35,636 research outputs found

    Guy Tawney: The Perception of two Points not the Space-threshold. Psychol. Rev. II. S. 529-536. 1895. Selbstanzeige

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    GUY TAWNEY: THE PERCEPTION OF TWO POINTS NOT THE SPACE-THRESHOLD. PSYCHOL. REV. II. S. 529-536. 1895. SELBSTANZEIGE Zeitschrift für Psychologie und Physiologie der Sinnesorgane (-) Zeitschrift für Psychologie und Physiologie der Sinnesorgane (11) (a0001) Guy Tawney: The Perception of two Points not the Space-threshold. Psychol. Rev. II. S. 529-536. 1895. Selbstanzeige (11) (p0463

    Spectacular Developments: Guy Debord's Parapolitical Turn

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    Following the attacks of September 11th, 2001, Guy Debord’s concept of ‘the spectacle’ re-emerged in the work of a variety of theorists as a critical prism through which the attacks and subsequent ‘War on Terror’ could be approached. Debord’s first book on the spectacle (1967) was written in the context of France’s post-war boom; his later reflections, contained in a series of minor works written throughout the seventies and eighties, are heavily influenced by Italy’s ‘Years of Lead’ and a broader geopolitical climate of armed struggle, terrorism, counter-insurgency and espionage. Nearly all post-9/11 invocations of Debord’s concept draw on the version elucidated in Debord’s 1967 book, with its emphasis on commodity fetishism, ideology, and alienation, and fail to engage his later work and its focus on terrorism, secrecy, and conspiracy. Among those that do in fact reference Debord’s later work are several writers whose work could pejoratively be labelled ‘conspiracy theory’. Looking at Debord’s oeuvre as whole, and investigating how it combines a critique of late capitalism in its totality with parapolitcal concerns of ‘systemic clandestinity’, Spectacular Developments: Guy Debord’s Parapolitical Turn provides a bolstered conception of the spectacle that aims to reconfigure the conceptual foundations of this debate. This conception of the spectacle allows one to approach the 9/11 attacks and all that followed in their wake with both a precision and a breadth lacking in these other works, demonstrating the superficiality of readings that make the concept synonymous with the mass media or that attempt to unravel nefarious conspiracies of power. Simultaneously, this approach foregrounds the epistemological and strategic challenges faced by researchers, politicians and activists working in and on the society of the spectacle

    Guy S. Parcel

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    Black and white portrait photograph of Guy S. Parcel, Instructor in Health Education, 1966-67.https://thekeep.eiu.edu/archives_faculty_mr/1187/thumbnail.jp

    Guy S. Linn

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    Guy S. Linn May 6th 1912 June or July 1912 Dec- East or Nov. […] Hookhttps://scholarship.law.wm.edu/scinscriptions/1990/thumbnail.jp

    Guy S. Linn

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    Guy S. Linn May 6th 1912 June or July 1912 Dec- East or Nov. […] Hookhttps://scholarship.law.wm.edu/scinscriptions/1990/thumbnail.jp

    Maupassant contista traduzido em analogias brasileiras: paratextos

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    Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos da Tradução, Florianópolis, 2014O presente trabalho tem como objetivo principal analisar os elementos paratextuais presentes em doze antologias, dos séculos XX e XXI, traduzidas no Brasil, de Guy de Maupassant, autor francês do século XIX, pretendendo revelar como o autor e sua obra são apresentados ao leitor brasileiro, através dos paratextos. Foram analisadas somente as antologias traduzidas com contos do autor francês, não considerando as publicações mistas. O principal referencial teórico abordado foi fundamentado nas reflexões de Gérard Genette (2009) e Marie-Hèléne C. Torres (2011).Abstract: The main objective of this work is to examine the paratextual elements in twelve anthologies of the French author Guy de Maupassant's short stories, translated and published in the 20th and 21st centuries in Brazil, in order to disclose how the writer and his oeuvre are presented to the Brazilian reader, through the use of paratexts. I analysed only the translated anthologies with short stories from the author himself; anthologies that had other authors as well were not considered. The main theoretical framework was based on the reflections of Gérard Genette (2009) and Marie-Hèléne C. Torres (2011)

    Schéma (s) ? Vous avez dit schéma (s) ?

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    Denhière Guy. Schéma (s) ? Vous avez dit schéma (s) ?. In: Bulletin de psychologie, tome 35 n°356, 1982. Langage et compréhension. pp. 717-731

    Notice from Guy Robertson, Project Director, to the residents of Heart Mountain, October 1943

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    Notice from Guy Robertson to incarcerees regarding labor shortage, recruitment, and operations for agricultural laborers at Heart Mountain incarceration camp.The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications
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