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    J. S. Wolf

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    Portrait of J. S. Wolf, MBA graduate of 1963

    Ruth S. Wolf papers

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    Ruth S. Wolf was a member of the Prince George's County Board of Education from 1968 to 1973, serving as board president during the 1970-1971 school year. The papers document the activities of the Prince George's County Board of Education and the desegregation of the county public schools. The collection consists of clippings, correspondence, court documents, maps, memoranda, minutes, press releases, publications, reports, statements, statistical information, and working papers

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    S. M. S. Wolf

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    S. M. S. WOLF S. M. S. Wolf ( - ) Cover ( - ) Imprint ( - ) [Abb.]: S. M. S. „Wolf" mit „Wölfchen" an Bord. ([2]) Title page ([3]) Inhalt ([5]) Die Ausfahrt ([7]) Unter der Linie ([15]) [Abb.]: Schnee und Eis im Nordatlantik. ( - ) [Abb.]: Vorschiff des „Wolf". (-) [Abb.]: Waffenreinigen an Bord. (-) [Abb.]: Linien-Taufe: Neptun mit Gefolge. (-) [Abb.]: Linien-Taufe: Die schwarzen Trabanten Neptuns. (-) [Abb.]: Linien-Taufe: Die Taufe im Badesegel. (-) [Abb.]: Bord-Musik während der Linien-Taufe. (-) Minen ([23]) [Abb.]: Maskiertes Heck-Geschütz. (-) [Abb.]: Sonntagsmusterung an Bord. (-) [Abb.]: Gefangener Albatros. (-) [Abb.]: Gefangener Haifisch wird zerlegt. (-) Ein alter Bekannter ([32]) [Abb.]: „Wolf" geht bei „Turritella" längsseit, um sie als Hilfskreuzer (Iltis) auszurüsten. ( - ) [Abb.]: Englischer Dampfer „Jumna". (-) [Abb.]: „Jumna" wird versenkt. (-) [Abb.]: Der englische Dampfer „Wordsworth". (-) [Abb.]: „Wordsworth" im Sinken. (-) [Abb.]: Dreimast-Segler „Dee" aus Mauritius. (-) [Abb.]: „Dee" sinkt. (-) „Wolf" jagt weiter ([41]) [Abb.]: Bei den Sonntags-Inseln. (-) [Abb.]: Fischfang bei den Sonntags-Inseln. (-) [Abb.]: „Wolf" bei den Sonntags-Inseln, aus 600 Meter Höhe vom Vulkan aus aufgenommen. ( - ) [Abb.]: Bucht an den Sonntags-Inseln. ( - ) [Abb.]: Kratersee eines erloschenen Vulkans auf den Sonntags-Inseln. ( - ) [Abb.]: Der vom „Wölfchen" bei den Sonntags-Inseln aufgebrachte Neuseeländer Dampfer „Wairuna" wird zum Löschen der Ladung längsseit genommen. ( - ) [Abb.]: Segler „Winslow" wird gesprengt. (-) [Abb.]: Der„verunglückte" Dampfer Cumberland. (-) Innere Explosionen ([54]) Anita ([59]) [Abb.]: „Beluga" wird angehalten. (-) [Abb.]: „Beluga" in Fahrt (-) [Abb.]: Anita, die „Bordplage". ( - ) [Abb.]: Sonntag-Nachmittag an Bord. Konzert der Bord-Kapelle. ( - ) [Abb.]: Dampfer „Matunga" wird vor Neuguinea längsseit genommen. (-) [Abb.]: „Matunga" wird versenkt. (-) Captain Donaldsen ([66]) [Abb.]: Eingeborenen-Boot von Neuguinea. (-) [Abb.]: Eingeborene von Neuguinea. (-) [Abb.]: Begräbnisstätte der Eingeborenen in Neuguinea. ( - ) Die Gefangenen brechen aus ([73]) [Abb.]: Eingeborenenhütte von Neuguinea. (-) [Abb.]: Eingeborene von den Malediven. (-) [Abb.]: Eingeborener Häuptling von den Malediven auf seiner Dhau. ( - ) Die gestörte Nachtruhe ([79]) [Abb.]: Japanischer Dampfer „Hitachi Maru". (-) [Abb.]: „Hitachi Maru" wird versenkt. (-) [Abb.]: Rettungsboote der „Hitachi Maru". (-) [Abb.]: „Hitachi Maru" längsseit „Wolf". (-) Hitachi Maru ([82]) [Abb.]: Kapitän Tominaga vom japanischen Dampfer „Hitachi Maru". ( - ) [Abb.]: Funkenstation der „Hitachi Maru". ( - ) [Abb.]: Promenadendeck auf „Hitachi Maru". (-) [Abb.]: Munitionskammer auf „Hitachi Maru". (-) [Abb.]: Die Besatzung mit der „Wolfs"-Hundemeute. ( - ) Unsere Menagerie ([93]) [Abb.]: „Wölfchen" an Bord. (-) [Abb.]: Plantage an Bord. (-) [Abb.]: „Wölfchen" geht auf See nieder. (-) [Abb.]: Unfall des „Wölfchen". (-) [Abb.]: „Wölfchen" ([99]) [Abb.]: Prise „Igotz Mendi". (-) [Abb.]: Prisen-Kommandant Oberleutnant z. S. d. R. Rose auf „Igotz Mendi" mit dem spanischen Kapitän und zweitem Offizier. (-) [Abb.]: Kohlenübernahme von „Igotz Mendi". (-) [Abb.]: Kohlenumtrimmen auf „Wolf". (-) Die Gefangenen ([107]) [Abb.]: Letzte Kohlenübernahme von „Igotz Mendi". (-) [Abb.]: „Kohlenfrühstück". (-) [Abb.]: Passagiere vom Dampfer „Matunga". ( - ) [Abb.]: Gefangene sehen einer Versenkung zu. ( - ) [Abb.]: Farbige Engländer aus Mauritius vom Segler „Dee". (-) [Abb.]: Gefangenen-Typen: Chinesen. (-) [Abb.]: Australische Kapitäne. ( - ) [Abb.]: Gefangene Inder. (-) [Abb.]: Portugiesische Soldaten. (-) Wasser im Raum! ([126]) [Abb.]: „John Kirby" im Sinken. (-) [Abb.]: Norwegische Bark „Storo brore". (-) [Abb.]: Französischer Segler „Maréchal Davout". ( - ) [Abb.]: Die Besatzung des Hilfskreuzers „Wolf" nach Ankunft im Heimathafen Kiel. ( - ) [Abb.]: Heimkehr nach 15monatiger Fahrt. (-) [Abb.]: Begrüßung beim Einlaufen in den Heimathafen. (-) Heimkehr ([141]) [Abb.]: Die Wolfmannschaft in Berlin. Der Zug passiert die Linden. An der Spitze Fregattenkapitän Nerger. ( - ) [Abb.]: Empfang der Wolfmannschaft in Berlin. Die Kaiserin mit den Kronprinzensöhnen. ( - ) Advertising ( - ) Cover ( -

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    The linking role of the Alps in past cultures: An archaeometric approach. Preface.

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    The Alps cover a large area characterized by a pronounced relief that has been shaped by glaciers and which, historically, has been arbitrarily separated by political frontiers. Arguably, no other natural landscape in Europe has influenced our imagination as powerfully as the Alps. The Prealps and the Alpine foreland are also considered as part of the Alpine region because of geographical, cultural and historical links. Alpine climate, landforms, and hydrography, together with flora and fauna, form a complex environmental system that has determined the nature of the colonization and exploitation of the region by man. The Alpine habitat displays unique characteristics due to its richly diverse prehistory and history, which have yet to be comprehensively and coherently studied
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