7,095 research outputs found
Joseph S. Wright
No full textJoseph S. Wright, D.D.S. was a professor of prosthetic dentistry in the St. Louis University School of Dentistry. [Image published in the 1917 Fleur De Lis, p. 30
Marcus Joseph Wright memoirs, MSS.1585
No full textAbstract: An incomplete typescript copy (18 pp.) of, "Memoirs of Brigadier General Marcus J. Wright, CSA."Scope and Content Note: The collection contains an incomplete typescript copy (18 pp.) of, "Memoirs of Brigadier General Marcus J. Wright, CSA," which includes a family genealogy, and accounts of his early life in Tennessee and his career.Biographical/Historical Note: Confederate General and author from Tennessee
Regarding the use of the Meeting House in Norwich, VT, 12 January 1835
No full textSubscription list regarding the use of the Meeting House in Norwich, Vermont, dated 12 January 1835. Subscribers include Alden Partridge, John Wright, and Joseph Emerson.Transcription by Raymond Bouchard. Transcriptions may be subject to error
Raymond T. Wright Church Group Photograph
No full textThis is a photograph of Raymond T. Wright with men from the First Baptist Church in Huntsville, Texas. From left to right: Cecil Adickes, Drury Phillips, Robert Smicker, Dr. R.C. Stiernberg, [Ottie?] Barrett, Tom Ball, Raymond [Devis?], Raymond Wright, Max Jones, R.M. Hawkins, L.K. Westmoreland, C.Y. Townley, and Joseph [Grezga?]. This photograph was made sometime in the 1950's
Joseph Wright of Derby: His inspirations and symbols
No full textThe purpose of this thesis is to analyze and expand on the use of symbolism in some of Wright's paintings depicting portraiture, landscape, mythology, and history. Although Wright never directly addressed the use of symbolism in his work, observations/interpretations can be formed based on contextual information. Five paintings are analyzed in this thesis in regard to Wright's use of symbols. Other pieces of art are referenced; however, their inclusion is only intended to augment the expansion of information about Wright's work and to substantiate a particular interpretation of his artwork. This thesis is arranged in such a way as to provide a discussion of Joseph Wright's association with the Enlightenment, Industrial Revolution, members of the Lunar Society, and their impact on his artworks. Research was conducted by examination of peer-reviewed and scholarly periodicals, books, and Internet sources
Rites of passage in Richard Wright's fiction: from chaos to a new wor (l) d
No full textDissertação (Mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e ExpressãoBaseada numa literatura densa de The Rites of Passage, de Arnold Van Gennep, esta análise investiga a forte relação entre o padrão tripartido dos ritos de passagem de acordo com Van Gennep e as vidas de dois protagonistas de Richard Wright: Bigger Thomas (Native Son) e Cross Damon (The Outsider). As peculiaridades das vidas de ambos os protagonistas foram estudadas, também, de acordo com a teoria de Houston Baker, Jr. dos "ritos do buraco /todo negro", a qual enfatiza a impossibilidade para o negro consciente de ser reincorporado à sociedade com um novo status, ou com uma nova consciência sobre a sua própria condição na vida. Os três estágios dos ritos de passagem foram também comparativamente estudados lado a lado com a teoria do ciclo do herói de Joseph Campbell
SIDE 1: Children of the Dreamers, Chapel. David Du Bois, Gamal Nkrumah, Julia Wright, Marcus Garvey, Jr. July 11, 1997, 7:00-9:30 pm
No full textThis audio recording features a panel discussion that is part of the 31st Annual Race Relations Institute at Fisk University in Nashville, Tennessee. The panelists that speak (in order) are Marcus Garvey, Jr., Julia Wright, Gamal Nkrumah, and David DuBois. The Race Relations Institute was created by Charles Spurgeon Johnson, Fisk's first African American president, to address divisions among racial, religious and ethnic groups.The Atlanta University Center Robert W. Woodruff Library acknowledges the generous support of the Joseph & Evelyn Lowery Institute for Justice and Human Rights, the Joseph Echols Lowery Irrevocable Trust, and other donors in supporting the processing and digitization of Morehouse College's Joseph Echols and Evelyn Gibson Lowery Collection
The Robie House of Frank Lloyd Wright
No full textThe Robie House in Chicago is one of the world\u27s most famous houses, a masterpiece from the end of Frank Lloyd Wright\u27s early period and a classic example of the Prairie House. This book is intended as a companion for the visitor to the house, but it also probes beneath the surface to see how the design took shape in the mind of the architect. Wright\u27s own writings, rare working drawings from the period, and previously unpublished photographs of the house in construction help the reader look over the shoulder of the architect at work. Beautiful new photographs of the Robie House and related Wright houses have been specially taken to illustrate the author\u27s points, and a bibliography on Wright is provided.https://nsuworks.nova.edu/nsudigital_flwbooks/1184/thumbnail.jp
1975 Morehead State University High School Band Clinic - Blake, Connell and Wright Bands
No full textSide 1 Trumpets and Tabards by Gladys S. Wright Festivo by Vaclav Nelhybel Cantabile by Frédéric Chopin Country & Western by Harold L. Walters Let there be Peace on Earth by Jill Jackson and Ralph Joseph Hermann High Plains by Vaclav Nelhybel Symphony No. 3, Finale by Gustav Mahler
Side 2 Meditation and Festive by Jared Spears Embarcadero by John F. Edmunds Kentucky,1800 by Clare Grundman Arietta for Winds by Frank Erickson Jamaican Folk Suite by Harold L. Walters Imperatrix by Alfred Ree
Impact of elevated N input on soil N cycling and losses in old-growth lowland and montane forests in Panama
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