1,720,988 research outputs found
André Kertész : the pleasure of reading
No full textCatalogo di una mostra itinerante, prima vernice Fnac Forum Parigi,1999. Selezione di fotografie di Kertèsz sul tema della lettura
Da una Cina all'altra : la fotografia del periodo maoista
No full textla fotografia maoista come strumento idelogico, rivista e rivalutata oggi alla luce delle nuove problematiche politiche e della cultura visiva contemporane
Leo Matiz : l'occhio divino
No full textCatalogo della prima grande retrospettiva del lavoro di Leo Matiz, fotografo colombiano. Mostra e catalogo presentano materiale d'archivio inedito selezionato dalla curatrice
Scala diva : Erio Piccagliani fotografo alla Scala : 1950-1979
No full textCatalogo degli archivi fotografici del Teatro alla Scala di Milano; mostra itinerante tenutasi a Parigi, Lille, Lodra, Houston, Messina
Lucien Hervé : fotografie di architettura
No full textcatalogo di una mostra itinerante di fotografie di Lucien Hervé sulle rchitettue di Le Corbusie
Il volto in tensione : ritrarre il ritrarsi= The face in tension=Portraying the withdrawal
No full textThe contribution – an introduction to Max Cardelli's catalogue of photographs 1996-2016 – addresses the question of the photographic portrait in relationship to portraiture in painting
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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