1,725,443 research outputs found
Reminiscence of John Muir by S. Hall Young
Full text link[.Address before Laymen\u27s Missionary Conference, San Francisco, California] ALadEA BAYS WITH J0H1 LIUIH %7 S. Hall i\u27oung February 23, 1916. Your fellow Californian…https://scholarlycommons.pacific.edu/cs-jmr/1028/thumbnail.jp
Dr. James S. Hall, Record Room, James Walker Memorial Hospital
No full textDr. James S. Hall, Sr. received his degree in medicine from the University of Southern California in 1900 and became certified in North Carolina in 1921. He recorded the births, deaths and other vital statistics at James Walker Memorial Hospital
Letter from Sally S. Hall to her brother, 1 April 1843
No full textSally (Sarah S.) Hall (married named was Sarah S. Strow) writes from Reading, Vermont, to her brother James Ashton Hall in Cavendish, Vermont, about opportunities for her to teach various schools; letter is dated 1 April 1843.Transcription by Carina Berg. Transcriptions may be subject to error
Letter from S. Hall Young to John Muir, 1899 Aug 31.
Full text link3with Mr. Koonce sleeping, I got [sententious?] & [evolved?] the written so-called poem. It is poor, but you will read beyond the expression to the feeling that prompted it.I am to winter at Cape Nome. That is bound to be next summer, the greatest [ruining?] camp of the North. It is now the largest town in Alaska, and is only beginning. I have sent outside for materials for church & dwelling, and hope to organize a prosperous mission. We founded two promising ones this summer at Eagle & [illegible]. The conditions of life will be pretty severe at bleak Cape Nome this winter. You have seen this coast & know it. But I hope to do some good, & that is the only comfort & happiness after all. I am learning more & more to be independent of physical circumstance for my enjoyment.If you answer this immediately, addressing me at Cape Nome, Alaska, either by str. direct from San Francisco, or care of Rev. A.E. Hutchison, D.D. first Pres. Ch. Seattle, Wash, your letter will probably reach me before the ice pack [closes?] in. Write! Send me what you can about the trip of the Elder. Pity a lonely, bookless fellow - long, winter nights, eight months without possible communication, mind-hunger, soul-hunger!Yours as always,S. Hall Young02615https://scholarlycommons.pacific.edu/jmcl/27609/thumbnail.jp
Mrs. S. Hall
No full textMrs. S. Hall, b&w on tin, in paper frame folder Tintype is in a paper folder that serves as a frame, original. Broach and earring hand colored. Could be Eva Williams. Marriage certificate between S. Hall and Eva Williams in Cabell County on 03.10.1897 on file with West Virginia Archiveshttps://mds.marshall.edu/bliss_enslow_papers/1243/thumbnail.jp
Letter from S. Hall Young to John Muir, 1890 Apr 17.
Full text link014146the islands again. What full delight it would be to spend a few months with you again in canoe & forest! Oh! for a whiff of glacier air & a drink of glacier water! My arms have grown quite strong - haven\u27t been out for two years & a half. Please tell me in what number of the Pict. Cal. will the article on Alaska appear. Have you published, in accessible form, any other letters on Alaska or letters on your trip up [Lacource?]? If you have please give me the name of the publishers. I had one trip in Cal. full of enjoyment. I took my 8 year old Alaska last summer, & we went as far from settlements as we could get, up the San Bernardino Mts; & in a grand pine & cedar forest, by a beautiful trout stream, 8 miles from the nearest house, we spent a happy month, & I found health & strength & thought.014147Give my kindest regards to Mrs. Muir. It will always be a regret to me that I saw so little of her, & that Mrs. Y. failed to meet her. But the fault was not hers or yours, & on our part sad events made it impossible. Little Wanda must be a big girl - as old as my Alaska, whom I call Lassie. Now please write me again.Yours as ever,S. Hall Young.I shall of course send you my writings, when finished, as far as they relate to you, that I may not put in anything you would disapprove of. How is your fruit ranch doing?https://scholarlycommons.pacific.edu/jmcl/38146/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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