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    Infedeltà e diritti in Francisco de Vitoria e nella Escuela de Salamanca

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    Si prende in esame l’ampliarsi della categoria medievale di ‘infedeltà negativa’ e il suo modificarsi in ragione di una maggior tolleranza grazie alla riflessione sugli indios americani della Escuela de Salamanca

    La sabiduría mística: entre beatitud y melancolía. Reflexiones sobre los tres signos de Taulero y su interpretación en san Juan de la Cruz

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    The work investigates the passage from meditation to contemplation in Saint John of the Cross. In describing the path towards union with God, which the mystic can only achieve after the purification of the active and passive night of the spirit, the Carmelite offers three signs to understand if the theopathic subject is prepared for contemplation and can, therefore, leaves the meditation stage. However, the three signs, already formulated by Juan Taulero in the Institutiones divinae, are here reinterpreted in the light of a very widespread pathology in the 16th century: melancholy

    L’ordito e la trama: legge naturale e diritti umani in Jacques Maritain

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    Il saggio vuole mostrare, ripercorrendo le fasi principali della sua riflessione essenzialmente dal 1942 al 1948, come Maritain imbastisca il suo discorso sui diritti umani tenendo presente sempre due “vettori” che dirigono la vita umana, e che si intersecano e si condizionano vicendevolmente, uno verticale, orientato alla realizzazione della persona nello spazio della trascendenza, e uno orizzontale, indirizzato alla sua realizzazione nella società

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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