4,308 research outputs found
Book review: El Sistema: orchestrating Venezuela’s youth, by Geoffrey Baker
No full textBook review of: El Sistema: orchestrating Venezuela’s youth, by Geoffrey Baker.
New York, NY: Oxford University Press, 2014; ISBN: 9780199341559
($35.00)Publisher PD
Adi Supriyadi & Ryan Saputra, 'Puanku Bulang Cahaya'
No full text<p>A live recording of the musical accompaniment by Adi and Ryan to the dance 'Puanku Bulang Cahaya' at the Gawai Seni Tanjungpinang 2011.</p><p><br></p><p>For more information about this recording, see Chapter 12, 'Malay art music composers and performers of Tanjungpinang and Pulau Penyengat’ by Geoffrey Benjamin, in Margaret Kartomi (ed), <i>Performing the Arts of Indonesia: Malay Identity and Politics in the Music, Dance and Theatre of the Riau Islands</i>, Copenhagen: Nias Press, 2019.<br></p><p><br></p>
Adi Supriyadi & Ryan Saputra, 'Puanku Bulang Cahaya'
No full textA live recording of the musical accompaniment by Adi and Ryan to the dance 'Puanku Bulang Cahaya' at the Gawai Seni Tanjungpinang 2011.For more information about this recording, see Chapter 12, 'Malay art music composers and performers of Tanjungpinang and Pulau Penyengat’ by Geoffrey Benjamin, in Margaret Kartomi (ed), Performing the Arts of Indonesia: Malay Identity and Politics in the Music, Dance and Theatre of the Riau Islands, Copenhagen: Nias Press, 2019.</p
Review: DanceX (Parts One and Two), Rhys Ryan, Dance Australia, 31 October, 2022.
No full textPDF file uploaded by the Theatre and Dance Platform for the 2022 performance of How To Be Us, Arts Centre Melbourne.Screen capture of reeview by Rhys Ryan for How To Be Us at Arts Centre Melbourne, VIC. Credits: Lucy Guerin with the dancers, Choreography; Lilian Steiner and Samatha Hines, Dancers; Geoffrey Watson, Costume Design; Paul Lim, Lighting Design; Katerina Stathis, Musical Composition; Estelle Conley, Producer; Brendan O'Connell, Executive Producer
Geoffrey Robertson on the History of Human Rights
No full textQueen\u27s Counsel, broadcaster and author Geoffrey Robertson has achieved international fame by defending high-profile cases, often representing victims of alleged human rights abuses. Here, at an event organised by Amnesty Australia, he gives a short history of human rights, from the Magna Carta to the present
‘Like a Mason Addressing a Block’: Materiality and Design in Geoffrey Hill’s Poetry
No full textThis is the author accepted manuscript. The final version is available from Shearsman Books via the ISBN in this recordNote change of chapter title between accepted and published versionsArguing against the notion that contemporary British poetry is either insular or apolitical, this essay takes a new, interdisciplinary approach to the twenty-first century poetic redeployment of European material culture. It takes as a case study the work of the contemporary British poet, Geoffrey Hill. Hill's poetry makes strategic use of the built environment, in order to negotiate both the European cultural inheritance and to foreground its importance in the British poetic imagination. Reinvesting in built structure on the page, Hill’s inter-artistic eye keeps his audience historically and politically attuned to the uses to which stones, tablets and building blocks are used and re-used across the arts (to attract new audience gazes; to both found and bolster artistic reputations). The powerful contribution of Italian, French and German design models to social, rhetorical and moral thought in British poetry have frequently been neglected in scholarship of contemporary British poetics. This essay offers a corrective, focusing on Hill's distinctive contemporary attention to this shared design politics. Hill's work foregrounds the importance of this European influence, and works consciously to redirect the way that contemporary British audiences understand poetry's complex cultural inheritance and its legacy
Veronica Ryan
No full textText in exhibition catalogue published to accompany the Arts Council Collection touring exhibition. Publication contains a survey text by Jon Wood and texts by the curators who were involved in the public presentation and discussion of the work at the time
Exhibition features works by Edward Allington, Eric Bainbridge, Kate Blacker, Helen Chadwick, John Cobb, Stephen Cox, Tony Cragg, Richard Deacon, Kenneth Draper, Gareth Fisher, Barry Flanagan, John Gibbons, Antony Gormley, Ian Hamilton Finlay, Tim Head, Shirazeh Houshiary, Anish Kapoor, Michael Kenny, Andrew Logan, David Nash, Martin Naylor, Julian Opie, Eduardo Paolozzi, Emma Park, Cornelia Parker, Carl Plackman, Elizabeth Rosser, Veronica Ryan, Michael Sandle, Geoffrey Smedley, William Tucker, William Turnbull, Jean-Luc Vilmouth, Richard Wentworth, Alison Wilding, Richard Wilson and Gary Woodle
Embedding research into clinical practice: The services, pathways access - research and knowledge (SPARK) study
No full textNiranjan Bidargaddi, Geoffrey Schrader, Cynthia Piantadosi, Robert Adams, Bronwyn Ryan, Jennifer Williams, and Jörg Strobe
Rewriting Modernity
No full textThis article rereads Paul Virilio, drawing on the distinctionbetween topography and topology to argue a case for Virilio as a rewriter of modernity. Invoking Jean-François Lyotard’s notion of rewriting modernity as an unbroken process of accumulation founded on affective life in “Re-writing Modernity” and “Argumentation and Presentation: The Foundation Crisis,” it enlists topology as a horizontal spatial structure that enables us to rethink space, time,and modernity outside the limits of the “squared horizon,” where the“squared horizon” is viewed as a spatial and textual metaphor for framing perspectives on the past, present, and future. The analysis deconstructs the topography of the “squared horizon” as a relationality in an unfolding continuum, where spaces exist ontologically and where the immaterial forces of the dromospheric and the atmospheric generate a relational and historical connectedness
A challenge to publish books in Zambia!
No full textGeoffrey Musonda, author and engineer, about the challenge of publishing books in Zambia and to market Zambian literature globally.</p
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