni; 5, Stephanorhinus jeanvireti; 6, Leptobos stenometopon; 7, Axis lyra; 8, Ursus minimus; 9, Acinonyx pardinensis; 10, Homotherium latidens; 11, Chasmaportetes lunensis; 12, Lynx ex gr. issiodorensis; 13, Megantereon cultridens; 14, Mammuthus gromovi; 15, Stephanorhinus etruscus; 16, Equus livenzovensis; 17, Gazella borbonica; 18, Nyctereutes megamastoides; 19, Croizetoceros ramosus; 20, Eucladoceros falconeri; 21, Pliocrocuta perrieri; 22, Mammuthus meridionalis meridionalis; 23, Equus stenonis; 24, Leptobos merlai-furtivus; 25, Macaca sylvanus; 26, Gazellospira torticornis; 27, Gallogoral meneghinii; 28, Canis etruscus; 29, Sus strozzii; 30, Vulpes alo-Published as part of <i>Petronio, Carmelo, Bellucci, Luca, Martiinetto, Edoardo, Pandolfi, Luca & Salari, Leonardo, 2011, Biochronology and palaeoenvironmental changes from the Middle Pliocene to the Late Pleistocene in Central Italy, pp. 485-517 in Geodiversitas 33 (3)</i> on page 490, DOI: 10.5252/g2011n3a4, <a href="http://zenodo.org/record/5381249">http://zenodo.org/record/5381249</a>
Coupling basin infill history and mammal biochronology in a Pleistocene intramontane basin: The case of western L'Aquila Basin (central Apennines, Italy)
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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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